New Girl – 1.17: Fancyman
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New Girl – 1.17: Fancyman

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PRETTY LETHAL (2026)
are you hungry? (medea, alone)
COMPANION (2025) — dir. Drew Hancock
SUCCESSION (2018–2023)

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FREEWAY (1996) dir. Matthew Bright
THE CHRONICLES OF NARNIA: THE LION, THE WITCH AND THE WARDROBE 2005 | dir. Andrew Adamson
BULLET TRAIN (2022) PROMPTS * assorted dialogue from the film, adjust as necessary
if you mention thomas the tank engine one more time, i'm gonna shoot you in the fucking face.
would you describe me as someone who lives in perpetual anxiety?
well, you also have a shoot-able face.
you never know what horrible fate your bad luck has saved you from.
thank you for taking the job on such short notice.
you are getting the new and improved me.
i'm less reactive to situations, i'm more accepting of people's shortcomings.
you put peace out in the world, you get peace back.
i'm not even trying to kill people and someone dies.
i could live here. i like the atmosphere, the people are considerate.
i know i'm being judgmental. i need to work on that.
this train is bound for kyoto.
i'm gonna assume you didn't take the gun?
you know, i'm thinking of starting my own agency.
what am i snatching and/or grabbing?
shit, i think i dropped my ticket.
you're bleeding.
who the fuck did i kill?
i think they'll notice the childish code names first.
when was the last time you ate a lemon meringue pie?
there's always a catch.
you idiots work for my father?
you ever watch thomas the tank engine? everything i learned about people i learned from thomas.
i want to strangle you now.
why do you always bring swords?
that wasn't our fault.
hey, listen, i'm just gonna get off at the next stop.
where's the briefcase?
he doesn't need a reason to kill people like you.
you're going to want to hear the whole story, or you'll be very, very sorry.
why do i even bother forwarding you the briefings?
no one really knows the truth.
we are... fucked.
find me the son of a bitch who did this.
can we just take a time out here? talk this out?
why does that sound so familiar?
the guy who stabbed me. i spilled wine on his suit.
one of them is walking towards me right now.
why are we whispering?
your orders were to stay on the train.
can i please do my job now?
shove that fucking hat up your fucking asshole.
there's a gun underneath this table pointed right at you.
i'm just fucking with you.
real quick... every day is a fucking headache with you, innit?
you're alive, i'm alive, everyone's happy.
i just want to get off this train, go see a zen garden and some shit, you know?
there's another body here.
this guy's like criss fucking angel. he pops up everywhere.
unlike you, i'm a professional.
you shoot first and come up with the answers later.
are you hiding in a bathroom?
i knew my luck would rub off on you.
you're really proud of yourself, aren't you?
for what it's worth, you seem like a right fucking asshole and i'm glad you're gonna fucking die with me.
you proved you're smarter than everyone.
am i dreaming?
i don't know how to use a gun.
i'm glad you enjoyed the performance.
i'm mansplaining. i'm mansplaining again.
you want a blanket? you want me to hold your hand?
you have been lying to me, my friend.
i never forget a face.
i'm so happy to see you. please help me.
make sure you do something that brings you peace, 'cause everything else is a pain in the ass.
fate for me is just another word for bad luck.
why are you motherfuckers using metaphors?
i'm gonna buy us some time.
i built myself up from the nothing you gave me.
i came here to kill you.
oh shit. something's happening.
i'm sorry i shot you twice.
we're almost there. you just need to get up.
what's happening to your face? are you crying?

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Guinevere's wedding dress and chainmail veil in Excalibur 1981
A blonde boyfriend is a novelty item similar to a cake pop or sea monkeys
DESPERATE HOUSEWIVES 3.20 — "Gossip"
i love when a character is a ghost but in a tragic way instead of a scary way. i love when a character has been dead from the beginning but is still holding on to stay in the narrative. i love when a character could choose to resent the living but ends up loving them instead. i love when a character drives the story but isn’t quite there enough to be at the center of it. i love when the ghosts are the protectors instead of the ones causing the harm. i love when a character is at the heart of the story because depending on where you began it, no matter how you told it, the story is about the ghost who struggled to keep their humanity
Careful there, honey. Someone went over not long back. What she was doing out on her own I'll never understand. Silly girl.
WILDERNESS (2023) E06: Where White Knights Go To Die

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The gods will not forget what you’ve done in their name.