Dorothy Dandridge and Harry Belafonte in Carmen Jones (1954)
Mike Driver
occasionally subtle
Xuebing Du

Misplaced Lens Cap
Aqua Utopia|海の底で記憶を紡ぐ
will byers stan first human second
Stranger Things
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taylor price

Product Placement
Peter Solarz
he wasn't even looking at me and he found me
d e v o n
dirt enthusiast

Origami Around

Kiana Khansmith

PR's Tumblrdome

tannertan36
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@marioish
Dorothy Dandridge and Harry Belafonte in Carmen Jones (1954)

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Alabama, 1956. Photographed by Gordon Parks.
Shannon Baker Davis discusses her journey as a film editor Writing, directing and producing are the media darlings of the filmmaking industry. But only through the process of editing is the real st…
Vintage R&B Concert Posters
1. Memorial Auditorium (Chattanooga, Tennessee) - November 16, 1954
2. Memorial Auditorium (Chattanooga, Tennessee) - June 10, 1959
3. Oakland Auditorium (Oakland, California) - February 8, 1963
4. Exhibition Garden (Vancouver, B.C., Canada) - June 26, 1964
5. Wilmer’s Park (Brandywine, Maryland) - July 25, 1965
6. Veterans Memorial Auditorium (Columbus, Ohio) - October 25, 1965
7. Carr’s Beach (Annapolis, Maryland) - June 26, 1966
8. Civic Auditorium (Knoxville, Tennessee) - March 31, 1967
9. Shelby County Fairgrounds (Shelbina, Missouri) - July 27, 1968
10. Norfolk Arena (Norfolk, Virginia) - November 22, 1969
- Brides Essay . Sao Paulo , Brazil 19′
Ph. Rafael Pavarotti

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Andrew and Carissa
This is the Bash. For Haitian Jazz sensation, Jowee Omicil, love serves as the basis for his thematic rhythms called the “Bash” sound. Only this spiritual…
This is the Bash. For Haitian Jazz sensation, Jowee Omicil, love serves as the basis for his thematic rhythms called the “Bash”. Patience. Remembrance. Performance. How does love sound?
[email protected] “Cool, guy, loud and quietIf your head's in the way, he'll FLY ITDon't try it, cause Jack of Spades doesn't BUY ITHe's a one-man riotCleaning the community, of all its debris – The C-R-I-M-E” -- KRS-1 – Jack of Spades As a child of the 1980s in the great...
The Kid is back to writing!

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Roy DeCarava, New York, 1957
Harlem, 1950.
A slow mo shot of people on the street. Rumonge, Burundi. ©Hugh Rutherford
-Livinggg
Adama Jalloh ‘17

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Harlem, 1950.
Roy DeCarava, New York, 1957