greatest in the league collab with @marchaprilmaybe âĄïžâ„ïž
â€LEAH x KEIRA
donât touch, Iâll never cross the line â„ïž
â€LUCY x ONA x KEIRA
better than revenge âĄïžâ„ïž pt 1/3 pt 2/3 pt3/3
Player x Reader one-shots
â€KEIRA WALSH
princess treatment âĄïžâ„ïž
captainâs superstar â„ïž
lipstick and lace â„ïž
â€LUCY BRONZE
dirty talking â„ïž
lasting impressions â„ïž
â€PATRI GUIJARRO
summer forever âĄïž
DISCLAIMER: My work is purely fictional fantasy, based on fictional interpretations of people. I would never post or discuss these in a place where players could see them and neither should you. Be respectful to the real lives and real relationships of players, and you are not welcome if you harass players about their personal lives, hate on the basis of shipping, act a fool in their comments sections, etc etc!
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Please tell me that a new chapter is on its way đ€Ș
working on it!! ill be honest i've been having terrible brainfog when it comes to writing this past week and im a bit unhappy with everything i've written BUT im persevering because i refuse to let the final chapter be anything but perfect!!
Also in deep need to kiss a woman atm⊠Not to be too forward, but maybe we could discuss de feeling if youâre ever in Spain⊠just joking, but really, your stories are making the days go by easier!
Listen, my dms are open, Iâm very nice I swear â€ïžâđ„ Likewise if any pretty gals need a 5â8 fem London tour guideâŠ
But thank youu I am cramped up with work rn but have quite a few fics planned for when I have more time!
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Do you find it funner to write AU or ârealâ life for Lucy and Ona? Or which do you find easier?
I personally keep my characterisations pretty consistent, theyâre both still fiction anyway. Its fun to write true-to-life stuff but also I prefer writing AUs overall because it feels like I have more creative freedom rather than trying to hinge too closely upon who they might be IRL
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How much time do you actually spend writing, and how does that work for you?
For example, do you already have the final chapters ready, and are you just making adjustments, or do you really write chapter by chapter?
I probably spend about 5-8 hours per chapter if Iâm being honestâŠusually my method is that I read over my fic plan, I write it out, and then I revise it 2-3 times which is where the hours really compound lol
I personally write + publish chapter by chapter (for the most part, sometimes I have scenes drafted). For future multi-chapters I plan to write and plan them more comprehensively before posting so I can actually have a schedule but tbh even my best university essays couldnât be planned; I just wrote, and the ideas + progression came as I wrote.
Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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I canât wait for the next chapter but at the other hand Iâm not ready to the end of this story yet.
Itâs always the best part of my day when I can read a new chapter, thatâs says a lot to me about your fantastic writing.
You have put so many time in writing this and I just wanted you to know I really really enjoyed this fic!!
Excited to see how this story ends. Are you planning on a next project about Lucy and Ona once this one is finished or not yet?
Just, thank you so much for being such an incredible writer. đ«¶đ»
(English is not my mother tongue)
Thank you for such lovely words đ„č
We have two chapters left, final chapter and then an epilogue! I too am so sad to be finishing it off because Iâm both deeply proud and attached to it đ„Č
I will absolutely be starting a new series after this! I may put up a poll in the coming days to see what people like the sound of most, but if anyone has an AU or series idea feel free to share đ
â§ chapter tags: the fated âwhat are weâ conversation is upon us
â§ fic blurb: There is no reason why they should work; Ona likes spontaneity, Lucy likes certainty. Ona is fiercely indepedent, Lucy has never been alone.
Oh, and Ona is a dominatrix, who can't part with control. Even when she wants to.
Perhaps they could both teach the other a thing or two about trust, and taming the urge to run from fear.
ao3 link or read below
Alone, Ona wakes from her dream with a fright. Her body sweats out onto the sheets beneath, trembling in the darkness.Â
She doesnât check the time. Doesnât need to.
She lies deathly still, agonisingly aware of her own heartbeat. One. Two. Three.
One. Oh my god. Two- Three.
She throws her sheets to the side, blinds herself with her bedside lamp, before rummaging deep in her drawer. Finally, she feels glass, just two small vials. Why had she kept them? She isnât sure. Saving them? For someone or something?Â
In the bathroom, she uncaps them both, hardly breathing and a bit heady as a result. Her hand shakes, the extractor fan whirs ceaselessly.Â
The sharp chemical smell almost knocks her back.Â
She feels, remembers, the urge, the kick, the euphoria, the fear, the tears.Â
She tips the contents down the sink. Though typically more eco-conscious than that, it was truthfully, the last concern on her mind.
She takes the empty vials to the kitchen, smashing them to pieces in a doubled-over ziplock bag. Puts that in another bag. Trash. Scrubs her hands clean with dish soap, until they are scratched raw, until all thatâs left is the suffocating tightness in her chest.Â
She finds herself heaving for breath over the sink, a hurricane in her throat, clutching the counter and waiting until she finds the strength to bring herself to the couch. There she sleeps. Not well, not peacefully, but the sun rises again a few hours later.
Because for the first time in a long time, she has something to lose.
Summer comes with its blossoms and shoots, a home to the air and a life to her skin that didnât exist in the winter months. Sleeping is harder; she canât weigh herself down with blankets, and her life has yet again found a monotonous rhythm of work, and friends, and Lucy. Their last parting was sweet; a morning spent lazing in bed, shaking off the tension of the previous nightâs conversation.Â
Lucy comforted her further, said all the right things, and Ona gave into it. For snapshots of time, she felt truly safe. In fact, she had felt surprisingly good about the entire ordeal, considering how resolved she once was to never run into any details with Lucy.Â
But the past had a funny way of creeping back around, of hinging itself to the things and people that mattered most to her. Lucy knew, but that was only the first step; now they had to acknowledge what it meant, and whether Ona was willing to face her fears.Â
Sheâd been running, for so long, trying to exist in peopleâs peripheral and in the margins of her own life. All that had led her to was here: nestled deep in someoneâs heart, clinging on desperately like the borrowed time had played them for fools.Â
And it had.Â
It had made a mess of Ona, just as she thought she might be cured, because now, she canât imagine a life without Lucy. And that is an unnerving feelingâto be reliant.Â
The shift was palpable, and Ona had felt it the moment she woke the morning after their lengthy conversation. Maybe it was Lucyâs agitation she sensed, but she had no courage to push the conversation further. Neither of them did, because it risked detonating the miraculous sanctuary built between them.Â
But was it really accidental? When every moment theyâd shared since the very beginning felt like a lifetime of want and longing culminated, every word spoken with acute intentionality, every touch meant to heal and renew.
What they had couldnât exist any longer in the margins, or in some liminal space where they didnât have to address it, and even Ona knows this. It had already burst apart at the seams, flooded her system. And they were both far too honest in cadence to pretend any differently.
To make matters worse, she has been keeping something from Lucy. Not a fact of her past, of her future. The justification she found is that she is letting it unravel in her own mind before making Lucy aware, but nonetheless, she is feeling horribly guilty.Â
Most poisonous of all, Ona has been thinking heavily on her uncanny ability to always choose the wrong path. Maybe this time will be different, she thinks. Maybe. Hopefully. This. Time.
Lucy invites her out for a walk and lunch. It dawns on her that maybe the other day hadnât even been the hard part. This would be.Â
The day is electric blue, the sun stiflingly bright. She brings Coco, who seems overjoyed to be in the car, nosing at the fresh air blowing in from the cracked-open window.Â
Her emotions do a multitude of switches while she drives, and as she parks up on the gravel, she just hopes for some kind of catharsis by the end of it all.Â
Lucy beams when she sees her, and Ona feels now more than ever that Lucyâs face is all she seems to know. She looks so different outdoors; more confident, less reserved, even though a more reserved Lucy is merely a personal one. And Ona adored her private smile, the softer way she spoke when they were holding each other and there was nothing to hide or run from.
âIâve never been here before.â Ona says, holding onto Lucyâs arm menially, while Coco trails behind Narla and they test how far ahead they can pad in front before Lucy calls them back. Itâs a quiet footpath, surrounded by dry grass and high trees that rustle in the gentle wind.Â
âNo? Itâs a really nice route. Narla loves going for a little swim so I always take her here when itâs hot.â
Lucy glances at her, shifting her arm out of Onaâs grasp to put it around her shoulders instead. A firm hand, keeping her closer than perhaps sheâd like to be. âYou look a bit tired today.âÂ
âA little. But Iâm okay.â Ona replies earnestly, leaning her head against Lucy, blinking her eyes shut and realising just how heavy they really are.
They walk on.
After some time, Lucy speaks. âIâve been thinking about you.âÂ
Ona raises her brows, humming with curiosity.
âJust about you. I mean Iâm always thinking about you, but especially since the other night.â
The inevitable. âYou donât need to worry about me.â Ona soothes quietly, keeping her head down.
âIâm not worried. I just...â Lucy cuts herself off, but itâs not from harsh restraint, rather, a lack of appropriate words. Wrapped in tenderness, she finds, âI feel a lot for you.â
Ona knows it too well. Whatever Lucy meant by it. To feel a lot was to be taken by something you canât quite control. âThank you,â she murmurs, knowing it was from a place of empathy, and she canât find the words to express her own a lot feelings.
They find a small, private riverbank, where Narla wastes no time in bounding for the water, her small body wading only a meter in before sheâs paddling eagerly towards her favourite orange ball.
Ona grins at the sight, even more at her more apprehensive boy who takes some serious persuasion from Narlaâs excitement to join her.Â
âSo sweet, arenât they?â Lucy smiles, her arm still across Onaâs shoulder, Onaâs now around her waist. She slips her other arm against Lucyâs front, tugging her in for a side-hug.
Ona is quiet, her dread a perpetual mood that she thought she had hid well from Lucy.Â
âEverything okay?â Lucy asks finally, without overwhelming urgency.
Ona nods once, her smile fading to something tenser but still present.
Sheâd like to just stay here, for a moment longer. It was really quite perfectâŠso peacefulâŠ
Only the periodic trill of a bird breaks their devoted silence, and Ona closes her eyes again, feeling only the breeze on her face and the jolt of Lucyâs body when she flings the ball.
âThere is something I wanted to tell you.â Lucy says casually, and Ona feels her suddenly rapid pulse electrify her back to life.
âYes?â She answers, her hands still looped atop Lucyâs hips.
âI donât know if I mentioned it or not, but I applied for a job in London. AndâŠI got it.â
Ona pauses for a long moment, as Lucy steps forward to collect Narlaâs ball in the thrower and toss it downstream once more.
âWhat does that mean?â She finds, unable to read whether Lucy was softening a bigger blow or if this was all she had to say.
Lucy purses her lips, not uneasily, but she seems to second-guess what Onaâs reaction might be. âIâm thinking of taking it. Itâs so much better than my current one, Iâll actually get to plan my hours so I can hopefully get more time to myself.â
âYou should go for it then.â Ona says, half relieved that it wasnât anything too serious, or maybe she was too preoccupied with her own awaiting confession to really process it. âIf it will be good for you.â
âI know, I want something new, but...I wanted to speak to you first.â
Lucy would overhaul a whole life plan for her? Ona feels her heart tremor, her breath catch in her throat. Unable to keep it hidden any longer, she speaks timidly, âI have something to tell you, as well.â
Lucy turns sharply, an attempt at sounding composed. âGo on.â
Ona wavers, of course, because now she actually has to do the thing of saying something difficult. Something she isn't even quite sure of herself, or maybe she's only unsure because it was much easier to not think too hard about Lucyâs reaction when she wasnât standing right beside her. When she isnât in the throes of her very pressing feelings. âWhen I went back home a few weeks ago, I looked at apartments. And helped my family but-â
Lucy seems to deadpan. âYouâre moving back.â
Ona startles, her hands dropping in reflex. âNo- no, not for sure. It was onlyâŠâ
Only half a lie. She anxiously searches Lucyâs face, waiting for her to snap. Even though she knows Lucy doesnât snap, doesnât speak on selfish impulse.
âKept that bit hidden, didnât you?â She replies finally with a slightly wry smile, and itâs quite a warranted response, really. Ona should have told her, at any point throughout this ordeal. At least that her tenancy was running out, and she didnât plan to renew.
The thought of betraying Lucyâs well-earned trust makes her gut twist horribly with regret.Â
âI didnât find the right time. Iâm sorry. I needed to think about it myself, first. I was sure of it, but now, I donât know.â Ona confesses.Â
Lucy watches her more carefully, sensing the gravity in her voice. âWhen did you start planning this? AndâŠwhy?â
Ona swallows, burning up under the pressure and the sweltering sun.Â
âIâve been thinking about it for some time, because my lease is up next month.â She admits, and Lucy softens in a very devastating way. âItâs nothing about you. Iâve just been here, in Manchester, a long time now, andâŠI miss home. Which is crazy to say because home is- itâs never somewhere Iâve liked to be. And thereâs just⊠a lot there thatâs unfinished. With my parents especially.â She says, like there is anything simple about the matter. âI feel like, I know, I need to go back. Itâs been so long since I spent proper time with them and my other family, and theyâre getting older, and so am I, and I donât want to keep associating home with who I was before. I need to give back to them, in some real way. And everything is just kind of pointing to now. With work, and my lease, and my brother's job.â
Lucy looks ahead, her face quite unreadable as she processes the information. Narla threatens a tussle with Coco when he mouths at her ball, but he soon drops it at Lucyâs feet for her to throw it again.
âI can understand that.â She says, the dogs racing their way back into the water.
Ona releases her breath. âYouâre not upset?â
âWhy would I be upset?â Lucy answers with a genuine disposition.
âBecauseâŠI wonât be near you.â Ona says, like the words alone will tear them apart.
âWell,â Lucy smiles non-committedly. âI of course want the best for you. If thatâs going back homeâŠI have to support you.âÂ
Ona doesnât hide the fact sheâs a bit speechless, and Lucy lets out a small but sincere laugh. âWhy, did you want me to say something else?âÂ
âNo, but...us.â
Lucy is silent for a few seconds, her face ironing out like she had a thought which stabbed right through her. Like reality was becoming far too real. â...Would I seriously be enough of a reason for you to stay?âÂ
Ona feels her throat pull tighter. A few empty, torturous beats pass them by, and Ona would think that life has stopped altogether for them if it werenât for the fact that the leaves are still swaying, breaking apart from their branches every so often, the water is still moving ceaselessly, and their dogs are sniffing the many smells of the bank, blissfully ignorant. Ona wishes she were them.
âMaybe.â Ona says, but her uncertainty is clear. More to test how the feeling sounds out loud. Maybe? Maybe you are?
Then, something even more unforeseen spills from her lips. No preamble, no hesitation, no control. âDo you love me?â
It shocks Ona more than it does Lucy. She feels the colour drain from her face, but Lucy? Lucy looks as though her heart stopped entirely and like the world around her folded in on itself until she was the only thing left.Â
Ona almost has to beg her to say something, but Lucy finds her voice first.
âIs thereâŠan answer you want to hear?âÂ
It very much breaks Onaâs heart that Lucy has to doubt it for even a moment.
She almost says no.
âYes.â
Lucyâs mouth trembles at first, not daring to glance in Onaâs direction, until something in her gives way. âOf course I love you.âÂ
The space between them gets considerably heavier. Before Ona can think, Lucy is speaking again with avid certainty, like these words had been waiting until they couldnât wait any longer. âI- I really love you Ona. Youâre my whole world. Youâre all I see, youâre all I want to see. I would beâŠupset to see you go, butâŠâ Lucy inhales slow and deep for the next bit. She tries to sound sure, affirming, strong, but Ona just hears the hurt. âIâd be heartbroken if you stayed and didnât put yourself first.â
Ona feels like a ghost who begrudges having a soul. Like she died, somewhere in this, and has come back with no knowledge of how to speak or breathe or deal with this mess. She never had, truthfully.
But she had known Lucy loved her. Sheâd felt it hold her together, heard it in her honeyed voice, seen it in the flecks of light that shone between them when they were together.Â
And the way she looked at Ona, like the rest of the world was lifeless and dull in comparison.
Nothing about it had felt real. Even now, it feels more like a dream, like a surrealist film where the water will go stagnant at any point and sheâll fall through the earth to somewhere very hot and very far from here. To be lovedâŠwhat did it even mean to be loved?
Ona thinks up a hundred things to say before a burst of tenacity overcomes her.Â
âIâŠI do, love you, as well.â
Lucy smiles, almost immediately, almost accidentally, a tad restrained, but real. So very real. She finally glances at Ona.
âYou do?â
âI do.â Ona replies faintly, hardly above a whisper, shock washing over her face, caught between wanting to smile too and snapping apart with fright.Â
Lucy doesnât sweep her off of her feet, doesnât pull her into a kiss or call a carriage for them to ride into the sunset. Instead, this was Onaâs overcast reality where she has built a fortress around herself. Where she has no concept of love, never has, except knowing nowâŠthis must be it. There canât be another explanation.
âBut, do you want to be with me? Are you ready for that?â Lucy asks, soul in her voice, heart in her throat. She is patient and tender, yet it rips at Onaâs insides, because she knows none of this is the perfect promise Lucy deserves.Â
Suddenly, Lucy continues. âI donât want to leave you. Or for you to leave me. I justâŠI feel so at odds that we do all of this, we love each other so intensely itâs like I canât breathe sometimes, but I go home and Iâm still single. And I know I said at the start that I was fine with that and itâs my fault for kidding myself, because Iâve known since the second we met that I would feel this way.â Lucy scoops the ball up again in the thrower, sending both dogs after it. âAnd itâs not your fault, not at all. But I canâtâŠI canât do this, anymore, if you know in your heart you canât commit to me. Because I really am- in love with you, and itâs notâŠsomething I can compromise on.â
Ona almost keels over, flooding with sudden emotion. She exhales, her breath shallow, her voice sudden and fragile. âI never meant to hurt you.âÂ
Lucy looks a tad surprised by that. âYou didnât hurt me sweetheart. You did the opposite.â
The urgency she feels is abrupt and immense. Sheâd never been in this position before, and she thinks herself utterly senseless for the facts of it all only computing now.Â
Had she thought there was a way around this? Had she thought Lucy would procure some miraculous antidote to her indecision and all would be well?
âI understand you. I do. You shouldnât have to compromise how you feel.â Ona says, her stomach sick with wordless distress. Lucy stays quiet, so she speaks again with a bruising honesty sheâs now incapable of reigning in. âI want you, so much, but Iâm scared. And I thought I had something figured out, finally, but now...â
Lucy drops the catcher and hugs her tightly, an inevitable magnetism, sending every wall of tension crumbling. She gives Ona time, stroking her hair and leaning into her like she was her lifeline, not the other way around. âYouâre scared.â Lucy echoes in question, softly against her head. Ona nods, not wanting to pull away from the comfort just yet. âWhatâs holding you back then?âÂ
Lucy guides them to sit down, resting her cheek on her knee as she watches Ona with bone-deep affection. Some inevitable sadness as well.Â
Ona speaks with a shameful candour. âI feel like I canât give you what you deserve. Iâm so scared Iâll mess this up. AndâŠâ She trails off.
Lucy prompts her softly to continue with a lift of her brows.
Ona scrunches her lips a bit. â-No, it doesnât matter.â
âIt does.â Lucy returns gently.
Ona wavers, before admitting quietly, âI thought I was finally going to do something for myself.â
Lucy glances down, waiting a few, prolonged seconds. âSo, you know what you need to do.â She looks at Ona. âYou carry so much weight, and family, that time to just be your parentâs kid again, itâs so important. We donât get many of those chances in our life, so take it.â
For once, Ona wishes Lucy wasnât so obtuse with the objective truth. Wishes she would just break down, beg her to stay until thereâs no doubt left and emotion supersedes any logic.
Doubt. That had always been her poison.
Emotion chokes Ona. Donât get upset. Donât cry. âBut Lucy I really do- love you. You made me realiseâŠjust by being in my life, that how Iâd been living wasnât me at all. I was pretending to be okay, and that I didnât want love, from anyone, but I do. Because I remember what love is now.â
Itâs ridiculous, because she hears herself. The only person sheâs at odds with is her own mind, and sheâs so angry, because for every step she took closer to Lucy, something pulled her back. Now it was home, her family, and it feels real this time, not a trauma-induced reflex to run. Okay; perhaps she had some independent trepidations about being in a relationship that were making her hesitate but those donât feel as pressing.
And it was trueâLucy had slowly but surely made her into someone different, and she was still reckoning with that, still learning who that person was.Â
Her eyes are wet with tears, an ache clawing its way up her throat.
Lucy doesnât look at her, presumably on the brink of breaking down herself. âThatâs so lovely to say. I justâŠIâm not sure what you want, now.â
Ona wipes her eyes with her wrist. âI donât know, either.â She trembles, and Lucy pulls her closer, brows drawing together from the sight of Onaâs sadness. Though she feels profoundly undeserving of Lucyâs comfort, she sinks into her regardless, pressing into her side until Lucy pulls her into her lap.
âItâs alright.â Lucy whispers, holding her head down against her shoulder, a hand firm on her back as she shudders.
Ona makes an attempt of pulling herself together, unable to withstand feeling this pathetic. She lifts her head, her voice cracking. âI canât put you in the middle of this. Itâs not fair. But I donât want you to think I'm running from you. I donât know many things, but I know that.âÂ
âI believe you.â Lucy says with frank tenderness, her own face delicately broken. She gives Ona a gentle squeeze, her chest rising and falling beneath her body.Â
When she finally speaks again, itâs soft but intentional. She pulls back enough for their eyes to properly meet. âI love you, but I love you enough to let you go if you need to. Because if you donât, if you stay here, I canât be the thing to hold you back.â
Ona shatters, burying herself back in Lucyâs shoulder. âI love you too, so much. You keep me so safe, so happy, I- donât have the words, Lucy. For what you are.â She clings to her tightly, wiping her tears on her shirt before chuckling rawly when Lucy sniffles. âSorry, I donât want to make this worse.â
âYouâre not.â Lucy murmurs, her green eyes wrought with a devastation she wonât quite admit. âI know you think youâre doing something wrong, but no one has ever been this honest with me before. Youâre a treasure, Ona.âÂ
In all the pain Ona has felt in her life, all the betrayal and hurt and failure and shame, this may be the worst.Â
Lucyâs mouth trembles until she finally allows a small cry to escape, and Ona doesnât hesitate to bring her close, gently running her fingertips through her hair, fighting off a full-body sob herself.
âIâm sorry.â Ona sniffles against her hair.
âNo, donât say sorry.â Lucy returns, muffled tearily into Onaâs neck.
âIf I leave Iâll break your heart.â She whispers hopelessly.
Lucy wipes her nose, the other resting surely on Onaâs lower back. She gathers some strength, wiping a falling tear from Onaâs soft cheek. She takes in a heavy breath, before letting go. âIâll mend. Love couldnât be wasted. Not with you. Sorry, I donât mean to get upset, youâre justâŠyou really got to me.â She smiles weakly.
âAnd you got to me.â Ona attempts to pull herself together as well, placing a hand on the back of Lucyâs neck, caressing beneath her fingertips, watching her soften from the familiar touch. âI donât know how long this will be. But I wonât be a stranger. We willâŠâ
âFigure it out.â Lucy finishes uncertainly.
Ona leans her forehead against Lucyâs, sighing shakily, speaking in a whisper thatâs meant to soothe, but more so shows her regret. âYou donât have to wait for me. At any point.âÂ
Lucyâs lips curve into a tight smile. âIâm not sure thatâs something I can control.â
Ona realises then, that none of this is within their control. And love isâŠnot what she thought it was. Itâs surrendering to that doubt, itâs giving in to someone new.
Lucy throws her bag behind her head, lying down against it, shaded by the tall willow tree above them.Â
âCâmon. Let's still enjoy today.â She says, welcoming Ona to curl up at her side.
Ona rests then, shutting her eyes and letting Lucy rhythmically stroke the bridge of her nose, and her cheek, and her jawline, and her shoulder, everything until she has relaxed entirely. Until every part of her is reverently accounted for.
At some point Coco rests on her leg. Narla up against Lucyâs other side. Her chest deepens with the senseless hope that Lucy will wait for her after all. She just canât forget this, because this? She would soon choose this over anything else in the world.
And so, it all happens much faster than she anticipated. Her brother flies out to help her pack, and he sleeps on the couch, while she lies awake in her empty room. Telling people was the hardest part, because now her popularity precedes her and everyone wants to see her for a final time. She declines most of them, saying it's temporary, and really, she hopes it is.
The loneliness surrounds her on both sides, and she thinks until she canât think any longer, until it feels like her mind erupts in flames and finally she gets some peace.
She mostly texts Lucy at night, both far too busy to allocate any real time during the day. They dance around the serious part, and though it pains her, Ona canât bring herself to stay away completely.Â
Isnât it funny how our paths have aligned? Lucy says, sharing a photo of her own life in boxes the day before Ona leaves. Like any of this was okay.
Ona closes her phone, falling to her couch, breaking into tears for the first time since they last saw each other. Â
She tells her brother about Lucy. Properly this time. He sits by her side, and she realises how much easier it is to explain in the language her heart knows best.
âYou know,â he says at the end. âNunca antes te he visto llorar.â