gildedstewart·:
The flickering of half-melted candles reflects on the intricate fabric of her gown, a shimmering composition which makes the princess appear as though she is walking with molten silver dripping down her womanly form. It makes her feel both desirable and powerful, the excess of wealth spent on her gown had been well used, the seamstress of many talents forming something enviable — it was a gown designed to be looked at.
A half-sigh parts her lips, cerulean irises scanning the crowd cunningly in search of a particular stature. It is the kindness of a masquerade that she should be granted vague anonymity, although there is little to be done about her distinquishable features. Her need to see him is frustrating, maddening. Long ago Arabella made a vow never to love or depend on the affection of a man, so why does she now think so often of Mario? She reminds herself that she doesn’t love him, it’s lust, admiration and some respect. But she MOST DEFINITELY not love him!
Her Italian lover is no where to be seen. Annoyingly.
Arabella purses her lips, fingers twitching at her side. She had hoped for a dance, but instead she cannot find the bloody bastard. A dance with a desperate lord in dire need of a woman’s warmth and affection is shunned, her elegant nose turning up at his advances in favour of walking towards the gilded archway. The decoration of the room is resplendant, and all around her lovers cling in intimate dances.
Despite her agitation, Arabella does not hasten. Instead, she floats around corridors aas though she is a mere whisp of a thing, a ghost or goddess - untoucable from the mere mortals. Her fingers trace over carved wood, strength used to push against the weight of the crafted oak. It is a rich and malevolent sight which greets her.
Her heart hammers in her chest, her figure becoming staturesque as she watches the events unforld before her sapphire gaze. Her dangerous stallion reveals more of his sharpened edges and for a moment she cannot speak. Arabella thinks that the victim is vaguley familiar, she’s certainly seen him in Scotland. “ What do we have here? “ The question does not require an answer. Her mind has already concluded the facts surrounding this. Her eyes close briefly, a decision is made and then she looks him daringly in the eyes.
“ — continue, ” she orders slowly, breathing through her words. It’s curiosity and fear which causes her hands to shake, but she refuses to nervously fidget. Instead, she takes a small step forward, although some would argue that the wise decision would be to leave. But she wants to see how far he will go, the monster behind the man.
If he had the heart to view the world through another’s eyes, Mario might have recognized the scene playing out as a kind of fairy-tale. That is, a fairy-tale before it had been watered down for the masses and simplified for the Sunday school crowd: flagrant with corrupted nobility, resplendent with pretty princesses and foreign aristocrats acting not quite the part of the villain, but certainly not the hero, monsters lurking behind innocent faces and the truly naive squirming against the cold stone, half-alive and begging for mercy.
The room was now cloaked in something dark, dragged up from between the sanctity they stood upon and the underworld itself, enveloping them both in curiosity and bloodlust, equal parts god and devil. Mario couldn’t help but smirk at her permission, privately deeming the single word some kind of accomplishment, an absolution to his sins, a remedy to his fears.
“As the goddess commands,” he spoke in a low voice, a small nod cementing the future written by the arc of her mouth. Actions made in haste would not do anymore, his initial plan no longer viable in the presence of an audience who deserved a show. Mario had learned long ago that the best kills were the ones you could savor. There was no rest for the wicked, after all, and this yearning to watch blood spill and hear screams echo was his inherent guide, growing stronger around the hedonistic and hapless alike.

















