I find in myself both severe and tender feelings toward the women I have been. — Adrienne Rich, On Lies, Secrets, and Silence: Selected Prose 1966-1978
HANNAH WADDINGHAM AS REBECCA WELTON Ted Lasso (2020— )
occasionally subtle

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@loveexpelrevolt
I find in myself both severe and tender feelings toward the women I have been. — Adrienne Rich, On Lies, Secrets, and Silence: Selected Prose 1966-1978
HANNAH WADDINGHAM AS REBECCA WELTON Ted Lasso (2020— )

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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Every once in a while, I wish the friendship meter from the Sims was real so that way when people tell me "I used Chat-GPT" they can visually see just how much respect I just lost for them in that moment.
TWIN PEAKS (1990-1991)
Reese Witherspoon celebrates 25 years of Legally Blonde! LEGALLY BLONDE (2001) Dir. Robert Luketic

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ILYA ROZANOV WEEK: DAY SEVEN FREE CHOICE: ILYA ROZANOV IS A WORK OF ART (insp) The Fallen Angel, Alexandre Cabanel (1847) Psyche, Jean-Baptiste Greuze (1786) St. Sebastian, Luca Giordano (1653 –1655) The Pink Dress, Frederic Bazille (1864) Saturn Devouring One of His Sons, Francisco Goya (1819 –1823) Armida in Vain Endeavours with Her Entreaties to Prevent Rinaldo's Departure, Angelica Kauffman (1776) The fisherman and the nymph, Henri Lehmann (1837) Lake Nemi, Seen through Trees, Camille Corot (1843)
One thing I assume of age is weariness. Damned if I don't get more tired every day. KNIVES OUT (2019)
EVER AFTER (1998) dir. Andy Tennant
@thepittmonth: Week 2 relationships, friendships, and dynamics
(some of) my favorite dynamics...but i predictably gave them ridiculous nicknames that could double as band names
Beautiful stop motion animation by CliffCreativity

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Oh shit. Oh shit oh shit oh shit, Thelma!
THELMA & LOUISE | 1991 — Dir. Ridley Scott
Sheryl Lee on David Lynch and Laura Palmer.
Academy Award Winners for Best Cinematography: 1991 — Dean Semler, ACS, ASC Dances with Wolves (1990) Directed by Kevin Costner Aspect Ratio: 2.39 : 1
"Kevin [Costner] initially wanted to shoot in 1.85 because it was a very personal story, and I said maybe we ought to do some tests. So we went up to South Dakota and shot 1.85 vs 2.40, and it was obvious that it had to be a widescreen because it was about the land and the sky." — Dean Semler for Global Cinematography Institute, April 2016

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All work and no play makes Jack a dull boy.
The Shining (1980) dir. Stanley Kubrick
*turns your fav composer into a cat*