
#extradirty
PUT YOUR BEARD IN MY MOUTH
Cosimo Galluzzi

ellievsbear
todays bird

Discoholic 🪩
Claire Keane
Sweet Seals For You, Always
Jules of Nature
NASA
One Nice Bug Per Day

❣ Chile in a Photography ❣

Love Begins

🪼
hello vonnie

Kiana Khansmith
Three Goblin Art
we're not kids anymore.
AnasAbdin

seen from Malaysia

seen from Malaysia
seen from United States
seen from Argentina
seen from United States
seen from United States
seen from United States

seen from Brazil

seen from Malaysia
seen from United States
seen from United States
seen from United States
seen from Malaysia

seen from Mexico
seen from Mexico

seen from Australia

seen from China
seen from United States

seen from United States
seen from United States
@mpmfcf

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Ann Veronica Janssens
Sara Shakeel Turns Stretch Marks Into Glittery Works Of Art
“accidental” collage artist Sara Shakeel reveres stretch marks by filling them with glitter. They are, after all, symbols of a women’s experience and growth—so why shy them?
さらに読む
Robert Longo’s charcoal drawings resist traditional expectations of medium. His process often begins with a photographic image found online, which he will amplify, re-compose, or juxtapose with other images before translating into charcoal. In layers of fragile black dust, Longo builds remarkably sculptural, meticulously detailed forms at an imposing scale unusual for drawing.
The striking finished artwork is a meditation on how we digest images—and what they tell us about the world—using technical innovation to emphasize their power and complexity.
Posted by Sara Softness Process timelapse and finished photograph of Robert Longo (American, born 1953). Untitled (Raft at Sea), 2017. Charcoal on mounted paper, 140 x 281 in (355.6 x 713.7 cm). © Robert Longo, Private European Collection. (Process photos coutesy of the artist, final image courtesy of the artist and Metro Pictures, New York)

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“The bridge to Rikers Island is called the Bridge of Pain. You’re on this bus. You see the city behind you. And in front of you, you see nothing but four walls. I was sent there for a year when I was nineteen years old. My friends and I got caught stealing copper pipes from a construction site. All of us grew up together. I thought they had my back. But none of them came to see me in prison. I had zero visits. Nobody put money in my account. So I haven’t talked to any of those guys since I got out. I work two jobs now. I stay out of trouble. I’m trying not to be a negative person anymore. I still have anger problems. I think it’s because there was so much yelling and violence in my house growing up. But whenever I feel the anger coming on, I just close my eyes and rub my ears. My baby brothers used to rub my ears when I was growing up. When things got bad in the house– it always used to calm me down.”
Mark Handforth.
Steven Meisel, Azzedine Alaia, 1987
Naomi Campbell at Azzedine Alaïa F/W 1991
Ezra’s Instastory 11/7/17

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Ezra & Rashida in Ava DuVernay’s Instastory 10/14/17
Balenciaga ss18 collection [my favorite show]
it’s tomato, basil, and mozzarella, but now it’ll get you lit
For The Love Of God. 2007. Damien Hirst The actual skull sculpture featured on Neo Yokio
EZRA KOENIG EXPLAINS HOW NEO YOKIO INSPIRED THE NEXT VAMPIRE WEEKEND ALBUM
THE NETFLIX CARTOON STARRING JADEN SMITH IS A WONDERFUL SURPRISE.

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The Blue Hour in Queens, NYC
https://www.instagram.com/nowyourecool/