Elin Danielson-Gambogi (Finnish, 1861-1919) - After Breakfast (1900)
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Elin Danielson-Gambogi (Finnish, 1861-1919) - After Breakfast (1900)

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5/3/17
Iβve recently decided that from now on, I will only translate female writers.Β
I have very few things that I think strongly about it, but I feel strongly about feminism. I hate being affected by the double standards that people think donβt exist, but have shaken me from the day I was born to today. Misogyny is whatβs nurtured me, whatβs hurt me, whatβs confused me.Β
I choose translation projects based on how much the texts resonate with me and how much they move me. I actively choose to only translate female writers because their voices are the ones that need to be heard and because I understand their experiences to a greater depth.
today
paul wonner, βblue room with flowers and pigeonsβ, 1988, from βcalifornia painters: new workβ, 1989.

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cringiest email of my life
where are u now? why
Moonlight (2016) dir. Barry Jenkins
https://instagram.com/p/BQAeaFXgNv2/

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y do i express emotions in the wrong moments and donβt in the right moments
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devon aoki / valentino fw 2001
μ°λ¦¬λμ΄ (18+).
Sea ice swaying in waves, just off of Elephant Island, Antarctica
maybe i should just quit. maybe i should just end it. maybe i should just dfmfnlsjdmffovjdlqjfpwfooeifibifiwickckfkskjci jcalcjcodkvjcisjckdkdvjjfkpwfkfiiwjfkcvjdljcjbodkcjvodkviigdijvkckckdkfickvkvkdkciffkvkvkvkkfkfkvjvkckckvkbivivivkvkvkckfkdkdkfkdkvifopadisbjcvklajvjvkskcjciskvjvjwkvivisidoiifowrkfiigubibiwifivididvjviwociviskcjvjfjiwifivjsjdjfvkidkskwkwsiifqppqpeifkdkdjfenwkfjvifidjfkskakkdckckkdkdkcckskkdckfkdivjivividjfkvividwiiewosoofqpdofkkdsoeorktn ctgg ryvdihdiekfkfkfjfkfnffkkvjkokokkfkfkvkdllkokk
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Antonio Berardi FW 2017, Sora Choi, London