i need to know every language immediately
Peter Solarz

RMH
hello vonnie
Cosmic Funnies

❣ Chile in a Photography ❣

shark vs the universe
DEAR READER

祝日 / Permanent Vacation
Claire Keane

JVL

★
NASA
Alisa U Zemlji Chuda
TVSTRANGERTHINGS
dirt enthusiast
styofa doing anything
KIROKAZE
todays bird

#extradirty
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@lyricalaurea
i need to know every language immediately

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Love that even he can stand and walk small distances now, he still uses a wheelchair on the reg because he's far from fully recovered.
This narrative getting that this is a gradual process, like physical therapy or rehab, is amazing.
I need to go rewatch the scene where the husband convinces his wife not to murder her treacherous grandmother in a fugue state... said no one before ever
So okay. Episode 15. First of all, this was definitely the most intense episode so far. I have to laude the cinematic storytelling here, because it kept me on the edge of my seat throughout (including the fantastic use of OST)
I think the entire sequence was so well-done, especially with Ye Li and her father. When we were shown that empty paper in Ye Li's hands, I think my heart broke too. Because after ALL of her efforts, it was proof he didn't really care about her mother and her (at least not as much as Ye family), and remained a coward.
Then, well. I did NOT expect a murderous granny who was pretending to have dementia to be the one behind her mother's death. I guess it tracks with how selfish her sons are... but I digress. Poor Ye Li got another severe shock, no wonder she completely lost it.
The scene with Xiuyao desperately calling out to her.. it says so much about Ye Li that what finally snapped her out of it was Xiuyao asking her for help. That entire sequence deserves long essays dedicated to it.
But that aside, the big question is: are we Not going to address the elephant in the room? The next morning sequence was Bizarre, to say the least. Ye Li acted as if Xiuyao didn't physically stop her from sending her grandma to hell herself the night before!
I thought she would at least offer an explanation, however false, but.. it seems like maybe she does not want to lie to him anymore? especially after their fight for this very reason, so maybe she resolved to not say anything at all..?
Also what was up with the scene with Ye Li's brother and the toad? There is definitely some significance there which I am missing.
On a side note, we found out that the decree went to Consort Dowager Qin but with everything else that went on in this episode, it was virtually ignored lol. I wonder what method Ye Li will choose to extract information from the Consort Dowager next.
The next morning didn't feel like she decided to not mention anything. It felt like if he'd said, so why were you with your grandmother in the garden by the burning tree?, she would've started at him like he'd grown a second head. As if the entire scene simply did not exist for her. There have been other hints, times when she was a little cooler for school than you might expect, but here it was right there for the audience. Whatever she's been through, she's clearly survived it using two specific coping mechanisms.
One, she's willed herself into seeing something scary enough to distract her from whatever was the real terror (ie monkeys). Or to see a presence wonderful enough to distract her from the truth of an absence (ie her little maid). And the other is to compartmentalize so thoroughly and totally that a memory or event simply never happened.
I tend to drop the cdramas that turn super makjang so maybe I've missed others, but this might be the first time I've seen not just a strong disassociation but one done so matter-of-fact. Though I guess at barely a third of the way, there's still time for some good scenery chewing.
you're right, I did feel that too that maybe she was so thoroughly retraumatized that maybe she suppressed the memory entirely.
But then we see Xiuyao informing her of her grandmother's death and the first thing that occurs to her is the tree and how it led to her demise. It was then I started to consider that maybe she did remember what happened, but doesn't want to acknowledge it.
Do you perhaps think she suppressed only some parts as opposed to the entire sequence? Like with her maid, she remembers her maid but not her death. So perhaps she remembers only that her grandmother was hit, not what followed.
Its actually very impressive how they have portayed our unreliable narrator through creative storytelling, I still have a lot of questions about Ye Li and what exactly is true or false for her.
So okay. Episode 15. First of all, this was definitely the most intense episode so far. I have to laude the cinematic storytelling here, because it kept me on the edge of my seat throughout (including the fantastic use of OST)
I think the entire sequence was so well-done, especially with Ye Li and her father. When we were shown that empty paper in Ye Li's hands, I think my heart broke too. Because after ALL of her efforts, it was proof he didn't really care about her mother and her (at least not as much as Ye family), and remained a coward.
Then, well. I did NOT expect a murderous granny who was pretending to have dementia to be the one behind her mother's death. I guess it tracks with how selfish her sons are... but I digress. Poor Ye Li got another severe shock, no wonder she completely lost it.
The scene with Xiuyao desperately calling out to her.. it says so much about Ye Li that what finally snapped her out of it was Xiuyao asking her for help. That entire sequence deserves long essays dedicated to it.
But that aside, the big question is: are we Not going to address the elephant in the room? The next morning sequence was Bizarre, to say the least. Ye Li acted as if Xiuyao didn't physically stop her from sending her grandma to hell herself the night before!
I thought she would at least offer an explanation, however false, but.. it seems like maybe she does not want to lie to him anymore? especially after their fight for this very reason, so maybe she resolved to not say anything at all..?
Also what was up with the scene with Ye Li's brother and the toad? There is definitely some significance there which I am missing.
On a side note, we found out that the decree went to Consort Dowager Qin but with everything else that went on in this episode, it was virtually ignored lol. I wonder what method Ye Li will choose to extract information from the Consort Dowager next.

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this part!!!!!!!
first of all, i kind of love the vaguely supernatural elements that are sprinkled in. like is this divine justice for a lightning bolt to drop a branch from her mom's tree on the head of the woman who killed her mom at the exact right moment? i like that they're playing with the murkiness of that line throughout the drama.
but second of all!!!! when he sees her pick up the knife and advance on granny!
the way he can tell in a glance how she's even more messed up than usual! she's practically in a daze or craze and clearly doesn't even register that he's there when he calls out to her. until...
you can see the moment she hears him call her name and sort of starts to come to, but the thing that snaps her out of it is him saying his legs hurt!
when he holds his arms open for her!!!!!!!!!! and she collapses into him! the way he just keeps telling her it's okay!!!
i've always thought bai lu was a good actress who's sometimes gotten stuck in less-than-flattering roles/productions, but she is nailing this performance. ye li is so complex and layered like a crazy little onion and you believe every little mental switchup she shows. when she didn't even have to turn her head or move at all and i could still tell when ye li registered that mo xiuyao was there. i am very, very impressed!
AHHHHHHHHHHHHHHH
!!!!!!!!!!!!!!!!!!!
Stops his wife from murdering her grandma by yelling that he's hurt and needs her. And then she just collapses into his arms! This is insane in the best way
The Double 墨雨云间 (2024) Dir. Bai Yun Mo, Lu Hao Ji Ji, Ma Shi Ge – Ep. 17
We get another example in this episode of two different people recounting the same series of events and telling us different things, and once again what each one says is so revealing of each of their characters.
When Ye Li is telling Mo Xiuyao why she hates Mo Jingli, the emphasis is on the disciples of Lishan who were collateral damage in the imperial powers struggles that Mo Jingli is a victim of. She tells us personal information about them, and while she is sympathetic to Mo Jingli's suffering, her focus is on the lives that he took with his decision. What is interesting though is that although she says she can't forgive him for what he did, she also doesn't paint him as the villain. We get the sense that she knows that he was also a victim of circumstance, and maybe even feels sadness that this is what their lives led to, but ultimately she just wants to part ways with him so they can live their own lives.
Mo Jingli doesn't even mention the disciples of Lishan. He focuses so much on his relationship with Ye Li when he was studying there, and then paints their separation as one of the many injustices that the Empress Dowager did to him. Where Ye Li's story was a tragedy of two people driven apart by cruelties beyond either of their control, Mo Jingli's story has a wronged hero, a villain, and the prize at the end of the line. And this fantasy is entirely self-centered. Not only does he not mention the disciples, he also doesn't mention the confession they made him sign, and barely even mentions Ye Li. He's entirely focused on his own suffering and his image as the wronged prince.
But what is even more interesting to me are the discrepancies between the two stories. Where Ye Li pictures Mo Jingli being tortured in a dungeon, Mo Jingli places himself in one of the rooms of the imperial palace. Confined, sure, stripped of all autonomy, definitely, but hardly the level of severity that Ye Li imagines for him. And while his refusal to mention the confession may just be a refusal to share anything that could paint him as less than the ultimate victim, and there are plenty of ways to coerce a frightened teenager without even touching torture, the fact that he doesn't even allude to them coercing him to sign it is a massive red flag for me. Anything they could have done to him would have been the perfect outlet to milk sympathy points, so the fact that he completely glosses over the confession makes me feel like there's something he's hiding about it.
something something Ye Li stopped seeing her imaginary friend as much when she got closer to Xiuyao because he is gradually becoming her safe space but then she reverted right back to comforting herself with Qingshuang's "presence" after a fight with Xiuyao because its the only way she knows how to cope... this drama is tugging right at my heart strings.

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how wrong do you have to be to have literally everyone hold a serious grudge against you? The answer is apparently as wrong as Marquis Muyang :/
Ye Li is like why is sister-in-law paying some charlatan to let her talk to ghosts? Just do it the all natural way…
ough i'm so soft for the way ye li just casually drapes herself across mo xiuyao - when she's drunk, when she's tired, when she's just kinda bored and wanting his attention. it's already a very sweet gesture but especially so given that these two scream touch starved, and with how violently they both treat their own bodies when stressed
Ye Li really said by god I'm going to bring light in your sad miserable life and it can either be pleasant sunlight from the window or the bonfire flames of your self flagellation knick knacks you choose
From what I've understood so far, Ye Li has been carrying way too much trauma for far too long and needs someone who can help her carry it. Meanwhile Mo Xiuyao needs someone who can pull him out of his darkness and remind him that he never lost the ability to protect the people he cares about. Its just. Such a beautiful dynamic.

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Things girls like:
flirting with handsome husband
talking to dead people
making soup
setting ministers on fire
Everything lit, it's fire, everything big, it's fire ♪
The First Jasmine - Initial Views [SPOILERS]
I am only a few episodes into Mo Li / The First Jasmine and I am already obsessed. First of all, this drama is gorgeous. The cinematography feels so natural compared to a lot of historical dramas that rely on heavy filters. Everything looks real, imperfect, and beautiful, which makes the world feel incredibly immersive. Spoilers below the cut