lost in moominvalley

Hilma Af Klint, Group VI, Evolution, No. 9, 1908.

Photograph by Albin Dahlström; courtesy the Moderna Museet, Stockholm

Ana Mendieta, Body Tracks, 1974,

still from super-8mm film transferred to high-definition digital media, colour, silent, Courtesy Galerie Lelong, New York

NOT A CLOUD IN SIGHT

new work

original collage

12” x 12” / wood panel

Composed from two equal-sized etching plates, the print—like much of Celmins's work—makes its construction evident, creating a dynamic between its uncanny realism and its obvious assembly by the artist. Celmins is known for paintings and works on paper that depict expansive areas of the natural environment (such as ocean, desert, and space) based on photographs and newspaper clippings she began collecting decades ago.

The starry night sky is a theme that she has returned to again and again, using a variety of labor-intensive techniques carefully chosen for their unique characteristics

Joe Gilmore, [thinking is form], 2026 [© Joe Gilmore]

Robert Goodnough, Untitled, 1959

Henri Matisse, Arbre de neige, 1947

Cut-out, Paper and Gouache 

Bonhams Auctions

Josef Albers, 1976 [David Zwirner, New York, NY. © 2026 The Josef and Anni Albers Foundation / ARS, New York]