Lymondnotes

Ok, speech over! What happens in this chapter? Well, first, war: as usual, I barely pay attention to the details here. The English defeated the Scots badly at Pinkie, and there's one army outside Edinburgh and another one at the border town of Annan.

Also near Annan (easily confused, as I just did in typing this, with Arran) is Lymond's band of outlaws! Two of them, Turkey Mat and Johnnie Bullo, catch up on the latest gossip.

Important to take from this is that Lymond's men came across an English messenger recently, heading for the English forces at Annan with a message, but Lymond wouldn't let them capture or attack the messenger -- he even made sure he got through safely with his message. This makes his men think that maybe he's supporting the English in this war, or at least placing his bets on them to win.

Then Lymond shows up! He's in full Lymond form: dressed beautifully, "as in the sack of his mother's home," and reeling off pretentious and annoying quotations like we just talked about:

“Johnnie, my night-black familiar. Civility’s nearly as dull as sobriety and I cannot—will not—be labelled dull. I have peper and piones, and a pound of garlik; a ferthing-worth of fenel-seed for fasting dayes, but dullness have I none: nor am I overfond of being discussed, my Johnnie.”

The content here barely matters. He's speaking floridly to his ragtag band of outlaws, dressed to the nines--putting on a show. The words are a kind of extra layer of show that he wraps around himself. He's also separating himself from his men by talking this way: it's totally unapproachable, even if it's funny or impressive. But it's not exactly companionable.

Lymond also has a stranger with him, a "new recruit," who turns out to be... Will Scott! The son of Wat Scott of Buccleuch, the one who's been fighting with his father about morality ever since he came back from university with big ideals. And somehow they've led him to... try to join up with Lymond and his outlaws.

Lymond, like his men, is skeptical about this and thinks it might be a trap: if Will Scott becomes one of them, it would be easy for him to betray them at any point to Wat and the rest of the Scots. But, after initially telling Will he's going to send him home--and after a series of tests* and a discussion about morality vs. hypocrisy, where Will argues that he respects Lymond for being consistent in his immorality and vice more that he respects hypocritical morality--he changes his mind and lets Will stay on: “He’s going to be a naughty, naughty rogue like you and me.”

Then Lymond and Will leave for Annan, but not before Lymond reminds his men to do whatever it takes to make sure the English messenger they found gets through to the English forces--at Annan, where Lymond is also going--with his message.

From the book's first lines we get different takes on Lymond, all from outside points of view. “Busy men preparing for war against England” say his name “with contempt, with disgust,” and – interestingly – “with a side-slipping look at one of their number.” In contrast, “a woman’s voice” says his name “with a different note” and a laugh. Finally, Lymond’s own men wait for him with “concern” — they care about him. This pattern of different people seeing and describing Lymond radically, and confusingly, differently, will continue throughout the series. Yay!

Okay, but what actually happens in this chapter?

A lot. Lymond gets a smuggler’s pig drunk, for example. But here are some key things we learn:

Mungo Tennant’s house (Edinburgh):

Lymond is an outlaw (why?), is not supposed to be in Scotland, and will be killed if he’s caught. 

Sir Wat Scott of Buccleuch and Tom Erskine, two important landowning Scots who are loyal to the baby Queen Mary, discuss who else can be trusted to protect the country against a potential English invasion. Two options are:

Sir Andrew (Dandy) Hunter. They reject him as too poor (“his estate’s been bled dry”) and with an ill-equipped army. 

The third Baron Cutler. This is Lymond’s older brother, Richard. The conversation about Richard is critical to the plot of this book: Buccleuch says some people think Richard Cutler cannot be trusted because Lymond himself has committed treason, and that if he doesn’t hunt down his own brother then he’ll be as good as a traitor too. Buccleuch disagrees with this and trusts Culter, but he and Erskine both acknowledge that if Richard Cutler doesn’t eventually bring Lymond to justice, the Scottish court won’t trust him to help against the English. 

Lymond, listening outside the door, overhears this conversation about his brother the Baron Culter. 

Lymond then sneezes and is caught listening. He insults Richard’s new wife and departs. We discover, as the scene draws to a close, that he has stolen all of Mungo’s smuggled French wine – and then dumped it into Edinburgh’s gutters. 

Sybilla’s house (Midculter):

Sybilla, Lymond’s mother, had three children: Richard (now the Third Baron Culter), Lymond (titled the Master of Culter, because he’s the younger son), and Eloise, who died at school in her teens. 

Wat Scott’s wife Janet complains to Sybilla that Wat’s son and heir, Will Scott, has come back from university with high-minded moral ideals and is fighting with Wat as a result.

Janet attempts to talk to Sybilla about Lymond and the rumors that he’s come back to Scotland. Sybilla won’t focus on the conversation and keeps trying to change the subject. Earlier, we learned that “what she thought of Lymond’s activities she did not say.” This is interesting, since she’s not reluctant to give her opinion about anything else.

Janet does manage to mention that if the English took over Scotland, Lymond might be restored to the line of succession for Midculter (he was removed from it when he was outlawed) and become his brother’s heir again – if his brother’s new wife doesn’t have a son first. 

 Lymond sneaks into the castle during this conversation and takes Mariotta, Richard’s wife, briefly hostage. He also flirts shamelessly with her. 

Mariotta is confused by Lymond: she is expecting something terrifying, not an “insolent, self-indulgent,” slightly drunk rich boy. Lymond teases her again, saying that didn’t she know he looks different than Richard? He has the “family coloring,” whereas Richard, who has brown hair, does not. 

Lymond says that he and his men have forced their way into the castle because he needs money to support his vice, and to amuse himself. When Mariotta reminds him that his own mother is in the group of women he’s proposing to terrorize, Lymond receives the news “with tranquil pleasure.”

Boghall:

Wat Scott muses on the confusing politics of the English and Scottish border wars. Here I, your note-taker, skim and skim and conclude that some Scots support the English and some would rather turn to the French for protection, and it all has a lot to do with Protestantism vs. Catholicism, but in the end Wat Scott dislikes the English far more. 

We meet Richard Culter for the first time: “A sober, thickset figure with brown hair and reliable grey eyes.”

Wat Scott tells Richard that Lymond is back in Scotland and says that Richard might as well be in league with Lymond if he’s not going to actively oppose him. 

Wat Scott also tells us why Lymond is an outlaw: “Five years ago your brother Lymond was found to have been selling his own country for years: he’s been kicked from land to land committing every crime on the calendar and now he’s back here, God forgive him, with filthier habits and a nastier mind than he set out with.”

Wat concludes his argument: the Scots think the English are going to invade and they need to field an army. If they can’t trust Richard and his men to be part of that army against the English – and they can’t, if there’s any belief that he’s sympathetic to Lymond, who is a traitor to Scotland and sold the country out – then the Scots army will lose. 

As they have this conversation, smoke rises in the distance. Lymond has set fire to the castle at Midculter, which contains Richard’s mother and Richard’s wife.

Midculter:

Sybilla sees her son Lymond for the first time since he was outlawed and exiled. He is armed and holding her daughter-in-law hostage. “After the first moment, every trace of expression left the Dowager’s face; her white hair shone like salt.”

As Lymond’s men rob all the women, Mariotta notices that Lymond will not look at his mother at first. Finally, he does, and Sybilla accuses him of “play-acting.” Lymond says the robbery is real, and that he has changed from the son she used to know. 

“From the stews and alleyways of Europe with a taste for play acting—yes—and killing and treason and crimes, they say, nameless and enticingly erotic. Haven’t I been worth five years’ excellent gossip to you?”

Lymond then throws his knife and hits Janet of Buccleuch–proving his point that this is not play-acting, despite his flowery and dramatic speeches throughout–and exits, setting fire to the castle on his way out. 

Richard reaches Midculter and finds out what happened. He swears that he won’t be “made a fool” of by Lymond again, implying that he trusted him before but now sees him as the outlaw and criminal he really is and will help hunt him down. 

He can’t go after Lymond, though, until after he fights the war with England that’s just begun.

Europe

King Henry of France watches as the English go to war to try to take control of Scotland by forcibly marrying Queen Mary to the young King Edward.

Henry would like to “serve and protect” Scotland, but has to make sure he doesn’t threaten the English so much that they ally with the Holy Roman Empire against him. So… he watches and waits. 

Reading Questions:

Of all the views of Lymond we are given in this chapter, whose do you trust most and why?