Guardare questa partita è stata una tortura, una disfatta dall’inizio alla fine

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he wasn't even looking at me and he found me

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oozey mess
we're not kids anymore.

#extradirty

Love Begins
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if i look back, i am lost
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@maroonpascal-main
Guardare questa partita è stata una tortura, una disfatta dall’inizio alla fine

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Bello questo primo tempo
Forza Sinner (I say through blood and tears)
with all the rave & confusion & disappointment i've seen about 28 years later i have yet to see some well-deserved flowers for the young fathers, which is a damn shame!!!! i hope im not the first to do it because the story is by all intents & purposes married to its music, & the score makes up so much of the series. godspeed you, with their bleak sonic atmosphere, sketched the first film a world laid waste. young fathers aptly paints this one as a newborn screaming their way into it. godspeed you's music was the long drive home after a funeral. young fathers' was a baptism. if u haven't yet, i urge you to look into the band's history & discography. with what 28 years later is trying to say, i'm deeply stoked that they chose the young fathers to be the artists to sing it.

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28 YEARS LATER (2025) dir. Danny Boyle
"Memento amoris. Remember love."
Loved Dr Kelson as a representation of how not understanding something/someone leads to fear and hatred in some versus curiosity in others. Seeing Ralph say he believes the character is “on the spectrum” also adds to that idea of what is societally or socially acceptable and how violation of those norms leads to alienation and ostracization
Wow, as someone on the spectrum myself, I hadn’t considered that but it makes a lot of sense!
I also saw Dr. Kelson (intentionally or not) as a counterpoint to doctors in zombie media (like Hershel in the Walking Dead) whose empathy for the infected is treated as foolish or tragically misguided by the narrative.
Dr. Kelson isn’t stupid! He still takes his Hippocratic oath seriously, uses his medical knowledge to keep himself safe, and treats the infected sort of like predatory animals to be respected from a distance (though of course, being human, he can’t help naming them).
Spoilers for 28 years later
Something I really was not expecting from 28 years later was the commentary on zombies and how we have come to perceive them (culturally speaking) as completely deshumanized bodies that we can kill gleefully.
28 years later is constantly reminding you that its zombies are infected people, not mythical creatures completly removed from us. That doesn't make them less dangerous, or killing them in self defense (or even mercy-killing them) wrong. But it does give a sinister spin on the "zombies killer" warrior figure that a lot of zombie media come to present as a given.
The movie does that through two main narative devices. Humanizing the infected and deconstructing the ideology behind the zombies killer figure.
It humanizes the infected notably by:
Introducing the Alphas. They are an extra threats sure, but they are also capable of reasons.
The entire plot with the pregnant infected woman.
The fact the everyone in Great-Britain is treated the same by the outisde world, infected or not.
Isla's disease. Isla is sick from a mystery illness that impairs her mental capacities. Isla is not infected, but she is often confused and sometimes even physically lashes out in way that are violent (when she wakes up and break everything on her nightstand, in the same scene she also turns against Jamie). I don't think it is a coincidence that Isla is the only character in the entire movie that kills an infected with her bare hands, and then has trouble remembering it. It is also not a coincidence that she is the first one showing compassion on screen to an infected.
The fact that Dr Kelson treats infected and non-infected in the exact same way in death and does not immediately turns to killing the infected to defend himself from them.
It deconstructs the figure of the zombie killer by:
Having Jamie being a troubling figure and an even more troubling father figure. He insists on taking his son on his first killing trip three years before it is common to do so (something the movie points out explicitly twice). He says he likes the smell of rotting carcasses. He lies to make his son appear more heroic (I am not saying that Spike was cowardly or anything, but still Jamie does embelish how this first hunt went).
The community that sanctions this kind of attitude is very much coded as conservative in an uncomfortable way. It is for example, routinely visually compared with English history (through the display of medieval battles and images of the boers war). However everytime it is compared to the medieval era (the mythical chivalric) the images shown are very clearly extracted from movies and artistic depictions rather than rigourous reconstruction. The only real images shown are from most recent colonial wars in which England commited war crimes.
It is nice to see a zombie film not taking the zombies as acceptable killable meatsack as a given.
I think its really funny how people got mad at the story of 28 years later and are calling it disappointing, probably because it didn't have much to do with war and killing zombies and was overall a much more contained story about a kid and his dying mother, which is funny considering the first movie in the series was a fairly contained story about a group of survivors trying to find peace in the apocalypse, 28 days is known for its eerie, quiet shots of Jim walking around a completely empty London and the apocalypse "ends" from natural causes by the end of the film, it's only in 28 weeks where themes of war really come in and there's a reason why it's the least popular of the series, it's filled with explosions and huge action set pieces yet the most memorable part of the story is the family drama in the beginning of the movie
It's also funny to me because 28 years itself seems to be saying "why are we trivializing death and celebrating war? why are we teaching young boys to behave violently?" the heavily stylized, flashy zombie killing scenes go away once Spike steps out on his own, the movie emphasizes the teachings of Spike's dad and the town as being wrong so he chooses to go against them, it's only once he goes off on his own that he learns the reality of death, I think the themes of war and violence are gonna make a return in the next two movies as the underlying theme of this trilogy as a whole but for this movie it was important for Spike to learn this lesson about death in a way that wasn't flashy or loud
Visto carloco su Rai 1 e ho avuto i flashback di Sanremo

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Ma come ci arriviamo ai mondiali in queste condizioni (non ci arriviamo)
“Si gioca nel silenzio” sarà perché si sono tutti addormentati
Sisi 2 gol adesso ma ci vuole more passion more energy ragazzi
Alleluia
E guardiamoci ‘sta partita, visto che negli ultimi giorni ci siamo già divertiti tantissimo (inserire ironia)

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lucio corsi + 🫎
Ora sa che è il nostro Pedro Pascal nazionale