Molly Whuppie by Walter de la Mare, illustrated by Errol Le Cain, 1983
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Molly Whuppie by Walter de la Mare, illustrated by Errol Le Cain, 1983

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"Sweet Posies" Cross Stitch Designs From The World of Cross-Stitch, Ondori, 1983.
Abd el-Hadi Fights a Superpower by Taha Muhammad Ali (translated from the Arabic by Peter Cole, Yahya Hijazi, and Gabriel Levin) In his life he neither wrote nor read. In his life he didn’t cut down a single tree, didn’t slit the throat of a single calf. In his life he did not speak of the New York Times behind its back, didn’t raise his voice to a soul except in his saying: “Come in, please, by God, you can’t refuse.” Nevertheless— his case is hopeless, his situation desperate. His God-given rights are a grain of salt tossed into the sea. Ladies and gentlemen of the jury: about his enemies my client knows not a thing. And I can assure you, were he to encounter the entire crew of the aircraft carrier Enterprise, he’d serve them eggs sunny-side up, and labneh fresh from the bag.
sourced here
“Do Dead Malls Go To Heaven?”
Experimented a bit with a new way of detailing the tiles. Kinda like it? This particular piece took a hell of a lot of work. I’d love if you shared the vibes it’s giving off, for research purposes 💖
xiumin 3:06

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"i just can't get enough" (2009), jessica wilson
Mark Rothko Vernal Memory / No.12 1948 oil on canvas 55 3/4 x 32 1/8 in. Collection of Kate Rothko Prizel © 1998 Kate Rothko Prizel & Christopher Rothko/Artists Rights Society (ARS)
1631 St. Mark Ave., Brooklyn (2001)
Ella Fitzgerald in the midst of a soulful performance at Mr. Kelly's nightclub in Chicago, Illinois, ca. 1958.
Shrine at a spring.
Wiltshire, England.

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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Amy Winehouse performing Love Is A Losing Game live on Other Voices (2006)
summer sketches 🌾
This collection of nineteenth-century vaseline glass catches the light and creates a lustrous pool of yellow-greens. The effect is enhanced by the subtle arrangement of yellow-green flowers: fennel, euphorbia and lady's mantle.
Color in Decoration, 1990
🍒🍈🥭🍐Fruits by Pirrre Boncompain

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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The Muxes of Juchitán
Juchitán is a town in the southeast of the Mexican state of Oaxaca. The town which is largely inhabited by the Zapotec Indigenous people, has not only preserved it’s precolonial language and culture, but has also retained gender identities and roles that transcend the traditional western ones. Those which were subjected onto much of the rest of Mexican society by European colonizers.
This contrasting expression of gender that survives among the Zapotec and Mestizo communities of southern Oaxaca, takes its form in the concept of the muxe. Muxe is a term used to refer to those assigned male at birth, but who identify either as women or as a distinct third-gender. They are an intrinsic part of Zapotec society, and highly respected for the roles they play in families, such as taking care of their elderly parents when their siblings have moved out of the household. Despite the acceptance of them in many rural areas, they face discrimination in more urban areas, mainly by non-Indigenous people who have inherited the Spanish cultural attitude of machismo.
2016-10-20