Hey, hey, morceguinhos!! Adivinhem quem acabou de abrir comissões? Isso mesmo, euzinhw aqui XD e pra deixar ainda melhor, tá com 20% OFF por tempo limitadíssimo!
Valores com 20% OFF devido à promoção de lançamento.
Contato :: @morg_an1978 no Instagram
Termos de serviço ::
Coisas que não faço
NSFW (Conteúdo inapropriado para menores de 18 anos);
Gore muito pesado, como por exemplo órgãos e essas coisas;
Furrys, mas só porquê ainda não tenho o conhecimento necessário para isso;
Partes íntimas e homens sem camisa;
Cenários;
Armaduras extremamente complexas;
Shipps com qualquer fator ilegal;
Animais.
Coisas que faço
Self-Ship (você + personagem de mídia qualquer);
Gore leve;
Fanart;
Oc's (personagens originais)
Ships não ilegais.
Por onde vamos nos comunicar?
– Pelo chat privado do instagram, assim que concluir o formulário, você pode entrar em contato comigo !!
Em relação ao tempo:
– Após o contato pelo instagram irei checar suas respostas deste formulário ou irei lhe enviá-lo, com a checagem do pedido concluída, seu desenho estará pronto e será enviado entre o período de duas semanas.
Sistema de Feedbacks
– Ao fim da checagem você receberá um total de 3 feedbacks, o 1° (primeiro) quando os detalhes e as partes importantes estiverem definidas e o rascunho finalizado; o 2° (segundo) quando a line arte e/ou as cores básicas forem adicionadas; e o terceiro e último quando o desenho estiver oficialmente pronto.
A arte é nossa - Direitos autorais
– Você paga pela comissão mas eu sou a pessoa quem a produziu, logo, minha assinatura estará contida no desenho. Se solicitado, a assinatura será removida gratuitamente apenas em caso de uso pessoal. Caso a comissão seja para uso comercial, a assinatura será removida após o pagamento de 5% (cinco por cento) do valor final da obra, entretanto a @ (arroba) da minha conta do instagram estará presente.
Forma de pagamento
Há duas formas existentes de pagamento no momento:
Pagamentos via PIX no modelo 50/50, onde 50% (cinquenta por cento) do valor final é pago após a checagem do pedido e os outros 50% (cinquenta por cento) são pagos ao fim do serviço;
Pagamento via PIX no modelo 100/0, onde 100% (cem por cento) do valor final é pago após a checagem do pedido.
Reembolsos
Estilo #1 renderizado, estilo #2, #3 e #4 ::
– Caso o cancelamento do pedido for solicitado antes do 2° (segundo) feedback, 100% (cem por cento) do valor final será reembolsado. Caso o cancelamento do pedido for solicitado durante o processo do 2° (segundo) feedback, apenas 50% (cinquenta por cento) do valor final será reembolsado. Caso o cancelamento do pedido for solicitado após o 2° (segundo) feedback, 0% (zero por cento) do valor final será reembolsado.
Estilo #1 rascunho colorido ::
— Caso o cancelamento do pedido for solicitado antes do 1° (primeiro) feedback, 100% do valor final será reembolsado. Caso o cancelamento do pedido for solicitado durante ou após o 1° (primeiro) feedback, 50% do valor final será reembolsado. Caso o cancelamento do pedido for solicitado durante ou após o 2° (segundo) feedback, 0% do valor final será reembolsado.
Estilo #1 rascunho ::
— Caso o cancelamento do pedido for solicitado durante a checagem, 100% do valor final será reembolsado. Caso o cancelamento do pedido for solicitado durante ou depois do 1° (primeiro) feedback, 0% do valor será reembolsado.
Referências
– Eu não trabalho sem uma referência inicial. Caso você não tenha foto de referência, podemos procurar por ela e se mesmo assim a referência não for encontrada, podemos construí-la com recorte de fotos. A Única exceção para essa regra é em caso de liberdade artística.
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Everything I've ever done of Vince; in honor of the end of TADC
Self-insert alert 🗣️
This made me realize that I don't have that much stuff of them
Okay, since I don't have that many drawings, here comes the lore ::
I don't know if you've noticed this, but I'm not fluent in English, so I use Google Translate to try and make my sentences more coherent, but it doesn't always work, So, if you notice anything wrong or nonsensical, don't hesitate to ask. I'll do my best to explain and correct the error afterward
No dates will be mentioned here; I'm still waiting for episode 9 to be officially released so I can rewatch it and pay closer attention to the years and everything else, and only then create a timeline that makes sense in chronological order
So, like, they're young adults in college studying art history, but this is the third time they've changed majors because they have no idea what they want to do with their lives and are TERRIFIED of the idea of being real adults. To give you an idea of how lost they are, they started with Law, dropped out and went into Architecture, and only then did they switch to art history, but they were already starting to consider Film or Law again
After a really awful day of classes, they decided to take a walk around town, and that's when they remembered a place they'd wanted to visit for a while: the abandoned C&A building. When they were studying law, they'd heard about a small tech company that had suddenly closed its doors, and people had heard that the building had been left behind with all the computers. The story became 'popular' when the landowner saw the dilapidated building and the paperwork showed that the company was still active. They went to the building, and they liked how dark it was and how the tension of the place made everything outside seem insignificant.
After just wandering around for half an hour, they heard what they thought were footsteps and—fearing the building was occupied by homeless people—they ran aimlessly down the emergency stairs until they found a dusty room that looked like an office. They looked around and everything seemed untouched, almost as if the place had been evacuated. The cubicles remained with the personal belongings of the people who stayed in them: family photos, a mug with coffee grounds, computers decorated with stickers, small things that reminded them of the real world. Morgan felt unwell, but he wasn't sure why; suddenly, the darkness that had made them forget the pressure of the world seemed too suffocating, too real. Morgan sat at the foot of a desk without a chair, grabbed his knees and settled into the dust, then, with a small dull thud, the headset fell to the floor
Their curiosity and desperate desire to focus on anything other than their own thoughts led them to put the headset on, and then all they saw were colors, many vibrant colors, a flying set of dentures, bubbles with sharp teeth, a giant purple rabbit, a frog with a bow, a rag doll, a chess piece, and various strange things... It seemed like a fantasy world, far from the worries of being an adult or the responsibilities that kept them awake at night
I imagine the rest is easy to interpret; in any case, I'll leave talking more about them until everyone has watched episode nine, I really don't want to risk saying anything that could compromise someone's experience
RAPHAEL, PLEASE DON'T LEAVE ME 🤤🤤🤤🤤I love how Aaron is simply Castiel + Valkyon, it's so amazing, stop
It's so difficult to transform these female characters into myself, as a non-binary person, without feeling disgusted
I think I'm going to disappear for a bit now because I'm putting all my energy into The Arcana, and then I'll still have to think about what my MC looks like
Notice how it's always a dumb blonde?
I hate coins, but at least it's the weekend of infinite keys 👅
This stupid mini-game is so much fun, I need to play it more than three times a day
Tumblr, I want to post more than ten photos, for God's sake 💔
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Two versions due to the lore, Below are some explanatory images; I hope you enjoy them
Same shoes because I'm a lazy wimp
HOW DO YOU GUYS DO THOSE AMAZING IMAGE EDITS???? I NEED THOSE TUTORIALS NOWWWW
Next stop, Eloise from Moonlight Lovers but in Morgan's dialect 🤤🤤🤤🤤
Are you all going to hate me if I've changed the game's lore even a tiny bit? 🥺
"WTF, wdym, you idiot?!!"
Like, they're totally normal humans, they don't even have violet eyes. But then, when the test happens, the chemical reaction not only produces fire in their hands but also turns their hair pink
Ykhar will research the unique chemical reaction instead of humans with violet eyes X]
Ah, about the braids, Mery and Alajéa did them for them outside the HQ during a free afternoon, and Morgan purposefully chose the colors without revealing the reason for each one. Even so, at some point, each of the boys [Valkyon, Ezarel, and Nevra] became aware of the colors that represented them.
All this just so that in the new era, Valkyon's braid is almost falling out (they refuse to remove the last thing that remains of him) and during an argument with Ezarel, they cut off his part of the braid LOL
"Oh, but so dramatic, you're too sensitive"
YES I AM, LEAVE ME ALONE
It's so cool to talk to myself while I write this, oh my god
eu sou obcecada por moonlight lovers e particularmente acho um dos melhores otomes em quesito de história mas me frustra muito que o fandom é TÃO vazio
tipo cadê as pessoas com bom gosto para admirar algo tão bom assim???
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My MC n Naty bc I love her n I really wanted to draw her in a ball dress :]
I kind of loved this drawing
🇧🇷Para os brasileiros curiosos :: Com a promoção de 20% —caso esse desenho fosse comissão— ficaria em torno R$45,60. Gostou? Dá uma olhada no post fixado XD
— When you tell Ominis he has a beautiful smile, he admits no one's ever said that before.
He didn't smile often.
You'd noticed this within your first week at Hogwarts, back when you'd been the new fifth-year and he'd been the reserved Slytherin who spoke in careful, measured tones and kept most people at arm's length.
When he did smile, it was usually sardonic—a twist of his lips that suggested he found the world more amusing than agreeable. Sometimes it was polite, the kind of expression he wore during social obligations he couldn't avoid.
But genuine smiles? Those were rare enough to be remarkable.
You'd seen one exactly three times in the months since you'd befriended him.
Once, when Sebastian had made a particularly terrible pun and Ominis had been so caught off guard he'd laughed before he could stop himself.
Once, when you'd described the sunset over the Black Lake in such detail that he'd said, "I can almost see it," and smiled like you'd given him something amazing.
Once, just last week, when you'd successfully brewed a perfect Wit-Sharpening Potion and he'd been able to tell by scent alone, pride evident in the curve of his mouth.
You'd collected these smiles like treasures, catalogued them, replayed them in your mind during dull History of Magic lectures.
Which was probably pathetic, but you'd stopped pretending your feelings for Ominis were anything less than catastrophic sometime around October.
Now it was February, and you were in the Undercroft—the secret space Sebastian had shown you, that Ominis had reluctantly allowed you to share—working on Charms homework while Ominis practiced a complicated spell sequence.
"It's the wand movement," he was muttering, frustrated. "I can feel it's wrong, but I can't—"
"Here," you said, setting down your quill. "May I?"
He hesitated, then nodded, extending his wand hand.
You moved closer, gently guiding his wrist through the proper motion. "It's more of a spiral than a circle. Like this—feel the difference?"
His fingers twitched slightly under your guidance, learning the movement. "Yes. That's—yes, I see."
You smiled at his choice of words. Ominis always said "see" despite his blindness, and you'd learned it wasn't carelessness but rather his own form of defiance—refusing to let his lack of vision define his language.
"Try it now," you said, stepping back.
He performed the movement perfectly, and the spell ignited with a soft shimmer of light.
"Excellent!" you said. "That was perfect."
"Only because you showed me." But he was smiling—really smiling, not the sardonic twist or polite expression, but something genuine and unguarded.
The words were out before you could stop them: "You have a beautiful smile."
The smile vanished instantly. Ominis went very still, his pale eyes widening slightly, and you watched color creep up his neck.
"I—" you started, mortified. "I'm sorry, that was—"
"Don't apologize." His voice was quiet, careful. "I just—no one's ever said that to me before."
"Well, they should have." You were committed now, apparently, your brain-to-mouth filter completely abandoned. "Because you do. Have a beautiful smile. You don't use it nearly enough, and when you do, it's—"
You stopped yourself before you could say something truly mortifying like "devastating" or "the best part of my day."
Ominis turned toward you with that uncanny precision he had, as though he could see you despite the cloudiness of his eyes. "You're staring."
"How can you possibly know that?"
"You're quiet. You're never quiet. And I can hear your breathing change when you look at me." A pause. "You do that a lot, actually. Look at me."
Your face was burning. "I don't—"
"You do." He stepped closer, and there was something different in his expression—tentative, almost vulnerable. "Sebastian's mentioned it. Said you watch me when you think I'm not paying attention. Which is ironic, considering."
"Sebastian needs to learn to keep his mouth shut," you muttered.
"He also said—" Ominis stopped, seeming to reconsider. "Never mind."
"No, what did he say?"
"It doesn't matter."
"Ominis."
He sighed, that particular exasperated sound he made when you were being persistent. "He said you look at me the way people look at art in museums. Like I'm something worth studying. Worth..." He trailed off, jaw tightening.
"Worth what?"
"I don't know. Worth seeing, I suppose." He laughed, but there was no humor in it. "Which is absurd, because I'm a Gaunt. We're not particularly known for being worth much beyond our bloodline and our cruelty."
Your heart clenched. "You're not like them."
"How would you know? You've been here less than a year."
"I know because you helped me with Potions when you didn't have to. Because you stand between Sebastian and his worst impulses. Because you refuse to use Unforgivable Curses even when it would be easier. Because—" You stepped closer, close enough to see the silver flecks in his pale irises. "Because when you smile—really smile, not that sardonic thing you do—it transforms your entire face. Makes you look happy. And I don't think you let yourself be happy nearly enough."
He was very quiet. Then: "Why do you care?"
"Because I—" You caught yourself, swallowed the confession that wanted to spill out. "Because you're my friend."
"Is that all?"
The question hung between you, delicate and dangerous.
"No," you admitted quietly. "That's not all."
His breath hitched audibly. "You should be careful about saying things like that to me."
"Why?"
"Because I'm selfish enough to want them to be true." He reached out, slowly, giving you time to move away. When you didn't, his fingers found your face, tracing your features with the same careful precision he brought to everything. "And if they're true, I won't want to let you go."
Your heart was hammering. "What if I don't want you to let go?"
His thumb brushed across your cheekbone, and his expression was raw in a way you'd never seen. "Then you'd be a fool. I come from a family of dark wizards and blood purists. I have nothing to offer you but complications and a surname that makes people cross the street."
"I don't care about your surname."
"You should."
"Well, I don't." You covered his hand with yours, keeping it against your face. "I care about you. The person who helps first-years find their classrooms. Who plays the violin when he thinks no one's listening. Who stands up to Sebastian when he's being reckless, even though it scares you. Who smiles so rarely that when you do, it feels like a gift."
"Stop," he whispered, but he didn't pull away.
"Why?"
"Because you're making it very difficult not to kiss you."
Your breath stopped. "What if I want you to?"
He leaned his forehead against yours, and you could feel him trembling slightly. "Tell me this is real. That you're not—that this isn't pity, or curiosity, or—"
"Ominis." You said his name firmly enough that he stopped. "I have been catastrophically in love with you since you spent twenty minutes describing the precise smell of rain on stone because I mentioned I missed it. This is not pity."
He made a sound that might have been a laugh or a sob. "Catastrophically?"
"Completely. Utterly. Catastrophically."
"That's redundant."
"I don't care."
He kissed you then—tentative and careful and absolutely perfect. His hands framed your face and when you kissed him back, he made a soft sound of surprise, as though he hadn't quite believed you'd want this.
When he pulled back, he was smiling—that genuine, unguarded smile that you'd been collecting like treasure.
"There it is," you whispered.
"What?"
"That beautiful smile."
He laughed, and it was bright and real and everything you'd hoped for. "You're going to say that every time now, aren't you?"
"Every single time."
"That's going to be insufferable."
"You'll survive." You kissed him again, quick and sweet. "Besides, it's true. You have a beautiful smile, Ominis Gaunt. I intend to see it as often as possible."
"I think that can be arranged," he murmured, and when he smiled against your lips, you thought: yes, this is what happiness looks like.
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