folklore from further out (2023)
sheepfilms
$LAYYYTER

tannertan36

oozey mess
The Stonewall Inn

Game Changer & Make Some Noise


gracie abrams

Love Begins
occasionally subtle
RMH
d e v o n
Phantogram Three
Cookie Run:Kingdom Official!

Product Placement
The Bowery Presents
Fieri Frames
let's talk about Bridgerton tea, my ask is open
Interview Vampire Daily
seen from United States
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seen from Netherlands
seen from Vietnam
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seen from Venezuela
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seen from Vietnam

seen from United States

seen from United States
seen from United States

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seen from Hungary

seen from United States

seen from Germany
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seen from United States
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@mauvais--sang
folklore from further out (2023)

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Untitled, from Passport., Photo by Mary Ellen Mark, 1963-73
Tornado and Telephone Poles
1995
Michael Kareken
Kali Malone

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Les Songes drolatiques de Pantagruel, Paris, 1565
Gudrun Gut, Bettina Köster, Beate Bartel. Berlin, 1980.
“Common sense is a compendium of slanders like “We’ll always need bosses”, “Without authority mankind would sink into barbarism and chaos” and so on. Custom has mutilated man so thoroughly that when he mutilates himself he thinks he is following a law of nature. And perhaps he is chained so firmly to the pillory of submission through suppressing the memory of what he has lost. Anyway, it benefits the slave mentality to associate power with the only possible form of life, survival. And it fits well with the master’s purposes to encourage such an idea.”
— Raoul Vaneigem, The Revolution of Everyday Life, p. 97. (via bustakay)
If a spirit of revolt once existed within Christianity, I defy anybody who still calls himself a Christian to understand that spirit. Such people have neither the right nor the capacity to inherit the heretical tradition. Today heresy is an impossibility. The theological language used to express the impulses of so many fine revolts was the mark of a particular period; it was the only language then available, and nothing more than that. Translation is now necessary not that it presents any difficulties. Setting aside the period in which I live, and the objective assistance it gives me, how can I hope to improve in the twentieth century on what the Brethren of the Free Spirit said in the thirteenth: “A man may be so much one with God that whatever he does he cannot sin. I am part of the freedom of Nature and I satisfy all my natural desires. The free man is perfectly right to do whatever gives him pleasure. Better that the whole world be destroyed and perish utterly than that a free man should abstain from a single act to which his nature moves him.”
Raoul Vaneigem The Revolution of Everyday Life 1963–1965 Translated by John Fullerton & Paul Sieveking. The parts “Author’s Preface” and “A
It’s four o’clock A.M. It’s still too hot. Wet heat’s squeezing this city. The air’s mist. The liquid’s that seeping out of human flesh pores is gonna harden into a smooth shiny shell so we’re going to become reptiles.
Kathy Acker, New York City in 1979

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Vlad Tepes
Female cadaver, Hyman Bloom 1954
“Ansar, Asklan, Nafha, Sarafand, Al Moscobieh, Megiddo, Gilboa, Al Naqab and other Zionist jails became well known to our Palestinian people in the 1980s. In the 80s we decided in Occupied Palestine that on the 17th April every year, we would mark a day of solidarity with Palestinian political prisoners. From my side, as an artist, I consider this humble album and artwork tools to celebrate the occasion and I present these songs for all Palestinian freedom fighters in Israeli jails and for all Arab prisoners in the jails of corrupt regimes: for those who stand with their heads raised, full of hope, in expectation of a better Arab world” George Kirmiz أنصار، عسقلان، نفحة، صرفند، المسكوبية، مجدو، جلبوع، النقب و عشرات اخرة من اسماء السجون الصهيونية الذي اصبحت أسمائهامعروفة لدى الشعب الفلسطيني. في عام ١٩٨٠ قررت لجنة التوجه الوطني في الأراضي المحتلة" اعتبار ١٧ نيسان من كل عام يوم للتضامنمع الأسرة الفلسطينيين في سجون الصهيونية. و من طرفي كفنان فاني اعتبر هاذا العمل الفني المتواضع وسيلة لإحياء هذه المناسبة و اقدمهذه الأغاني إلى كل المناضلين الفلسطينيين في المعتقلات الاسرائلية و الى كل المعتقلين العرب في سجون الرجعية العربية. الذين يقفون فيجباه مرفوعة و أمل كبير نحو غد أفضل الوطن العربي.
— From Ansar to Askalan, Majazz Project
(... ) These are small, miscellaneous details, quite suited, in fact, to one who was violently ravaged by literature; the worst of all perturbations after his having spent many long, slow, studious hours on benches or in libraries, now master of a style that was perhaps premature but sure of itself, intense and exciting, spurring him to tackle unprecedented subjects—in search of “new sensations,” he insisted, “not known,” and he flattered himself that they could be found in the bazaar of illusions vulgarly known as big cities; in which the demon adolescent did discover, one evening, a grandiose vision, prolonged by drunkenness alone.
Stéphane Mallarmé, 'Arthur Rimbaud', Divagations

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Shin Taga 多賀 新 (JP, 1946)
Inspired by the artistic culture of the 60s twin movements of Pop and Minimalism – ArtLand
Jean Baudrillard, "Ballard's Crash"