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AO3 does not live in “the cloud” because that is other people’s computers, and other people’s computers are vulnerable to censorship.
AO3 is on its own computers. It does still have to be housed somewhere, and I suppose a determined enough hater could try to find that place and go after it, but it’s a lot harder than sending spurious complaints to Amazon or whomever going “BadWrong things are hosted on your cloud service!”
When people involved with AO3 talk about “the cost of servers” they don’t mean “the cost to pay Amazon for space on their servers.” They mean, like, the cost to physically own them, and eventually replace them with new ones. And the operating costs to run them.
AO3 is not “in the cloud.” AO3 is stored on physical machines that the OTW owns.
While this is not a solution that can work for everyone who wants to deal with controversial content, it is why AO3ple sneer at alt-righters who complain about getting thrown off hosting platforms.
Because I want us to own the goddamned servers, ok? Because I want a place where we can’t be TOSed and where no one can turn the lights off or try to dictate to us what kind of stories we can tell each other.
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bruce finding out that jason is still a crybaby 🥹 jason act tough but if you push him a bit more in a personal arguments he'd start spilling fat tears down his cheeks and now you have an armful of sad boy in your arms. bruce forgot this fact every single time they fight.
happy father's day to bruce who needs to navigate through the many many emotions of his kids 😭 this is what you get for adopting a gaggle of children
bruce finding out that jason is still a crybaby 🥹 jason act tough but if you push him a bit more in a personal arguments he'd start spilling fat tears down his cheeks and now you have an armful of sad boy in your arms. bruce forgot this fact every single time they fight.
happy father's day to bruce who needs to navigate through the many many emotions of his kids 😭 this is what you get for adopting a gaggle of children
I can't express enough how brilliant Sharon Duncan-Brewster is as Moriarty in this series, her performance is so good that you completely empathize with her position but at the same time she's also incredibly terrifying. Idc what anyone else says, this is hands down my favorite version of the character
● Enola the move you pulled on Tewksbury was. Not cool. At all. I know he knows she's very career-driven and he loves it but he was literally standing at the altar and you were still at home. This communication is so shit- c'mon girl I expected better from you than to have last minute second thoughts and nearly bail (before anyone comes at me trust I would be just as if not more critical if the genders were swapped)
● The mystery just felt so lacking. Neither Enola nor Moriarity had thought ahead far enough for it to be shocking. I mean, I literally had to rewatch the 2nd movie to pick up on all the clues I missed first time around- but in this one I guessed half the clues before Enola did. Girl what. Moriarity legit LED Enola to where Sherlock and the lady were kept captive. There were practically no twists and it felt like the movie was over before it even started. Enola follows 2 people who end up being killed before she reaches them and I have so many questions about both the chases.
● The lack of interactions between Sherlock and Watson was sad
● Kind of disappointed in Sherlock not gonna lie. I mean, has he never been kidnapped and held hostage for what, 2 days, before? The insanity felt somewhat ooc— though I do adore Lady Tewksbury. She was so strong and definitely one of the best parts of this movie
● These movies are pleasantly period accurate most of the time, but I'd assumed it was one of those colourblind shows since it never addressed race before. So when it suddenly brought up the topic of colonisation and racism I was SAT (especially since I've been seeing colonisation-was-good bs more frequently these days which. As someone who lives in a country that was colonised by Europeans for around 4 centuries. Ew.) But it was executed... so... horribly. It felt so out of nowhere and disconnected with the usual themes of the movies. Now I wish they did keep it colourblind
● For a feminist movie franchise, this was really lacking the feminism. They brought it up a little at the start with how Enola had doubts about marriage (especially to a Lord) and what it might do for her freedom. And then they kind of didn't mention it again till the end. I would've liked that to have been a running point through the movie- especially since Enola being alone has always been one of her biggest fears.
● Instead of the whole colonisation plot, I think this would've fit a class issue much more. The snide remarks about Enola being of a lower class and Tewksbury's work for equality would've tied in much better. It's something that these movies have talked about before so it wouldn't be random, but would instead give a chance to dive in a lot deeper with it all on a more personal level (since class and marriage issues have never personally affected either of the mcs before)
● Did Tewksbury actually just. Give up the Lord title? The title he was using to advocate for the rights of the poor? Did bro just do exactly what granny tewksbury tried to make him do? What. On Earth. DOESN'T THE WHOLE MYSTERY OF THE FIRST MOVIE REVOLVE AROUND HIM WANTING TO BE A LORD AND HELP PEOPLE!?
● I felt like there were so many shots where I could see the cakey makeup. Don't talk to me about that horrible 21st century summer dress she got married in. Also man this isn't really related to the movie but I really don't get Hollywood beauty standards. Millie looked so natural and youthful in those flashbacks (which. Why were there so many flashbacks.) But the lip filler and whatever else she's done to her face makes her look so much older and sadder. Why do they all get rid of their perfect natural features man ):
● The "woman and husband" was fun, I'll give them that. Also a big fan of women not giving up their names when they marry. The ocean swim scene was really sweet and romantic. Yeah.
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My dear son Lord Tewkesbury (who apparently has a first name), got stood up at his wedding, had his mother kidnapped, found out his dad was corrupt, discovered his favorite childhood memory was based on stolen gold, gave up his title, and somehow survived all of that in less than a week. Someone please let this man nap
i feel like an often overlooked downside to 10-episode seasons and the death of the "monster of the week" format is that we get way less whump variety nowadays. used to be that there'd be dozens of opportunities for your fave to get punched or kidnapped or hypnotized or what have you. these days if it doesn't fit into the main plot, it just doesn't happen. this is a tragedy. we should be protesting.
naming the guy who is enola's watson in a way uniquely that is often lending her the power and insight of society where she does not have it earnest is so sweet. and also that his second name is 'august' as in either imposing or glorious is a nice tie in to his initial plot in the movie itself. i think. (1:09:43 through). where he later does question enola if he was ever too pushy or forceful with the idea of marriage wherein she later left him at the altar (sans sherlock being kidnapped)
i do like henry cavill's sherlock holmes as a clearly more adapted older brother/mentor figure/friend/understanding person through the cat distribution system that was enola and watson entering his life. waiter, 10,000 more enola holmes!
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whoever did millie bb's hair and makeup in enola holmes 3 should rethink their life choices. why is it giving USamerican tradwife core with the heavy lipliner and the contour unblended and the wig line showing
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