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he wasn't even looking at me and he found me
almost home
TMBGareOK. The Official They Might Be Giants tumblr
Fai_Ryy
Misplaced Lens Cap

bliss lane
Lint Roller? I Barely Know Her
occasionally subtle

shark vs the universe
KIROKAZE
The Stonewall Inn
let's talk about Bridgerton tea, my ask is open
One Nice Bug Per Day

izzy's playlists!
Monterey Bay Aquarium
I'd rather be in outer space đ¸
Cosmic Funnies
2025 on Tumblr: Trends That Defined the Year
taylor price
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@lloydshep
(via Dalek Relaxation Tape - YouTube)

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Now war is declared and battle come down
Support group
I got lost on the way to the Lost Skills support group, but I had become very used to getting lost in recent weeks. My sense of direction had once been my key skill. Iâd spent four years studying the Knowledge, pouring my living savings into it, and had got my req without ever getting a grade lower than a B. Iâd spent three years working my living in a TX4 Elegance, the one with the classic look, until one day a Chinese guy stepped into the taxi at Canary Wharf and asked to be taken to the Angel, and off I went, but when I popped out of the end of the Limehouse Link tunnel I realised I didnât have a clue where to go. Not the slightest idea. The map of London I carried in my head had slid right out of it. I dropped the poor guy in Wapping, and went to drink myself stupid in the Prospect of Whitby. I sold the TX4 a fortnight later, and went to work for Uber a week after that. I was miserable. I was, in all senses of the word, Lost.
Iâd stumbled upon this support group (I only ever stumbled upon things these days) in a Facebook group someone had set up for London cabbies whoâd fallen out of work for one reason or another. It was in the Richmond adult education centre, the one in Twickenham, but I went to the one in Richmond first. Because, as I said, I got lost.
But I found it eventually. A peeling print-out blu-tacked to the glass said Lost Skills, and in I went. A dozen or so faced turned to me.
âSorry,â I said. âI got lost.â
âHow appropriate,â said one vinegar-faced woman. I sat down, as a man who had been speaking (I supposed) carried on.
âI used to sell things,â he said, and looking down he flicked some crumb of something off the lapel of a suit that must once have been smart. âNow, I canât persuade someone to give me directions.â
âI used to run,â said a small, thin woman. âMiles and miles and miles. Then one day I fell over, and I couldnât run anymore.â
âI used to write stories,â said a nondescript man with a large head. âLittle stories, and longer ones. But one day I found I couldnât write endings anymore.â
Then they turned to me.
âI used to be a black cab driver,â I said. âA good one, too. I made a fine living for three years. Then one day I lost my sense of direction. I couldnât do it anymore.â
âWell,â said the vinegar-faced woman. âYouâve come to the right place this time.âÂ
The nondescript man with the large head wrote himself a note.
The fantasy writerâs fear of the meter reading
Frank parked the van at the end of the drive, just inside the wrought iron gates, noting the gigantic snakes that curled up the gigantic gateposts. He thought Devoured by Serpents, Anthony Robinsonâs debut novel.
He walked up the curved drive, lined by thick trees, and thought Itâs in the Trees, Robinsonâs collaboration with Kate Bush, which had been a commercial failure but a critical success.
The house appeared - a Gothic brick affair, all chimneys and windows and astonishing angles, and Frank thought The House That Went Mad, which had been turned into a film with Colin Firth.
He was here to read the meter.
âThereâs a problem,â Dave had said at the office. âIt stopped sending signals, two nights ago. Go and check it out.â
Heâd protested (Frank often protested) that it didnât matter if Robinsonâs new-fangled networked power meter had gone on the blink. After all, it had been Mrs Robinson whoâd wanted it installed, not her famous husband, and sheâd been dead a week. He remembered putting the bloody thing again, remembered hearing them argue about it, in that way that couples who argue a lot argue - low voices, bitter tones, unresolved.
He came to the front door. It was open. He rang the bell (an oddly cheerful noise), but no-one came. He poked his head around the door.Â
âHello!â he called. No-one answered, so he went inside. âIâm here to check the meter!â
He went to the door under the stairs that led to the cellar (thinking, as he went, of Robinsonâs television series, Nightmares Below the Stairs), and went down the stairs. Mrs Robinson had said she wanted a networked power meter with real-time readings, hardcore industrial stuff, and when heâd asked her why (pretty thing, she was, tall with blonde hair) all sheâd said was âThey can always come back,â which had confused him at the time, but then heâd gone home and searched it on Google and found it was an Anthony Robinson short story about reanimation.
The meter was on the wall at the far end of the cellar. He flicked on the light, and walked over to it. It was blackened and scorched, completely ruined, and he frowned at it, as if it was responsible for all the ills in his world. How in hell could that have happened? Only a massive surge of power could have done something like that.
Sheâd died a week ago, Mrs Robinson. Car crash. Terrible scene, the local paper said, implying salaciously that there had been massive injuries. No-one had seen Robinson since. Heâd built an enormous mausoleum for her in the local cemetery. No-one was buried in the cemetery anymore. There wasnât room. But for a man as rich as Robinson, that hadnât been a problem. Heâd been to visit it, a few days ago. An impressively sepulchral affair, with a massive iron door and a new padlock, and heâd wondered about breaking open the padlock, opening the door and stepping inside, checking just how terrible Mrs Robinsonâs injuries had really been. A scoop for the paper. A bit of cash.
He heard a step on the stair, heavy and uncontrolled. Then another. Then another. He was overcome by a reluctance to turn around. He stared at Mrs Robinsonâs wrecked electricity meter, and he thought about that Robinson short story sheâd mentioned so bitterly on his last visit, the one heâd read the day before. About a man who could reanimate life. All he needed was a lot of power.
âFrank,â a voice said, a voice which had been female once but now sounded like sandpaper on old stone. âHave you come to fix my meter?â
pieceofthesky:
âWe were playing an album that he wanted to turn people on to that hadnât been released. He was an icon already in England, everyone expected to hear his hits and he played none of them. He played the record from beginning to end starting with Tonightâs The Night, finishing with Tonightâs The Night. And the English audiences really were not⌠okay with it. They started yelling a lot, they started booing, they started complaining, whining, every show. Heâd get to the end of the night and heâd say, âAlright, weâre going to play something youâve all heard beforeâ. And everyone would go crazy thinking it would be some Buffalo Springfield hit or whatever, and then weâd play Tonightâs The Night again.â Nils Lofgren on the infamous tour of 1973
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The old Jag #15minutefable
When the funeral was over (he refused a wake), he hopped into the Renault and drove down to Sussex, a jerrycan on the passenger seat. The car still smelled plastic to him and was full of disturbing buttons and lights which left him feeling he didnât know how it was being driven, or if it was being driven by him at all. It began to smell of petrol, too.
He parked the Renault alongside the row of old garages at the edge of the field, just outside Bury at the foot of the South Downs, and walked to his own unit. The ground was muddy but drying in the sun. He unlocked the old-fashioned wooden garage door, switched on the light on the inside, and there she was. The old Jag.
An XJ40, she was, built at the end of the eighties but looking like something out of the seventies, which was when theyâd started developing her. Those were the days of British Leyland, when it took more than a decade to get a new car into production. She was the last Jaguar that the companyâs founder William Lyons had contributed.Â
A Jaguar 3.6 litre engine (a version of the AJ6 inline six). It was said the engineers deliberately designed the car to prevent British Leyland sticking a Rover engine inside her, as they had planned to do, since that would have meant the end of Jaguar engine production. A car from the bad, mad old days. From his own bad, mad old days.
âYouâll need a hobby,â his friends had told him when heâd retired. âSheâll drive you mad, if you stay at home. Thereâll be jobs to do, errands to run, weeds to be dug. You wonât know whether youâre coming or going before long. Get out of the house. Get a hobby.â
So heâd bought the car, for next to nothing. And had then spent thousands of pounds and thousands of hours nursing her back to health, avoiding his wifeâs domain, returning at the end of the day for meals and socialising, for television and board games, for holiday organisation and worries about the children. It had been like working, really. A new 9-to-5 to replace the old one.
He got out from under her feet, and avoided getting trampled. And now those feet were still.
He started the car up, and drove her out of the garage, down into Bury, and then up Bury Hill, through Coombe Wood, on to the old London Road and then up on the Downs. He took the old Jag off the road and into an empty car park, along a track. Mud spat onto her sides and slowed her down. He stopped, and stepped out.
So many hours spent with her, while his wife lived the life she lived while he had worked. His refuge from his wifeâs world. No longer required.
He was holding the jerrycan, transferred from Renault to Jag to hand without noticing. He splashed petrol on the luxury leather seats, front and back. Then he flipped open his old lighter, unused for more than a decade. It fired up first time (British-made, 1970s, naturally). He threw it into the interior, and stepped away.
The old Jag lit up like a barge on the Gangees, and burned itself away. He thought of his wifeâs little Renault, waiting patiently down by the garage. He thought of the walk down the hill. He thought of driving back home. And then he walked back to the Jag, like an old banker heading to work in 1973.
The Madhouse Open to the Sky With just over a month to go until the publication of my third novel, Savage MagicâŚ
Aversion Therapy with the Authors' Club
Aversion Therapy with the Authorsâ Club
The Authorsâ Club were kind enough to invite me to give a talk at their monthly lunch about my books and my writing. I took the somewhat self-indulgent and meta route of talking about talking about writing. If you read the below, youâll see what I mean.  Hello, and thank you Sunny and everyone here for inviting me to speak to you. But I wonât pretend this is going to be easy. In fact, this is aâŚ
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The Great Porn Experiment: Gary Wilson at TEDxGlasgow (by TEDx Talks)
Hang on to your hat. Hang on to your hope. And wind the clock, for tomorrow is another day.
Letters of Note: Wind the clock, for tomorrow is another day

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A colourful book
I encountered this Dutch book from 1692 in a French database today and it turns out to be quite special. For one thing, no Dutch scholar appears to have published on it, or even to know about it. Moreover, the object is special because it provides an unusual peek into the workshop of 17th-century painters and illustrators. In over 700 pages of handwritten Dutch, the author, who identifies himself as A. Boogert (Pic 2), describes how to make watercolour paints. He explains how to mix the colours and how to change their tone by adding âone, two or three portions of waterâ. To illustrate his point he fills each facing page with various shades of the colour in question (lower image). To top it he made an index of all the colours he described, which in itself is a feast to look at (Pics 1 and 3). In the 17th century, an age known as the Golden Age of Dutch Painting, this manual would have hit the right spot. It makes sense, then, that the author explains in the introduction that he wrote the book for educational purposes. Remarkably, because the manual is written by hand and therefore literally one of a kind, it did not get the âreachâ among painters - or attention among modern art historians - it deserves.
Pic: Aix-en-Provence, Bibliothèque municipale/Bibliothèque MÊjanes, MS 1389 (1228). Luckily, the entire book can be viewed here, in hi-res, zoomable images. Here is a description of the book.
Full disclosure (6 May, 2014): While this colourful book is first presented to a larger audience in this post and there are no Dutch publications devoted to it, I have since posting discovered that it is known by at least one other Dutch scholar. It is currently being studied and will be included in a PhD study to be completed in 2015 at the University of Amsterdam. While it is great that blogs such as The Colossal (here) and Gizmodo (here) have picked it up, it is important to know that I was not the one âdiscoveringâ the manuscript. I merely put it on the bigger podium it deserves, via this blog.
Beautiful: a Dutch guide to making different pigments in watercolour from 1692.
Bertrand Russell on the pre-Socratics
Iâm reading Bertrand Russellâs mammoth History of Western Philosophy, and just read these two gems on the pre-Socratics, for whom the old fellow had a very soft spot indeed.
âThe atomists, unlike Socrates, Plato, and Aristotle, sought to explain the world without introducing the notion of purpose or final cause. The âfinal causeâ of an occurrence is an event in the future for the sake of whichâŚ
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A video for St George's Day: Stewart Lee - Arrested and thrown in Jail (by zapperx4)
Hello. Sorry Iâve been away (do I start every post that way? (Yes)). Iâve been setting up this thing. This WoMentoring Project thing. Some of you might have heard about it, or applied for it, or maybe youâre one of the amazing women who has given up their time to mentor somebody.
It all...
Bloody nice work, kerryhudson.
omfg i canât take this

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'If you think you can do better, then do better. Don't compete with anyone, just yourself. When you are in trouble or have a dilemma, ask yourself, âWhat's the important thing?â And when you wake up in the morning, ask yourself how you can be a better person, not just a better performer.â
Bob Fosse (shown pictured of the set of All that Jazz)
Bloody Goodreads: Total Chaos by Jean-Claude Izzo
Bloody Goodreads: Total Chaos by Jean-Claude Izzo
 My good friend Jon introduced me to this book, via my wife â in as much as she swiped it off me when I first bought it, read the first 50 pages and discarded it, saying it wasnât her thing at all.
This surprised me, because I think itâs a wonderful book â a very, deeply French Raymond Chandler, with jazz and pastis instead of big bands and hooch.
Itâs set in Marseilles in the 90s (I think), aâŚ
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