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Aqua Utopia|海の底で記憶を紡ぐ

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@menelistari

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📸Fabio Damotta
El año ya se acaba…
Widow, closer…
Quiero tenerla otra vez…
Cuantos momentos con ella
I miss it...

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I need sun
Ya es 2022. Intetectable=Intransmisible. Pero aún vivimos con el estigma de portar este virus. Llevo 13 años conviviendo con el VIH, han cambiado los tratamientos, se ha demostrado que al estar indetectable no transmites el virus. Pero aún no me libro de los “me lo tendrías que haber dicho”, “creo que no me siento cómodo estando con alguien con VIH”, “busco gente sana”, “es algo mío, sé que no transmites”, o los ghosting (desapariciones) después de decir mi estado serológico. Tengo la suerte de vivir y trabajar en lugares privilegiados, donde esto se habla y se trabaja. Pero hay personas que no la tienen, y aún deben vivir con el miedo de compartir algo tan importante en sus círculos íntimos. Este año el tema del #aidsday es combatir el estigma. Erradicar el estigma podrá ayudar, sin duda, a terminar de una buena vez con esta epidemia. Este año, la foto representa todos los signos físicos de alguien que tiene VIH. Ninguno #zerostigma #fuckstigma #1desembre #1diciembre #diamundialsida https://www.instagram.com/p/CloaRW8jCXE/?igshid=NGJjMDIxMWI=
VINTAGEBLR’S 1K FOLLOWERS EVENT: favourite film per member - airam / @magnusedom
I’m a connoisseur of roads. I’ve been tasting roads my whole life. This road will never end. It probably goes all around the world. My Own Private Idaho (1991) dir. Gus Van Sant

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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Ariel Benattar by Manuel Scrima & Paolo Rutigliano (2021)
Une robe d'été (1996) // dir. François Ozon
J'ai tue ma mere (I Killed My Mother) (2009) dir. Xavier Dolan
Valentino photographed by Rafa Casares

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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Une robe d'été (1996) // dir. François Ozon