Will. New Mexico, Oct 2012.

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Will. New Mexico, Oct 2012.

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William Eubank & Hasselblad. Albuquerque, New Mexico. October 2012.
this place was weird
Everything Was Never The Deal
circumswoop:
I had wanted to move to Los Angeles ever since Spin leaked Jenny Lewis’ rent. This was before I discovered that Silver Lake, the Wicker Park/Capitol Hill/Mission of LA where Jenny used to out-Zooey Zooey Deschanel (before the bailout of Rilo Kiley), is actually kind of bougie, staffed by the kinds of sniftered shoppes (sic) where the staff gives you the silent treatment and you’re supposed to make them think you don’t like it.
But San Francisco being my only urban experience of any note, and never really feeling accepted as a San Franciscan anyway, LA seemed like the ideal place to chill out for a few years. If it didn’t work out with Jenny Lewis in Silver Lake, there was always Karen O in Echo Park. 2006 was the last year I didn’t have to pretend to be bored.
In 2012 I got to LA, now thinking of it as the app for everything, putting it in decidedly current terms because the version of me that first became infatuated with LA no longer accepts updates. The music I associate with LA now is the ramshackle house of the Not Not Fun/100% Silk outfit, which, FYI, bases in Eagle Rock, or Fleetwood Mac’s Tusk, which I played repetitively in the days before my move. Oddly enough, since I moved into the studio I now occupy with my +1, I have listened to a lot of James Murphy, who’s only associable with LA because of his testimonial about floating in a Laurel Canyon pool when Michael Jackson died. Which is as LA as it gets, past present & future perfect.
There was a heat wave when I got here, a sort of training op of a heat wave with a few misallocated resources. In my limited experience, when it is superhot in LA it starts to feel really personal really quick; it’s not supposed to be happening and as such is only happening to you.
Driving from the Eastside to the Westside, you discover where they actually keep all the LA weather and why the corresponding zipcodes are so lofty. In Santa Monica, where the ocean goes all the way to deep space and where I spent the most windless day at the beach I ever saw, undesirable weather felt like a disease long eradicated. We only just got here and of course we don’t suffer from it.
But it also rained that day, the day it was Vin Scully Bobblehead Day at Dodger Stadium and, as the Voice of America was honored onfield, a rainbow appeared behind him like a special effect. Elsewhere in Echo Park, at the corner of Glendale and Santa Ynez, I snapped an Instagram of the clouds right before they burst, before the sun took a cigarette break. And then at the Target in Alhambra, later, there was water on all the carts. The distribution of rainfall, in all these locales, seemed like a necessary dissident to a ninety-degree tyranny. I personally saw no actual rain.
The nearest Barnes & Noble to me is in Pasadena, which is twenty minutes on the 110. I had never been to Pasadena before; it is like a very large human dishwasher. In what they call Old Town Pasadena, the chain stores are as thick as the chain restaurants and you can drink from the fountains and not get sick. The Rose Bowl is here; I kept seeing signs saying Rose Bowl ⬆ but I never found where they keep it. Maybe it’s underground, on rails, and maybe every New Year’s Day it would slide into thick air via a Sumerian system of gears and winches, a city rising from the grave, before they stopped being so strict about having the Rose Bowl on New Year’s Day. And now it’s just in utter disrepair under the world’s largest tarpaulin.
Geographically, Los Angeles is like a really big extended family that’s almost never in the same place at the same time, and you’ve got cousins you’re friends with on Facebook and that’s it. Or it’s like a football team where members of the offensive and defensive units don’t do much inter-unit socializing and are only useful to each other because they wear the same helmet. It’s clichè to talk about LA’s diversity and utter size. But it’s incredibly diverse and really really big and you could never feel a part of it in more than one part at a time.
I went to Tacos el Pesas, in Boyle Heights, which is the brownest area my white ass has ever been in. In San Francisco, in the Mission, the joke has always been that the Latinos and the hipsters arranged an armistice long ago by which both sides would pretend the other doesn’t exist. Far on the Eastside, no such peace is visible. I don’t mean to say there was hostility, but the reality of being hideously sheltered never occurred to me so brightly as ordering an el pastor burrito while vaqueros in full detail stood to one side, appraising me with little to no reaction. It was the microscopic removal that did it, making me feel as on display as a polyp in need of removal. It’s strange and nearly alchemical to discover the extent to which you’ve really never gotten out.
Contrast the above with the Annenberg Space for Photography, in Century City, where the Who Shot Rock & Roll exhibition played to tourists with sunglasses shoved atop their heads while, in the immaculate glass-and-steel quad, what appeared to be a table of off-duty models spritzed sparkling water down their throats. Inside, the building smelled like so much money it reminded me of the old DuckTales comic in which Scrooge dreams of literally charging people to breathe—a nickel to inhale, a dime to exhale, a dollar to gasp.
The reputation of Los Angeles as whipping boy for New York and San Francisco, America’s more European cities, is branded as a blood feud in which the sides are equal in antipathy. It’s really more one-sided than that. New Yorkers and San Franciscans hurl insults drafted in sub-committee and ratified by full houses. Los Angeles signs them into law without so much as reading a line, and then heads back to the beach or golf course or whatever.
LA doesn’t want to fight or have its mellow harshed and, honestly, it doesn’t care whether you like it or not. It’s been described as “the most unnecessary of cities” but the extent to which it ignores the fuck out of the haters is both necessary and intimidating.
In its ambivalence about who people say it is, LA is Nick in The Deer Hunter. In its deep desire to be left alone, it’s the Eisenhower administration. And in your dreams of living less ordinarily, it’s best to think of it not as the City of Angels. It’s the City of Americans, multi-colored and en masse, more than anywhere else, and that includes you, New York. And I’m one of them.
Andy Hull (Right Away, Great Captain!) - Will Do (TV On The Radio cover)

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Men who corrupt, depress or weaken others, tricksters and those who would regress or move too slowly, all become my personal enemies—I resent whatever diminishes man’s stature, makes him less wise, less confident, less ready—I shall never admit that hesitation or suspicion must accompany wisdom—This is why I believe the child has often greater wisdom than the old man.
André Gide, The New Fruits
From the book Le Corbusier Talks with Students.
(via georgp)
This new type of man turns his interest away from life, persons, nature, ideas—in short from everything that is alive; he transforms all life into things, including himself and the manifestations of his human faculties of reason, seeing, hearing, tasting, loving. Sexuality becomes a technical skill, feelings are flattened and sometimes substituted for by sentimentality; joy, the expression of intense aliveness, is replaced by “fun” or excitement; and whatever love and tenderness man has is directed toward machines and gadgets. The world becomes a sum of lifeless artifacts; from synthetic food to synthetic organs, the whole man becomes part of the total machinery that he controls and is simultaneously controlled by. He has no plan, no goal for life, except doing what the logic of technique determines him to do. He aspires to make robots as one of the greatest achievements of his technical mind, and some specialists assure us that the robot will hardly be distinguished from living men. This achievement will not seem so astonishing when man himself is hardly distinguishable from a robot. —Erich Fromm
Richie the Barber. Photo by David Poole.
#fire #gold

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On the Media's John Soloman explains how public radio is produced/edited. Via this discussion on MeFi. Source: WNYC.org (min. 20) Transcript: OntheMedia.org
Vesta, the second largest object in the asteroid belt, in the first picture from the Dawn spacecraft. Vesta is a remnant protoplanet with a mean diameter of 330 miles.
Dawn will reach Vesta in July, enter its orbit, then proceed to Ceres (a dwarf planet and the largest and most massive object in the asteroid belt, thought to have water below its surface). Dawn will be the first spacecraft to enter the orbit of one celestial body, leave under power, and then enter the orbit of another.
The Social Network (2010)
Yelle — Je Veux Te Voir for Piano
posting this for jill

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I have seen the truth; I have seen and I know that people can be beautiful and happy without losing the power of living on earth. I will not and cannot believe that evil is the normal condition of mankind. And it is just this faith of mine that they laugh at. But how can I help believing it? I have seen the truth — it is not as though I had invented it with my mind, I have seen it, seen it, and the living image of it has filled my soul for ever.
The Dream of a Ridiculous Man, Fyodor Dostoevsky. 1877. (via tlvx)