i hope people know that the “sad tomato cat” meme is a series of images that have a happy ending…… she is cared for and loved!!!!
to be loved is to be changed………

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@mindnumbing-brain-candy
i hope people know that the “sad tomato cat” meme is a series of images that have a happy ending…… she is cared for and loved!!!!
to be loved is to be changed………

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Thwory: it isnt a lie that the archivest pulled in Sam.. because *this* universe's archivist is the tmagp Celia. She was catalysed and turned into the archivest.
Gertrude said how they kept the blood boiler for 5 years, and the archivest was still alive... after discussing what subjects may or may not be alive.
So their archivest was a subject they tested on.
Thats why the archivest and celia sre getting pulled back towards their own world, same with Sam. But like the one who truly had no corresponding one *isnt*.
Theory: starkwall fucked with the security at the OIAR and *thata* why Nigel could get in. I mean, the person Gwen met with basically inferred it.
About the last point I think it's far more likely that Nigel just walked through the empty office since there was nobody to stop him. Just another demonstration of how much Gwen has sucked majorly at her job
Idk, tmagp033 gave off major vibes that Starkwall was gonna fuck with them. And again, Gwen is fucking up majorly. Her insecurity and need for being given the "respect" owed a supervisor is really gonna bite her in the ass.
She tried to flex on Celia who called her bluff and when that failed she directly called Ink5oul, frustrated. When Ink5oul called *Lena* and said "vall me back if youre interested".
Gwen wasn't. But still went to poke the bear.
Gwen has an interaction with Starkwall where Gwen was unaware she had an appointment set up with them, that was apparently set up a few weeks ago, and Gwen seems to just cover up for whether or not she did.
She insults him and he implies their security sucks and says hey maybe we can do a demonstration
A good demonstration would be purposefully leaving them unlocked so one of their "Unpredictable External agents" (Brett's words) can "break in".
Didn’t wanna do the prompt so have this
TMAtober day 12 ig
The last eye bender or smth idk i haven't watched the show
Jongerry week day 6: avatars
(i'll yap below about what's happening here)

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at this point i forgot what episode was the one with the pig but i just thought it would be funny to have a timeline where they just retrieved it and used it like a pokemon
go you gluttonous piggy go
Archives fans: Poor Gerry! We just want him to be happy!
Jonny and Alex writing Protocol and curling down a finger on the monkey's paw:
Pre-episode 53: He’s happy in this universe! :D
post-episode 53: He’s… happy in this universe
Thwory: it isnt a lie that the archivest pulled in Sam.. because *this* universe's archivist is the tmagp Celia. She was catalysed and turned into the archivest.
Gertrude said how they kept the blood boiler for 5 years, and the archivest was still alive... after discussing what subjects may or may not be alive.
So their archivest was a subject they tested on.
Thats why the archivest and celia sre getting pulled back towards their own world, same with Sam. But like the one who truly had no corresponding one *isnt*.
Theory: starkwall fucked with the security at the OIAR and *thata* why Nigel could get in. I mean, the person Gwen met with basically inferred it.
my cat hates taking his pills. the only way we can get him to eat them is to turn it into an elaborate pantomime - we take the packet out of the cupboard slowly and hold it up, saying “oh!! what’s this? what’s this? a TREAT? a TREAT for louis????” while making surprised faces. we offer him a pill… then, before he has a chance to sniff it, we wag our fingers at him and replace it in the packet so it becomes a Tantalising Forbidden Mystery. we continue doing this until he’s so confused and excited that he will eat the pill as fast as possible, just so he can find out what it is before we can take it away from him again. as soon as he’s eaten it he looks utterly disappointed and betrayed, like a child who just ate a delicious sweet only to find it was a chocolate-coated brussels sprout. it never gets old
Op this is the funniest thing I’ve ever read
op how could you just hide this from me in the tag this makes this objectively 10000000% funnier
50 First Doses
You trick Louis? You trick Louis like a common fool? Oh jail, jail for owners ONE MILLION YE-oh what’s this? A treat?

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I got my camp grizzly today and im so excited. It looks so fun!
I swear Eddie looks like Bruce Campbell
The reason your snacks are unsatisfying is that you need both carb and protein.
Carb starts your engine, protein keeps it going.
No carb, engine don’t start. No protein, engine dies out fast.
Easy carb add on:
Cookie
Fruit (canned or fresh)
Chips
Piece of bread
Popcorn
Crackers
Easy protein add on:
Nuts
Spoonful of nut butter
Cheese
Roasted chickpea snacks
Glass of milk (dairy or non dairy)
Small canned sausages or similar
Sugar in there.
I am pleased by people messaging me telling me that after adding a carb or protein to their snacks or meals they feel more satisfied all day. Yes, my plan is working. People are getting through their days with less hangry.
fearsome fangs friday!!!!!!!!!! bite everyone
straight white people making a romance movie: haha what if it was illegal to have sex? wait what's lawrence v texas. wait what's mclaughlin v florida. wait what's loving v virginia
As preposterous and stupid as this fucking movie's premise sounded (for a light-hearted rom-com, and not The Handmaid's Tale) I didn't want to think about it too much until the movie actually came out, and then I could see if it was somehow more intelligent and subversive than the trailer let on, but guess what, it's even worse!
If this is what it takes to get a rom-com greenlit these days, maybe we should just let them die.
Sex workers are thrown under the bus, shown only as thieves who fleece men in the woods at night, while queer sexuality is relegated to a few scenes with Allie’s roommate (a woefully underused Quintessa Swindell) and a handful of pans past blurry same-sex extras making out in the background. “This night is for the straights,” Swindell’s character says to Allie, before saying that queer people have worked around straight laws for centuries. This is supposed to be a nod to queer resilience, but largely comes off as straightwashing the history of anti-LGBTQ legislation in this country that led towards raids of queer clubs and incarceration of queer people in the not-too-distant past (let alone the current barrage of anti-Trans and LGBTQ legislation currently in the works and on the books). It’s also ignorant of the long and fraught fight for the normalization of age-of-consent laws, which, by the way, did not happen in all states in this very country until 2003. Yes, that’s not even thirty years ago. By the end, our intrepid protagonists have not had sex with anyone, because this is a film about Romance with a Capital R (and I guess sex is not part of romance!) and for that very same reason they ultimately embrace the fascist state of things. They aren’t the only ones who refuse to fight back. No one in this cursed film is protesting this mandate beyond “repeal” signs in various windows and some creative graffiti (...) (...) If we are supposed to believe that the film is making some subversive statement about the state of sex and bodily autonomy in this country, it cannot end with its leads embracing their chains. That’s just warmed-over conservatism running around in sheep’s clothing.
yeah i wrote this post having only seen the trailer, but jesus christ. was this movie a psyop LMAO??
also, for the unaware: mclaughlin v. florida was a 1964 supreme court case that struck down a florida anti-miscegenation law that criminalized cohabitation (and thus, as implied, sex) between white people and people of color of opposite genders. anti-miscegenation laws made marriage and sexual relationships between white people and people of color, most often specifically black people, a FELONY in several states in the united states up until the 1950s and 1960s. though it was already struck down by the supreme court, the state of alabama didn't repeal their law until 2000! there were THREE ATTEMPTS at codifying anti-miscegenation into the us constitution!
like yes, the issue here is partially straight white people's ignorance on the united states's history of homophobic policy, but it's also really important to recognize that arguably the majority of the issue here is straight white people's ignorance of the united states's history of codifying eugenics and antiblack racism.
the premise could have been interesting as a serious dystopian story, especially taking that history into account, but it wasn't written that way at all. this movie should never have been a fucking romcom making light of the violence the united states (and many other countries) has enacted on any kinds of sexual relationships it deems undesirable.
can y’all maybe reblog this version i feel like people are forgetting about the racism and just focusing on the homophobia
op disabled reblogs but I think the point still stands
reminder that the books themselves also suck ass actually. there's an entire plotline endorsing slavery. the one character who advocates to end slavery is bullied and made fun of. the one slave who doesnt like being enslaved is bullied and treated as an outcast. the bankers are the picture of racist stereotypes of jewish people. the one asian character is named fckn Cho Chang. the worldbuilding SUCKS. fuck harry potter and fuck rowling. stop giving her your money.
Don't fucking go see this shit

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I know I’m being an insufferable worldbuilding nerd here, but my basic metric for evaluating media with very inhuman protagonists is “how easily can one offer a complete and coherent account of this media’s plot without ever mentioning the fact that the protagonist is, for example, a talking car?”. The harder it is, the higher it scores.
@hewwbwazew I would LOVE to read this holy shit
@territorialoak I hope you don’t mind me adding your tags here, that story is just too good and I’m Obsessed
also @gilgamemesh I feel like this is your vibe too
Watching the pro-shot, something that struck me in “Inevitable” is how much clearer it is that infected!Paul is the villain. The new choreography and performances, shown up close in the pro-shot, give us a clearer look than ever before at the horror show that Pokotho's created. Spoiler pictures and meta below the cut:
In the original, infected!Paul was manic (exuding forced joy as a reflection of Pokey’s glee at having caught him), but there were still many glimpses of the old Paul. For the first half of the song, at least, it wasn't clear to us if there was still some of the old Paul in there.
Not this time! In the reprise, it's a lot clearer how being infected transformed Paul (other than the singing and dancing and having an even smoother leading man tenor voice). This infected!Paul in the reprise is confident, assured, and even predatory. Watching him perform “Inevitable,” it’s clear that that is Pokey.
Lauren Lopez’s acting really sells how horrifying the scene is, and the choreography, lighting, and uncanny facial expressions and movements of everyone else emphasizes that. The infected corner her and chase her. Paul keeps grabbing her and dancing her around like a ragdoll, or grasping her hands tightly and not letting her go, uncaring of how terrified she is.
And the editing in the proshot now?! When Paul and Emma first hug, just the little detail of his face being hidden as Emma smiles with relief gives an underlying note of suspense.
And then Jon’s acting?? He pulls off infected!Paul so well. Truly in his villain era. Pokey shines through here, in Jon's performance, like nowhere else in the show.
And the way Paul practically snarls at her, “If you give us one last show stopping number” before forcibly pushing her into the spotlight?! With Paul’s expression, it's clear how much he’s demanding it of her. Pokey’s frustration and insistence on having his way really shows through in that moment, too!
My favorite underrated new choreography moment from “Inevitable” was after the line “Or I might be inclined to plant my seed”:
Paul stalks towards Emma, a spotlight trained on him. It’s like he’s glowing from within like the meteor, brimming with godlike power from Pokotho.
The line “plant my seed” was always a creepy and rape-y line, but the choreography really underlined it. The way Paul stalks toward Emma filled me with visceral fear for her. This moment really felt like in a horror movie when the monster slowly and confidently approaches its victim.
And right before that, too, Paul already had Emma in his arms! He pushed her away, between the rows of the other infected, only to chase after her again. And isn't that exactly what Pokey is doing, reliving the chase and capture of Paul and his friends over and over again?
This time loop is Pokey’s victory lap, his favorite show he wants to play over and over again. And he’s perfecting the performances. Over possibly years of time loops (maybe even the whole seven years between 2018 and 2025?), Pokey's gotten more control over everyone, especially Paul, who put up the most resistance. His toys are more broken in. In this version of "Inevitable," Pokey is fully in control, and now Paul has become the perfect leading man for him. He's Pokey's vessel leading the Hive: they follow his choreography, look to him when he announces the apotheosis, AND you can even see it at curtain call when he twirls his finger to "wrap up" the music and have Emma carried away. Pokey's presence in infected!Paul is so much clearer in the reprise because of the new choreography and performances, and it makes the horror and tragedy of the ending even more profound.