thexmother·:
Paula sits in the back, as far away from the crowd of disturbed citizens as she can manage. Attempting to ignore the subtle glances and pairs of heads leaned together in whispered conference, the woman instead focuses on a little girl sitting beside her mother a few rows up. She has straight, blonde hair, much unlike her own daughter’s curly, dark locks, but they are about the same age, and Paula can’t help but watch. Her legs swing from the chair, a look of boredom on her face as her eyes roam the room, uninterested. Her mother is distracted, talking to the woman in the chair beside her and Paula feels a rush of anger. She should pay more attention, give the girl her every second, every breath because in an instant it could all be gone, snatched away like a kite in the wind, floating up up up until its impossible to reach.
For a moment, the woman is tempted to leave. She can read about the going ons in the paper, in the seclusion of her own home, away from the townspeople who stare and converse with pity in their eyes, and distrust in others. But before she can stand, a woman is approaching, asking for the empty chair beside her, and somehow Paula is settled by the way the question is poised without an ulterior motive. “Uh, no,” Paula answers, wetting her lips, “Go ahead.”
“Thank you.” It sounds with a good deal of sincerity as she settles in the seat without looking until she stills. Gratefully, she’s able to look impassive even though it’s Paula Klein. She lends her a smile in spite of the fact that Paula Klein makes her uncomfortable in the way that tragic figures are wont to.
Marion imagines that this would be what it felt like to sit next to Mary after the deposition of Christ. She sips her burned coffee and tries not to think things that will show on her face.
She does not think about the way that Paula’s downturned mouth, wide and doleful eyes, even the jut of her chin seem made for mourning. And definitely does not think about what the psychic who’d read her palm in Indianapolis had told her about how all our fates our sealed in the womb; the lines on our palm cementing from the first moment we close our newly grown little hands. What is she supposed to say? “I was going to tell you that I liked your blouse but it feels wrong to talk about anything but this, doesn’t it?” It’s out before she can stop it.























