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Wolfgang Weingart, Kreativer Schmuck, (exhibition catalogue), Mustermesse Basel, 1974 [Flat & Bound, Integral Lars Müller, Zürich]

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Armin Hofmann - Tangent

buromarks

https://www.instagram.com/p/Cf65Tx7v2SY/

hamonikakoshoten

albe steiner: comunicazione visiva アルベ・スタイナー

garadinervi

Atelier Müller-Brockmann, Die Neue Haas Grotesk, Haas'sche Schriftgiesserei, Münchenstein, ca. 1960 [Museum für Gestaltung Zürich]

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Richard Paul Lohse, Josef Müller-Brockmann, Hans Neuburg & Carlo Vivarelli / Neue Grafik/New Graphic Design/Graphisme Actuel / Issue 2 / Magazine / 1959

vignellicenter

For the 1982 Hauserman showroom at the Pacific Design Center in Los Angeles, Vignelli Associates invited minimalist light artist Dan Flavin to collaborate.

Hauserman, which made office furniture systems, didn’t get a traditional showroom full of desks and partitions! Instead it became what International Lighting Review called “an inseparable fusion between a functional showroom and a work of art” and the NY Times called “the kind of magical environment that was both puzzling and exciting… a three-dimensional work of art.”

In interviews, Massimo Vignelli described the showroom as a “celebration of the walls and the space between them” and “the reflected shades mix with one another to form visual planes in space, best described as transparent walls of colour.”

The showroom gained a lot of attention and won numerous awards. The color of lights got changed in 1983 and created a while new vibe. Some of the corridors were recreated for Dan Flavin retrospective in 2007 at the Los Angeles County Museum of Art.

Credits:

Interiors Design: Vignelli Associates

Design team: Lella and Massimo Vignelli

David Law

Michele Kolb

Artist: Dan Flavin

Assistant: Robert Skolnick

Photographer: Toshi Yoshimi

Photographer of model: David Law; David Dunkelberger 12/17/1981

#vignelli #Hauserman #PacificDesignCenter #1980s #DesignArchives #DesignHistory #showrooms #light #tbt #PuzzlingAndExciting #design #InteriorDesign

jamescullen

andren

garadinervi

Elisabetta Gut, Vismara Arte contemporanea, Milano, November 12-25, 1968 [Paolo Credi, Modena]

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andren

(via work-84.jpg (1000×1321))

19116905

le-jaune

KEITH HARING- SAFRAZI & CASTELLI EXHIBITION POSTER, 1985

buromarks

https://www.instagram.com/p/CXVcjXrKBXg/?utm_medium=copy_link

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jeroenapers

Het ‘moederontwerp’ van de het Ei van de Zwolse Fundatie is het IBM paviljoen op de Wereldtentoonstelling van 1964.

De IBM Corporation had een populair paviljoen, ontworpen door Eero Saarinen, waar een reusachtige tribune met 500 zitplaatsen, de “People Wall”, door hydraulische vijzels hoog in een ellipsoïdaal theater werd geduwd. Daar werd een film van Charles en Ray Eames getiteld ‘Think’ vertoond op veertien projectoren op negen schermen, die de werking van computerlogica belichtten. Op de begane grond onder het theater konden bezoekers Mathematica: A World of Numbers… and Beyond (een tentoonstelling van wiskundige modellen en curiosa) en de Mathematica Peep Show (een reeks korte films ter illustratie van wiskundige basisbegrippen) bekijken.

garadinervi

Heinz Friedrich, Das dtv–Taschenbuch und die Akzidenz–Grotesk von Berthold, H. Berthold AG, Berlin, 1965. Design: Celestino Piatti

(via typoswiss, and Graphic Books)

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