The Milgram Democracy is in shambles...

Propaganda for DOUBLE:

-Another classic case of the Deco*27 sound being perfectly utilized.

-The part with Mikoto calling his mom =(

-Really emphasizes John’s perspective and how bad Mikoto’s had it over the last while.

-The last “I’m sorry”… like bro you didn’t have to do that to me.

-The visuals are very appealing. Really brings out a interesting perspective into Mikoto’s experience with DID.

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Double is my favorite song in the entirety of Milgram. The song gives us such a good insight on John, his wants and needs- all while being an absolute banger. The MV is also amazingly made, it's quick says so much about John and Mikoto's feelings. While it's shorter than the other songs, every second is absolutely perfect and fits in well with the rest. There's no parts of the song that aren't as good as the others- they're all wonderfully made and there's a reason I've been playing it on loop ever since it came out. Please vote Double!

Propaganda for UNDERCOVER:

If you're seeing this, either we got no propaganda, or I forgot to edit the post to add it! In which case, I apologise! Now, for the in-house propaganda!

Propaganda for I LOVE YOU:

mappi’s spitting bars 🔥🔥🔥🗣️🗣️🗣️

ok but i, as the iloveyoucountdown person before it released, waited 89 days for ily and SHE DID NOT DISAPPOINT‼️‼️‼️🗣️🗣️🗣️🔥🔥🔥 go vote ily now bc its peak music

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the acoustic section where it just feels so raw and emotional it's crazy also we love to see mappi/miho okasaki rapping again and good lord mahiru delivered hadauwd, like you think about it a lot? like "Ishokujuu plus ai Miss you Raishuu aemasuka no Cadence Yurusarenai ikigai mou iki mo dekinai" it's also so catchy just "Dai- dai- dai- datte suki suki! Dai- dai- dai- datte daisuki."

it's such a quick song but it delivers and it DELIVERS WELL there's so much in the instrumental you can also miss, like sirens and such! again guitar section it's crazy!! i didn't even touch on the visuals, like the visuals are absolutely amazing and really touch on the toxic cycle of mahiru's relationship for example, the carousel turning into a forest! and also they were still able to implement some of tihtbilwy in the beginning of the song! we got to see mahiru's boyfriend as well!! additionally, RATS AND CAKE. HOLY SHIT we all know the absolute shock that appeared on everyone's faces the second that cake turned into a rat (to be honest, I was absolutely sick with shock for the rest of the day) It's really amazing as a song and MV, plus it did help give some more information on Mahiru!

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miho okasaki's vocals are so powerful. it sounds like mahiru is screaming because of not being forgiven and because of what happened to her boyfriend and because "she can't just do it right".

THE LYRICS ARE SO. "clothes food shelter + love and miss you"?? "my lethal weapon is how to be in love with you"?? "kiss goodbye to this feeling cuz it's too heavy"?? again, the "why can't i just do it right" line?? SO GOOD.

MAHIRU RAPPING. THIS SONG STARTS WITH HER RAPPING. LITERAL CHILLS

i've heard the i love you chorus once and now it's in my head forever. i wake up, i sing the i love you chorus. i go to sleep, i sing the i love you chorus.

the lyrics are so sad when you start thinking about them more. "saying i love you but doing what i did, i know i have no right, crossed and covered in sin"?? please, don't you want to give mappi a hug. please she deserves it. she needs it

the "DIE-suki" pun.

the mv is so. i can talk about it for hours. it literally starts with showing us what happened to her bf. i've watched it live, i knew about this part and i still was shocked. mahiru's boyfriend is dead. mahiru is also rapping. also, the lyrics. this scene is terrifying to me and i mean it in the best way possible.

the cake symbolism. mahiru refusing to accept her reality and the true nature of her relationship with her bf and still seeing everything around her as cute and soft and pink. her feeling guilty and not knowing how to express love properly and still choosing to continue to love in this way. i don't know, something about it is so.. it's so sad and so realistic and so heartbreaking

i love how we can say so much about her relationship with her boyfriend based on mv and the lyrics. this is more of a theory and i probably shouldn't talk about it but i like the fact that mappi and her bf's relationship wasn't just abusive or one-sided love or anything like that. it's like they loved each other, they just.. didn't know how to show it or express it in a healthy way (or maybe mahiru's bf did know, but he was okay with going through all of this for her). like this scene when they're both riding the carousel and looking happy at first and even when both of them look like a mess, mahiru's face expression is still pretty much the same while her boyfriend looks much more tired, but he's still smiling. something about that part breaks me.

the instrumental is so fun and chaotic and creepy please listen to it. all milgram instrumentals are great but ily instrumental is definitely one of my fav ones.

Propaganda for CAT:

"You like jazz? Jazz is chaos within order. Got to love the whole band. Vibraphone, saxophone, trumpet, flute, piano, guitar, drums, bass… Go, rhythm section, go! The song sounds tender at times and aggressive at others as different instruments pop up at different times. Sometimes they follow Kazui’s voice (“follow the king of the masquerade”). Sometimes they get to be the focus. You have the chill piano one moment and the screaming guitar in the next.

You’ve got a lovely “jingle” (“Lie until it gets better…”) which occurs at the beginning, middle, and end. It fits the “newspaper ad” style of the video really well. Also at the very end, there’s one more line that gives the jingle an upward contour, giving a sense of finality. “Until you can meet the king of the masquerade.” You’re there now.

The two verses start off differently before they take on a similar melody. It feels like Kazui is talking to a different person in each verse.

The chorus is a beautiful façade the first time and a sinister truth the second time.

The opening for solos shows that this jazz song means business. I love how the saxophone and trumpet especially get in your face. And with the tacet on vocals, the walking bass really shines if you lend it your ear.

And the smoke break! Silence is golden. Glass click. Lighter. Huff.

As always, Kazui’s voice is super deep. He hits even lower notes this time around. He’s a fifth lower than the next lowest singers (Haruka and Shidou)."

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-Great instrumental choice. Kazui and jazz is *chefs kiss*

-Symbolism. THE SYMBOLISM. I can’t type out all my thoughts but ifykyk

-The almost comic like style of the MV is really appealing.

-Lyrics!! There is so much to unpack but it’s really cool.

-Kazui eating the dove… fricken iconic.

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FIRST OF ALL the vocals????? BEAUTIFUL. His va put his whole pussy into this song and you can tell!! The way he sings the chorus is so damn addicting I'm so in love with him. His voice is more or less stable throughout the entire thing until the final chorus but you can hear the emotion peaking out which fits perfectly with Kazui keeping everything hidden. The way his voice turns into a sort of whisper during "all the things I wanna do that I can't say outloud"??? The way his voice starts trembling during "this feeling it's yearning to be satisfied"???? The way his voice turns into a sort of whisper AND starts trembling during "hey, if I said I liked-liked you, what would you?"?????? HEAVENLY! You can really feel how afraid Kazui is under his disguise and my heart breaks a little everytime I listen. Not to mention how absolutely powerful his voice gets at the climax!!!!!! It's insane!!!!!!! It's genius!!!!!! It makes me wild makes me crazy makes me eat my walls!!!!!!!!!!

THE SMOKE BREAK?????? What other song has something as powerful as that huh???? This isn't just a song produced by the milgram machine using his memories, this is HIS song and he is OWNING IT! The music builds up so much and gets so intense right before it, I can literally feel myself get tense and starting holding my breath right before he takes the break and everything relaxs… it's not just a break for him, but a break for the viewer. The song is spiralling out of control just like his life and his lies and he has no choice but to put it to a quick stop before its too much to handle.

THE IMAGERY IS WILD!!!!! He's a magician!!! Little magic guy!!!! Using tricks and lies to amaze and captivate the people around him! Trying desperately to magic his own feelings into something else! But it's all fake! It's all tricks and no matter how hard he tries he can never actually change himself into what he wants! But he's trying to convince himself the same way he's convinced his audience!! And when you're watching a magic act, are you there for the magician themself or are you there to watch the show?? The people in his life only cared for him when he performed for them, but they didn't give a drop of love to who he was a person! ALSO the transformation of the wedding ring to a cigarette to the dove at the end??? Makes me wild every single time! Right infront of his wife, he showed her that their marriage was something unhealthy for him that was slowly killing him from the inside. AND THEN he uses it to harm himself???? And then he turns that cigarette into a dove- a representation of love and literally TEARS INTO IT. He tears his marriage apart with his mouth!!! AKA HIS WORDS. makes me wild. Also fun fact Kazui says he started smoking because when he was younger it was "just natural for everyone to smoke" and that lines up with his reasons for marriage perfectly.

Propaganda for TEAR DROP:

"yuno kashiki enthusiast here anyways tear drop propaganda WE BALL

let's start off with the lyrics! holy fuck, i'm so glad yuno finally got to say what she's wanted to say!!

and she fully shows the fact that she does compensated dating through the lyrics ("the wanted wanting the wanted")

and even if it sounds like she's scolding the audience for the song, she's also scolding her clients! they only perceive her as a certain type of character and deciding that's all she is. She's upset that we decided based on how "naïve" she looked instead of her actual crime (to be honest, I could write a whole analysis into why her murder is perfect for her character anywa) and she doesn't care what will happen to her, she needs her opinions heard

also kinda rap section?? banger fr

THE VISUALS!! GOOD LORD THE VISUALS!!! THEY ARE SO BANGER!!! they're really pretty and gosh i literally don't know what to say, the scene where vampire is in the background and it transitions to yuno sitting on her bed... the pink tinted glasses (YES FUCK I LOVE THAT MAN!!!!) THE COAT!! THOSE INBETWREN SCENES i'm obbing

AND THE INSTRUMENTAL!! PLEASE IM BEGGING YOU ALL LISTEN TO THE INSTRUMRNTAL OF HER SONG THERES SO MANY SMALL DETAILS!! SIRENS, TEAR DROPS RAHHH THE CLAPS/CLICKING TJE TECHNO PIANO GUITAR??? THE INSTRIMENTS I CANT NAME I THINK THEY ALL HAVE SOME READON OF BEING IN THE SONG AND I WILL FIND OUT IN AN ANAKYSIS POST I JUDT LOVE IT AUEUEU

literally tear drop is the banger ever i listen to this shit religiously thank you for listening to my tear drop propaganda"

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-Yuno’s voice. Enough said. -The imagery in the MV is brilliantly used, and doesn’t shy away from the horrors of Yuno’s line of work. -Vampire cameo!!! -Almost Lo-Fi vibes to the instrumental?? I can’t really explain it but it’s a vibe and I’m 100% here for it,

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"For teardrop: The pink aesthetic in the MV as a whole makes it super nice to look at :D"

Propaganda for BACKDRAFT:

"Backdraft may be a minute shorter than Bring It On, but it’s still over three minutes long, and it makes up for the lost minute with a complex form. The “Pressure! Pressure!” might be the only part that truly repeats.

At the beginning, Fuuta is showing off, acting cool. Then the music slows down as he ponders his verdict. Then the music picks up the pace again and gets more and more frantic as the consequences of his actions catch up to him.

See that structure in the three distinct verses that sound nothing like anything else in the song: cool, contemplative, and “oh no, what have I done”.

The “chorus” (burn burn!) never stays the same. You’ve got the “cool” first chorus. Then you have the muted second chorus as it sinks in that Fuuta’s victim was a middle-school girl, which leads into the tense final chorus (which is twice as long as the first) as the victim and Fuuta both burn.

The instrumental and the spoken-word from the beginning combine in the end, changing the mood of the stanza from confident and showy to panicked and desperate.

And the words… You can hear the wordplay in the last stanza, even if you don’t understand it.

Appreciate this chaotic masterpiece of a song."

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- Fuuta being very cocky at first before realizing how fucked he is (it is kinda funny) - The use of spray cans and overall graffiti symbolism, it’s so good - The multiple eyes and people off camera showing how paranoid Fuuta has become, it’s really well done without being obvious - The name backdraft meaning when a fire deprived of oxygen gets a sudden influx of it. A kind of metaphor for what Fuuta did. Then it being shown through a spray can explosion, aaaa it’s really cool! - Fuuta’s overall look changing, being more realistic on how he actually looks contrasting Bring It On’s idealistic version of himself - Es at the end!! The only time Es shows up in a prisoner’s MV!!! And they looks so damn cool - Also the entire eye thing referencing the audience, he perceives us lmfao

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"Back draft is incredible because it not only has great visual symbolism with the use of the spray cans but its visual symbolism shows a progression from ‘Bring it on’. In ‘Bring it on’ the channelling is glorious , fuuta is surrounded by people and fuuta idealised himself (taller , better teeth , better posture ect) , the people he cancelled were portrayed as these powerful rpg monsters but now in back now the channelling is portrayed as vandalism a crime as destructive , the ally is empty we only ever see others as hands or his victim fuuta is alone and fuuta is no longer idealising his appearance and his mind is now portraying his victim as a harmless cutesy drawing. This shows a change in how fuuta views his crime between T1 and T2. It wasn’t glorious, it wasn't justified , he was at fault. The fire being recontextsied as something out of control , all consuming and out of control which is the opposite of how it was portrayed in ‘Bring it on’ we really see how the vote has changed fuuta."

"There are so many things in the song that show a progression "

-“ deliciously scorched till your mouth waters” > “I don’t want any more”

-fuuta spray paints the camera hen as the end es spray paints him/the camera

-the pressure graffiti changing

"There’s so many interesting details like the applause towards the start of the song , the personality in the subtitles like them going from “Burn , burn!” To “burn , burn?” But the pressure’s punctuation mark stayed the same:   “pressure , pressure!” , the way FIRE is the only word in full caps till LIES. The thumbs down fuuta does during “the fights up here! Come up to the ring and face me!” Part which is like his T1 art , the way the lighting changes from green towards the start and becomes red by the end (stop go colours) , The way fuuta is constantly interacting with the camera , spray painting it twice and kicking it."

"Backdraft actually makes amazing use of the camera , things are often shown from the (camera)audience’s perspective rather than us seeing the events removed. We are there like we are the ones doing it/looking through the eyes of the person doing it. When fuuta/the others spray paint the graffiti of his victim and the ice gorilla it's from the audience’s perspective , we don’t see them do it, we see it like we are doing it. When the spraypaint can explodes it's like it’s exploding in our face and then when es spray paints fuuta at the end they are spray painting the camera(audience). "

"Backdraft makes the most references to the voting system and uses it well to make the audience re-examine if they really are any different. Aren’t we using little information and inferences to hold people accountable for crimes we have no stake in? Aren’t we causing unintended harm? Aren’t we judging them from the safety of our screens? "

"And on a more silly level"

-ARTHUR CONANT GOES SO HARD IN THE VOCALS!!!! COME ON LISTEN TO BURN BURN AND TELL ME THIS MAN ISN’T GIVING IT HIS ALL!

-cat mouth fuuta :3 how can you not love cat mouth fuuta?

Propaganda for MAGIC:

MAGIC MY BELOVED MAGIC!!! Its one of the best MVs in the entire series, even including T2. Magic is visually stunning and has some fantastic art direction but also is very clever in how it conveys its themes and ideas. Magic doesn't really hide anything from you, not really. It's all symbolic but it Tells You Things. It shows you the abuse, it shows you the cat. There's a fun little relationship going on here where, In Magic. Amane's pain and suffering isn't taken seriously by the people around her and the Audience we are discouraged to take it at face value due to the fictionalized nature of Magic. It's so cool. I'm so fond of the song as well, it's one of the best in the series purely cause of the Layers in it. The implications of this Inability to be good is seeped into Magic. Amane knows this isn't reality, Magic knows it's a show, she watches it at the end. And it's so Sad to me that even in her fictionalized happy world she Cannot be a good girl. It's a standard completely out of reach for her and that idea is just conveyed so well visually.

Im not even talking about the goddamn cat yet- the cat symbolism goes Deep. That cat is HER it has the same wounds Amane has in Purge March. I- I cant talk about the intertextuality of Purge March and Magic here this is Magic propaganda only- I- there's so much good stuff to Magic. I Re watched it over and over again. It has some the Best Writing and Visual Communication in Milgram and I will Die on this Hill.

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shoutout to magic for having pretty props AND being vague as fuck about the crime! diversity win!

seriously though amane looks SO cute in it! the mv has such a pretty and colorful style and even with that it's able to show the horrors of what amane went through.

adding onto my last point. that scene where the cat is hyperventilating and you see the camera shaking???? that scene where the mascots find amane helping the cat and they're all standing over her? CHILLS. im repeating myself but the fact that they were able to portray the awful things amane went through in a genuinely emotional way while still keeping the cute cartoon look is soo impressive

there are SO many layers to itill the entire cartoony style making it look like a tv show… utilizing the cartoony effects and bright colors to show amane downplaying her own pain… the transformation after she gets punished barely changing anything to show just how manipulated she was from the start… ueueueue

ALSO ALSO ALSO THE SCENE AT THE END WITH AMANE STARING AT THE SCENE? OHHH ITS SO GOOD it adds such a feeling of dread and reminds you on top of this whole thing that all of this is truly horrifying! something is going on here!

this song is so catchy it gets stuck in my head CONSTANTLY

"Dear wise one, Am I worthy? Is it ok to spoil myself?" AMANE... UEUEUUEUE

the little ding sound effects in the instrumental?????

amanes voice is ADORABLE

THE INSTRUMENTAL IN THAT PART WHERE SHES HELPING THE CAT HAS THAT GODLY TYPE SOUND YOUD TYPICALLY ASSOCIATE WITH CHURCHES AND STUFF AND I DONT KNOW HOW TO EXPLAIN IT PROPERLY BUT JUST RELISTEN TO IT AND YOU WILL KNOW WHAT I MEAN. ITS SUCH A NEAT DETAIL

i could go on about this mv for days but i am not a theorist unfortunately. just. magic sweep

Propaganda for MEME:

"MeMe is fantastic because it plays off the audience’s assumptions about Mikoto as a character and tells a “double story”. There’s layers to it and it’s deliberately deceptive in the way it presents the events out of order. Even the instrumentals themselves tell a story. The shift from piano in the second chorus climax is so good - and the way they combine in the last chorus, plus the addition of a violin culminates the song perfectly."

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"For propaganda: I love meme so much because even the music alone tells as whole story. It goes from heavy metal to calm to heavy metal to calm and that happens a few times and then there’s an epic and creepy intermission with an amazing guitar and a scary of sound of Mikoto’s heavy breathing. And then the psychedelic music and BAM the final chorus. The final chorus of meme just gives me the absolute chills. Like it’s the calmer chorus we see earlier but with epic symphonic metal and an amazing build up and climax like it’s perfectly encapsulates a story through music alone I just love it so much. Also it’s literally called meme lmao."

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Propaganda for BRING IT ON:

"Reasons why Bring it On should win:

- Just by starting the song, the instrumentals are BANGER. Like his more rock style is very cool, even better than After Pain’s more mellow style - Arthur’s voice (Futa’s va) had bills due because have you HEARD his singing?? His raspier voice fits Futa so well - It feels so explosive and like a call to action in a sense, which very much matches Futa’s mentality during trial 1. He also wasn’t playing victim like a CERTAIN girl… (jk, love you mu!) - SAA HAJIMEYOU USOTSUKI KARIDA - UNDEAD HEROOOI YES SLAY KING HIS HIGH NOTE HERE IS HEAVENLY - His scream at the end. Oh my god. HE LITERALLY ATE THIS NOTE. AFTER PAIN COULD NEVER. BRING IT ON FTW 🔥🔥🔥" - His range goes WAAAAAY higher than Mu. She would end up like PHG if she even tried hitting any of his high notes in the last chorus /j

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- The vocals are amazing, those growls are so well done - You’re able to get Fuuta’s crime and motive pretty succinctly, only based on the visuals - But it still leaves a lot up to interpretation, like how he only attacked once in the final fight scene. It lead to some cool theories. - On that note, the game aspects are so cool!! Especially when paired with him going after people online, just good synergy with awesome style! - Fuuta’s scared face after he realizes what he did. The great contrast of other foes simply being knocked out then being met with blood splatter. - The tempo of the song changing with his mood is a really good touch as well. Make the song more chaotic which highlights his character traits well

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"propaganda for bring it on: the music FUCKS it genuinely slaps so hard listening to it. song style is incredible its perfect for fuutas personality and gamer vibes. also the way the mv frames everything as a game? the only time real blood and real gore happens being when killcheroy dies? the little details of all the usernames, the different monster designs, the generally distorted feel of everything being too lighthearted?

okay i could go on about the mv for hours but lets not. aside from that: the FEEL of the song!!! the vocals!!!! it really feels like fuuta putting his whole heart into it, into this point of view that both blows problems out of proportion and minimises them, and DEEPLY fucking up. my darling little hypocrite gamer boy twitter user. he makes his witch hunt genuinely sound like something that could sweep people up into it. also the instruments goddddd. the guitar and synth the bass and the drums the DRUMS. im relistening to it to write this propaganda and it keeps making me headbang when i should be writing. if you arent headbanging to bring it on you are LYING.

the way the lyrics are written is wonderful too!!!! they feel so brash and brave and powerful and like. cocky about it. and it fits PERFECTLY. its gets someone swept up into it and it FUCKS. vote bring it on im serious. lets go!! a victory march!! dan da dan!!"

Propaganda for TIHTBILWY:

okay so like the thing im most in love with: the VOCALS!!!! this song has an absolutely AMAZING singer and AMAZING vocals!!!! the way the conversational talk-singing lines still feel so musical!!!! the cute cute cuteeeee mahiru voice!!!! it brings you so much energy!!!! its a song sung with so much love!!!! mahirus va brings such an amazing feel to the song with such amazing talk-singing!!!! its very skillfully done and it happens in i love you too!! mahiru songs r the QUEENS of musical talk singing

the silly phone call bit. kurururu~!

the little vocal flourish and the way her voice raises up like an excited exclamation in the final prechorus!! daijoubu nante kirai DA!

its such a fast song but everything flows so well!!!! it makes it feel so bright and cheery and peppy!!

the instrumental is so underrated just LISTEN to that catchy bass line thats so pretty in the verses!!!! no for real even if u dont vote this is how to be in love with you go listen to the bass line in the verses it works to move both the song and the listener forward at mahirus sweeping breakneck pace. and the cute keyboard sounding and synth instruments!!!! its SUCH a danceable song!!!! i cant listen to it without bopping along in my seat

the way the ominous bits are subtly hidden? it all sounds so cute but there are just these Things that she sings that are really kind of concerning and unhealthy when she sings them!! and the veiled desperation to be in her relationship- listening to that and the cheery tone and breakneck, quick song pace, it really does represent mahiru SO well. she throws in all these little bits that just go noooo teehee the relationships just fine!! when it REALLY isnt

i would listen to mahiru talk for hours

the MV!!!!!! HER FASHION SENSE THE MAGAZINE STYLE!!!! the magazine style especially works so well with her character!!!! its so cute and stunning and just looking at it you have a blast. also her birdcage!!!! her birdcage and the bright orange and the pink bars!!!! the way everything desaturates and becomes more sickly looking when she wakes up at the end!!!! its such a happy carefully curated and designed dream and then it drains away!!!! also god all her outfits are stunning. mahiru call me

the way she sings "overheat de~!" cutest thing in the WORLD.

the little faces she makes!!!! godddd shes so expressive

actually the whole songs so expressive!!!! shes putting her all into it!!!! her words have so much expression in them!!!! once more praising mahirus va the way her voice can soften and become bright or subtly desperate so quickly is MASTERFUL control of expression when singing and its so underrated. join me in being insane over miho okasaki delivers her lines. shes such a perfect mahiru.

funniest es cover. hands down. funniest es cover.

this is how to be in love with you is FREE serotonin!!!! free energy right there!!!! this is how to be in love with you sweep!!!!!

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-The song is so cheerful!! I always feel like dancing and singing when this one comes up in my playlists!! Absolute banger, mood definer, kicking sadness in the shin with those high-heels and then hitting its face with a cute purse -THE HIGH-HEELS STEPPING TO THE BEAT OF THE MUSIC IN THAT ONE SCENE (0:50). SIMPLY ICONIC. NO ONE DID IT LIKE HER. -👠💅👝👗 -She is slaying. Look at her outfits. She put so much effort there. She gave it her all. Absolutely serving. -SUKITTE KIMOCHI WAKATTA TSUMORI? NARA KONO MAMA FUTARI O-VA-HI-TO- DE -The storyline of the mv MAKES SENSE and you can form a COHESIVE TIMELINE OF EVENTS (unlike other unspecified contestants' mvs you know 🙄) -look at herr 🥺 she beby 🥺 all she did was love too much 🥺 we all love mappi don't we 🥺 she deserved more let her win this pleease 🥺 -No medical malpractice happened in the making of this mv 👍

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Propaganda for WEAKNESS:

"This is definitely more of a personal anecdote. However, I’m neurodivergent (like Haruka) and struggle with knowing it causes quite a bit of disappointment for my mother. I cry about it a lot. But I find that putting on Weakness is soothing for me. Knowing that there’s a character out there with the same issues…. I don’t know. Just my experience."

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"why weakness should win over umbilical: - THE SINGING THE HIGH NOTES - this song set the tone to what to expect for the trial songs to come (or what we expected) - the part where the song gets all slow paced and then picks up louder at the end it just done beautifully - it's haruka. - the singing sounds like a mix between of course singing and crying. the 'AHahA' sounds like manic laughing until the end when he's crying and it almost feels like he's sobbing while laughing. - the guitar and the drums complement his soft/sad-ish voice perfectly, especially at the beginning - very emotional, even if you didn't see the music video you can tell he's crying and mentally unwell I'm bad a propaganda, but vote for WEAKNESS!!!!"

Propaganda for THE PURGE MARCH:

"Despite the shorter length, the Purge March has several distinct sections in its structure.

It starts with a rolloff, and then… they don’t follow it. Amane isn’t here to follow the beat.

There’s the spoken-word intro and the upbeat first verse listing the tenets. The prechorus (“dou shiyou mo nai…”) has an amen break. The most-sampled four-bar drum beat. Well, there’s half of it. Is it supposed to mean something? Can I get an amen?

The chorus is so, so cheerful… unless you’re actually listening to the lyrics (“I’ll crush your throat too”) or watching the video. And it’s super catchy. 

The second part of the verse dials things back. Now we’re in reality. This is how Amane breaks her tenets. All the while, those tenets are spoken into both ears over the singing. Get some good headphones. She sounds different in each ear.

The music picks up again with the amen break as Amane happily strolls back home, and then-

Oh.

The somber second chorus, with Amane’s lower singing voice and mournful spoken words, leads into the final chorus, with new lyrics and a more forceful tone. The once-meaningless chanting now has real words. “You’re sorry? I don’t care! Please go ahead and die already.” You can hear Amane’s anger despite the cheerful melody. She harmonizes in the final phrase, as if to say “we’re in this together, me and my little color guard troop.” And finally, it’s just her. Speaking. "Oboetemasuka?" Accompanied by only a single drum.

She is both Amane Momose and not. She upholds the doctrines that she was raised with, but she can’t."

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"Purge March is geniunaly one of my favorite pieces of fiction both in and out of the context of trauma. Its fantastically directed and composed. The batton twirling is spetacular and energetic, the set and character design of Amane conveys a lot about the world she’s in and the story she’s telling. Purge March contextulizes a lot of Magic in both expected and unexpected ways (insert the entire cat symbolism thesis here) Purge March casts Amane in the role of a scary child. The glowing eyes, the framing of Amane as Above the viewer, the brutality and catharsis of it all. It seems tailored made to make you Scared of her. It’s a continuation of the cycle of abuse that we the audience repeated in T1 when we gave her that verdict. A red flashing warning sign about the Inhumanity and Monsterous qualities of Amane Momose. But Amane as a monster is fufilling and freeing. Again, its deeply cathartic. I would write more if I wasnt so sleepy at the moment but its just some Fantastic work overall. Purge March is also just fantasitic vocally and also hids electricity sounds in the instrumental which I think is evil and awesome."

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-Amane’s vocals and how they slowly get more and more off the deep end is both really sad and cool to watch.

-The symbolism of the marching band and the flags. Ifykyk

-The beginning where it sounds like a propaganda TV show… really shows just how far Amane’s thinking is rooted in her cult and how that’s shaped her perception.

-The LYRICS. They work so well but it’s also creepy AF considering it’s a child who’s singing it.

-“So there is no second time, I’ll give back the judgment that you gave to me!”

-The overlapping part… gives me chills everytime.

-Building off the last point, the last “I’ll crush your throat too.” Ouch.

-“Remember MY cries, MY repents, MY words of “I’m sorry” that I said to you?”