I believe that nobody ever stops being a student when it comes to witchcraft, as there's always more to learn. That being said, I'm primarily a green witch that has some hedge witch inclinations, but I'll dip my toes into any area, really, if I think it will fit my practice. My main focuses are spellwork, divination, and plant knowledge, though I am always working to expand my knowledge into other areas.
Here is a list of all my guides, tips, and other posts that Iâve compiled into one place. It will continue to be updated as I post more, as I have a lot I want to share here, and will be the most up-to-date version as I always update it after making a post. Enjoy!
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Something that I have periodically found difficult in reading tarot is knowing what to ask - especially when I was first learning, in a rut, or was mostly keeping up with the practice even if I didn't have something specific I was asking about. Practicing early on, and keeping up with that practice when I wasn't reading for a specific purpose had me feeling almost bored with divination sometimes, so I came up with a list of questions to ask when I didn't know what I wanted to know in that moment. I came up with a lot of these, but some of the questions I've seen other practitioners asking too - and I highly doubt any of these are truly original, given how many readers there are and how long the practice has existed. Still, hope this helps someone, and enjoy!
How can I get magically stronger?
What is something holding me back?
What is a strength of mine?
What are peopleâs first impressions of me?
Who is a potential new friend?
Who is someone to watch out for?
What do people envy about me?
What do people like best about me?
What do people dislike about me?
What is an area I need to grow in?
What will happen this month?
What will be the result of this game/show?
What is a kind of magic I should look into?
What kinds of magic am I naturally best at?
What kinds of magic will be naturally harder for me?
What will be the result of this spell?
What is blocking me from achieving my goal?
What is blocking me from progressing in my craft?
How can I gain more abundance?
What does my best practice look like?
What is a talent Iâm not aware of right now?
How can I perform better at my job?
How can I get a better job?
How can I get a raise?
What does my ideal partner look like?
What are details about my ideal partnerâs personality/life?
What am I afraid of acknowledging?
Where can I find the most happiness in life?
What would be my biggest regret?
What is a lesson I need to learn?
What will my life look like a year from now?
How will I die?
What career will I find most fulfilling?
What energy does this spell need?
What is missing from this spell?
How can I improve my intuition?
What do I need to know right now?
What is something that is hidden from me?
What is a truth that I need to know?
What are this personâs real feelings towards me?
How do I better integrate my practice with my mundane life?
How do I better embody this quality?
Whatâs a bad habit I should overcome?
What is a magical gift I should focus on developing?
How can I get better at reading tarot?
What is an upcoming surprise?
What are signs Iâll see before the result of this spell/this event happens?
Who has been thinking about me?
What to expect during this astrological time/event?
Sort of obvious, but I had to learn it (like everything else) the hard way. And as spooky season approaches and people may be revitalizing their practices after breaks, I want to say something that might end up saving a couple folks from a lot of frustration and heartbreak:
Just because it worked that way for you in the past, doesn't mean that's how it works for you now.
I mean this in a literal, making-stuff-happen with magic and sorcery way.
You guys have heard the adage that some spirit guides are with you for life, some for short periods, some for just one lesson, etc., right?
Well, the same can be said for sorcerous techniques.
I don't know if I just shed techniques like hermit crabs shed shells or what, but this happens to me a lot. Here's the kind of thing I mean:
You used to do readings with a specific little ritual involving a prayer and incense, but now that technique seems to produce incorrect readings. It feels flat and you can tell you're not connecting.
You used to be able to tie intent into knots and carry the thread around with you all day to conjure specific little occurrences, but now it barely seems to work and manifestation is spotty.
You used to be able to converse with spirits by going into a deep meditation, but now when you try you can hardly connect and it's like their messages are getting blotted out.
And I think sometimes when these things happen, people tend to process this with:
self-blame (I'm not a devoted enough witch, I brought this on myself!),
scapegoating spiritual allies (I used to pray to Hekate before divination but now my divination doesn't work, so Hekate must be mad at me), or
developing personal doubt (I used to think magic worked but now I can't replicate my own results).
When the reality is, if you're a magical snickity-snek and you've shed your skin, you might be slithering about in the soil trying to do the little old things that no longer fit the bigger, better you.
Sometimes this "shedding" is very obvious and we can feel and taste it. "Shedding" may come before, during, or after a period of intense personal transformation. It may come in a numinous moment when you hear a single phrase, or view a single image, that makes you become the Hanged Man and see reality in a whole new way.
But it can also happen without us really noticing it. I might put down my tarot cards for a couple months, pick them up again, and suddenly the ways I used to read don't work for me any more.
It's not because I'm a bad reader, or that the spirits have abandoned me, or that magic isn't real.
It's because what used to work for me doesn't any more, and now I just need to find new techniques.
So if you're trying to pick up what used to work and it just doesn't seem to be helping any more, consider that it's just like outgrowing an old set of clothes. Nothing is wrong with you, or the clothes. It just doesn't fit any more.
Since I think it'd be frustrating as hell to read a post like this without some actionable steps, below the cut are some ideas that might help you develop new techniques if your old ones seem to be failing you.
Start with your beliefs
Examine your own rituals and see if what you're doing still matches what you believe. Let's say you used to pray to Hekate and light incense before divination, but now you do that and your divination doesn't work.
Do you believe Hekate is allowing your divination to be possible? Do you believe she's the best goddess to seek aide from at this time?
What role does the incense play? Is it an offering to Hekate? Is it to feed the ancestors who supply you with interpretations? Is it just to set the correct tone and atmosphere?
Maybe you've grown in your relationship with divinity, and you now believe it's more proper to call on gods with formal prayers - but your divination ritual still uses a simple, improvised prayer.
Maybe your understanding of Hekate has changed and it feels more suitable to call on different powers.
Maybe you feel strangely about constantly "paying" gods to help you, when they say they don't need it - and lighting the incense makes you feel awkward.
Change what you're doing to match what you believe. That's always a solid first step.
Examine your own emotions and reactions
Try performing rituals (from the smallest ritual of stirring intent into coffee, to full-blown compass-casting affairs under the full moon) mindfully.
Be aware of what you're doing as you do it, but also try to examine your own reactionary thoughts and feelings.
Suppose my ritual of stirring my coffee seven times clockwise to manifest a desired emotion doesn't work any more. It used to work great, for years, so I do it quickly. But now it doesn't work, so I do it mindfully.
And while I'm stirring, I watch a few thoughts pop up to the surface: why am I doing this seven times? I'm stirring my coffee for too long and staring into it like an idiot, and it's embarrassing. What if someone thinks I'm weird?
If any individual step of a ritual makes you feel embarrassed, stressed, or avoidant, or if you feel relief from not having to do that any more - that technique is probably not serving you very well.
Seek out methods that make you feel excited, hopeful, empowered, or interested. Or, at the very least, ones that don't make you feel bad.
Be open to shifting your paradigm entirely
Going back to the stirring coffee thing, maybe I think stirring seven times is too much. So I try to stir my coffee three times. But that still feels clunky.
Then I get into left-handed vs right-handed stirring, because someone might have said that doing stuff with your right hand is for blessings.
Then I try out a new little inner mantra while I stir X times with Y hand.
But it's just not working. No matter what I try, it feels like walking barefoot on a gravel road.
So maybe I just need to do something entirely different.
Maybe numerology isn't my thing any more. Maybe now, I just need to embrace my inner divine creator.
Maybe I should think about the ultimately powerful creative energy within rich, black soil - and as I pour my coffee, I can imagine that I'm pouring pure creative energy into my divine cauldron. When I sprinkle in a little sugar, I'm seasoning that creative power to my personal tastes - and no matter how many times I stir it, when I drink that creative power, a new reality blossoms from within me.
No numbers. No memorized chants. No left hand/right hand stuff. Just me, imagining myself as a planet, drinking pure creative energy that will bloom out of my aura as wildflowers bloom in the spring.
Ask for help
I'm not called fool for no reason, and after a couple years of being unable to astral travel - after having successfully done so for years - I finally sat down and asked my spirits for help.
The answer was immediate and simple. So simple, in fact, that I was confident it wouldn't work at all.
Well, of course it worked. I spent years trying to figure out the problem on my own, trying time and time again to use an old technique that I was confident would work. It took a goddess like four seconds to tell me the new way it worked for me.
Even if you're not in communication with spiritual allies, you can still perform divination to help troubleshoot your own magical skills. Try asking a series of questions: what doesn't work for you any more, what you should try, and what you should avoid trying.
When divining, consider the different "levels" of application. A reading that means "don't use excessive force" might refer to high-level life stuff, like, you're working too hard on all your responsibilities right now, learn to relax and the magic will come. But, it might also be referring to something very specific, like, you're trying to raise huge amounts of energy in individual rituals, break them up into smaller spells where much less force is required for each one.
My Personal Thoughts: Personally, I feel that this book should be a foundational read for any witches practicing in the US, and is a good read for even witches outside of the US. It covers a wide and diverse history of some of the biggest and most influential kinds of witchcraft, paganism, and alternative spiritualities in recent history in the US and goes into detailed descriptions of them all. The author approaches each group/topic fairly neutrally, though she does mention her own bias in a few places prior to covering them - and she has published updated editions of the book as the world of the occult in the US has continued to change.
Technical: The book is a bit dense due to the amount of information in it, however I found it fairly easy to understand throughout. The information is organized well, and each section makes logical sense in relation to the others. There are a wide variety of traditions discussed in the book, and the author herself identifies as part of the witchcraft and paganism movement, though she keeps her specific practices and beliefs out of the text for the most part. There is a significant appendix of resources and an extensive bibliography in the back of the book, and direct quotes from interviews the author conducted herself throughout the text.
My Personal Thoughts: Being entirely honest, while the book works decently as a primer to Wicca and the Wiccan approach to witchcraft... I did not enjoy this book. There was misinformation within it (for example, the name of a historical time period was used instead of the name of a pagan faith), some cultural appropriation of Indian and indigenous practices (despite the acknowledgement at the end of the importance of not appropriating from cultures and doing good research), and some places where information was referenced that had not been given. The information is presented in a way that is easy to understand, but shallowly as it attempts to cover all aspects of multiple topics in a book less than 150 pages. I was glad that she included a (small) section on some aspects of Wicca's history that has been problematic in the past.
Technical: There are no citations in the book for information sources, nor is there a bibliography in the back - making it impossible for curious readers to delve deeper and making it difficult for someone to verify any of the information being presented. Despite that, the information is presented rather neutrally, though obviously leaning towards the Wiccan tradition. The book is divided into sections that make logical sense, moving from beliefs and different traditions to supplies and correspondences, etc. I did not know this book was self-published when I picked it up, however there were some signs through errors within the text that made it evident as I continued reading. One thing I found missing in the text though, was actual spells. Given the name of the book, I was expecting a few beginner-friendly spells to be included, of which there were none.
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Author: John Michael Greer, Clare Vaughn, Earl King Jr.
Genre/Type: Hermetic, Beginner
My Personal Thoughts: This book is formatted similarly to a workbook for beginners to learn fundamental skills to practice ritual magic. The book follows the initial teachings of the order Companions of the Rose, an established magical group. There are a lot of exercises that practitioners of any witchcraft tradition can use, as well as the basic theory for Hermetic magic. I will say, there is less of the theory of both Hermetic tradition and ritual magic than I expected, given the title. Most of the theory work was offloaded onto other books which are mentioned in the earliest chapters, and I wish for a book on fundamentals that it would have included more. I do appreciate though, that the book creates a framework for the practitioner to develop a daily practice of their own moving forward, even beyond the book.
Technical: The information is presented in a way that is easy to understand, and progresses through the lessons in a way that builds on the ones before them. There is a heavy Hermetic influence on the work, understandably, which is not immediately made clear unless reading the blurb on the back carefully. The authors are trained in teh Companions of the Rose tradition, and several are well-known authors in the witchcraft spheres in their own right. There is a bibliography in the back for further reading, as well as a list of Hermetic theory books early on in the process. There are diagrams scattered throughout the book to help with understanding the content, and the book chapters are organized by lesson. Each chapter is further divided by the type of lesson being taught in several categories, including theory, divination, meditation, and more.
Raising energy is such a key factor in witchcraft that is, surprisingly, not talked about all that often - especially in books for beginners, where it is most important to learn how to do. Energy is what makes the magic work, so if a new witch is attempting a spell without knowing how to work with energy, it likely won't work as intended, if at all. This is why a fair number of new witches eventually give up practicing the craft; if their spells don't work when they follow all the steps, why would they keep trying?
Raising energy is such a key part of witchcraft that I'd consider it fully foundational. It can be taught using a variety of methods, or done instinctively, or some combination of the two. The method I'm going to share here is how I instinctively started doing it when first learning witchcraft. I've since added methods to my practice when choosing to focus on different things, but this is a method that I still come back to even years later because it feels so natural and easy to me. It is not the only way of doing this, and if you choose to try it and one part of it works for you but not others, feel free to leave what doesn't work and take what does.
Steps
Find a place of privacy, where you won't be disturbed. If it is somewhere that can be dimly lit while you are still practicing this skill, that is best, but it can be done anywhere.
Get into a comfortable position that you can stay in for as long as you need to. I found it easiest to sit cross-legged on a cushion with a pillow at my back against something solid, but find what works for you. I also liked to have a candle in front of me, with the color matching my intention for this practice as a focus, but that is not required.
Close your eyes and take several deep breaths. Make sure your diaphragm (that space between your stomach and chest, between your ribs) is expanding with each inhale. This helps by partially or fully grounding and centering your body and mind, and can be a signal that you are starting energy work.
When you feel ready, as you exhale next, imagine a root travelling down from your spine until it reaches the earth. It does not matter how close you are to the ground, as this root can travel through anything it needs to. When you next inhale, imagine that energy is travelling up that root into you. Imagine that it cycles up from your spine, through your torso, down your arms and legs, back to your torso, and out through the root on your next exhale. Try to visualize this if you can, as it can help guide the energy, but it is still possible if you can't.
Repeat this cycle several times, and try to determine what you can feel from it. When I first realized I was feeling energy, it felt a little warm and made my skin slightly tingle wherever it was passing through. I could feel it best in my chest and hands most of all. The feeling and location will likely not be the same for everyone, so try to figure out what it feels like to you, and where it focuses - it might give you a hint about what kinds of magic come most naturally to you. This step might take a while, so don't be discouraged if it takes several attempts to succeed at it. You are training a new skill, and it is natural to not always succeed right away.
Once you get good at feeling and holding the energy in your body, try to direct it. I found it easiest when first starting out to direct it at the parts of my body that already were sensitive to the energy: my hands and chest. Try to redirect the energy, or 'push' it lightly where you want it to go. Don't try to force it, as in my experience that is tiresome and ineffective. Instead, try to guide it where you want it to go.
Once you've gotten the hang of directing the energy, you have two choices. You can choose to let it go, allowing it to filter through your body, then back down the root into the earth, ending the practice session. Or, you can choose to do something with the energy: a spell. Using this method is how I raised the energy to cast my very first ward ever, which served me well until I learned how to make better ones.
After choosing whichever option you want to go with, and letting the energy either dissipate or be used, let the root connecting you to the earth dissolve. Take several deep breaths to ground yourself back in your body fully and let go of any excess energy you don't need still lingering in you. You can now open your eyes and begin moving around, as the exercise is finished.
The process is fairly straightforward and simple, but it served me well as a starting method of manipulating energy, and made trying more complicated stuff down the line easier than it otherwise would have been. Again, this is not the only way of doing this by any means, but because this method helped me so much early on, I wanted to share it here in case it could help someone else. I hope it is useful, and best wishes!
My Personal Thoughts: This book is good for beginners interested in incorporating the planets and astrology into their practice. It goes over each of the classical planets, as well as the three modern planets and common planetary bodies. It also provides details and suggestions for incorporating the planets into your personal practice. I really loved the artwork throughout the book, and the ties to music that it provided when describing the workings of the skies - something unique to the book that I have not seen elsewhere. I do, however, wish that more attention had been given to the astrological signs and Houses as well to help tie everything together even further, though I do recognize this book focuses primarily on the planets.
Technical: The information is presented in a way that is easy to understand, and there is a bibliography in the back for further reading on many of the concepts discussed. The book ties together information from multiple traditions, without a heavy focus on any, but that may deter some readers uninterested in that aspect of it. The author herself is a long-time professional astrologer, and her experience in the field shows. The book is organized into sections - first by classical planets, modern planets, planetary bodies, and natal charts as a whole, then by which planet/body is being discussed.
Below I have included a list of correspondences, the history of the color, the biology and psychology of the color, and the magical uses it has. Enjoy!
Planet: Mercury, Jupiter, and sometimes Saturn. For the outer planets, often Neptune as well.
Direction: West
Season: Fall and Winter
Day: Wednesday or Thursday
In Tarot: Cups
Due to the color blueâs associations, astrologically it is most closely aligned with Mercury and Jupiter, and occasionally Saturn, as those planets are also representative of/aligned with those same meanings. When including the outer planets as well, that expands to include Neptune, primarily due to the color of the planet, as well as its association with the god Neptune who rules the seas. The western direction is also a correspondence of blue, because in traditional witchcraft, west is the direction of the element of water. The season Fall is associated with blue due to the energetic shift that the season brings that aligns with the color, and that is carried through energetically with Winter, which is also associated to blue due to the prevalence of water and snow during the colder season in many places. Wednesday and Thursday are both the primary days associated with the color due to them being the days of Mercury and Jupiter - the two planets most associated with blue. In tarot, the suit that corresponds best to blue is the suit of Cups, because Cups is the suit of water and emotion.
History
Blue has been one of the last colors in multiple languages around the world to get a word of its own, and in many it is still referred to by the word for âgreenâ. The earliest recorded use of blue as a pigment was made from imported lapis lazuli in the Middle East. Around the same time, the stone was used for decoration, jewelry, and makeup for the upper classes around the world. The pigment was rare, as it is not a common color to find in nature, giving it some of its more mystical associations in history. Another shade called Egyptian blue was created synthetically in Egypt 4500 years ago where it held a lot of religious significance as a color of the divine. It was a cheaper alternative to lapis lazuli blue, and it spread throughout the rest of the Mediterranean.
Cobalt blue, made from cobalt itself, became popular in China, and was primarily used to color porcelain clay for artwork in a style that is still well-known to this day. Ultramarine became popular in the Italian Renaissance period, also made of carefully prepared lapis lazuli, and is still one of the most important colors in the art world today. Christians of the time period also considered the color suitable for the divine, to where a shade of blue became known as Marian blue, because Mary was depicted wearing it so often.
In Europe during the sixteenth and seventeenth centuries, indigo became a very popular color and trading material - becoming part of a three-continent trade war and driving the slave trade up over the pigment and its supply, the plant imported from varying parts of Asia. It became so well-known that it became a part of the accepted spectrum (ROYGBIV), determined by Newton in 1672.
Prussian blue arrived in Germany in the eighteenth century, when a Swiss painter created it as a cheaper and easier alternative to ultramarine. The color became very popular with Japanese artists in particular, and it featured heavily in Picassoâs famous blue period in his depictions of sadness and despair. International Klein blue was created in the mid-1900s by another artist from France, wanting to capture the sky and its expansiveness. In the modern day, the color has been connected to harmony, which is why it has been used for things like the color of the UN flag.
Psychology/Biology
Due to its associations with water, consciously or subconsciously the color has a calming effect on the mind and body. The color has been shown to increase the amount of serotonin the brain releases. It lowers stress, blood pressure, and appetite when observed - but the color is known to increase thirst in observers. The shade also plays a role in its effect on people: darker shades are shown to help with problem-solving and decision-making, while lighter shades encourage focus and creativity. It is also heavily associated with the emotion of sorrow.
Personality-wise, studies show that people who prefer blues come across as more confident, loyal, and calm. They also tend to be perceived as more honest, introverted, good listeners, and harmonious. On the potentially negative side though, they can also be perceived as more sensitive, stubborn, anxious, or predictable.
As blue is a common color for uniforms, it can carry a sense of authority when worn. Blue is used frequently in social media and marketing, due to its psychological associations with power, trust, reliability, and loyalty.Â
Magical Uses
The color blue can be used in spells related to focus and creativity - such as writing, art, studying, and more. It can also be used in glamor magic related to confidence, power, reliability, and trustworthiness. It could be used in spells related to wealth, due to only the upper and ruling class having access to the pigment for years, though it is less common than green. It could also be used in magic related to easing anxiety and relaxation, and possibly even sleep, though that is also a less common use for it. As with most color magic, there is not a real limit to the ways that color magic can be added to other magic, so when using green as a component in a spell, there is no strict limit to what can be done with it.
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Name: Bay laurel, Laurel, Bay (Lauris nobilis, several regional species)
Description: An evergreen shrub with large, smooth leaves. It has pale, yellow-green flowers that are about 1cm/0.5 in in diameter. The flowers come in pairs and are often near one of the leaves. The leaves are a deep green, and the edges are wavy. The leaves have a prominent vein that is yellowish in color, and v-shaped veins coming off the main one. When the tree fruits, they bear small, shiny, black fruits with a single seed in the middle. When crushed, the leaves have an herbal, spicy, and slightly floral scent reminiscent of oregano and thyme.
Cultivation: Growing bay by seed takes a very long time, so most suggest growing it from a sapling or young tree. They need at least six hours of full sun a day, and need warmer climates with no snow to grow outdoors. Plant it in the spring or fall in soil with good drainage, with plenty of room to grow. Aside from climate needs, bay laurel is very easy to care for. It requires water only when the soil itâs in is dry 1-2 inches down, and needs little to no additional nutrients to be added to the soil over time. It does not require regular pruning, but for convenience it can be done during the treeâs dormancy in winter. Keep an eye out for insect infestations like beetles or scales, and canker wounds.
Harvest: Once the plant is a couple of years old, it can be harvested any time between the growing season and midsummer, though its peak is closer to midsummer. It can be picked by hand or snipped, and the leaves should be dried for 48 to 72 hours. For bone-dry leaves and long-term storage, dry them for two weeks out of sunlight. Store them in an airtight container out of sunlight in slightly cool temperatures. Avoid cutting off more than a third of the leaves at once.
Folklore: Laurel was associated with the resurrection of Christ in Christianity. To the ancient Greeks, it was heavily associated with Apollo, as one of his loves, Daphne, was transformed into a laurel tree. In accordance with Apollo's domains, consuming the leaf was believed to lead to prophetic visions, and the leaves were worn by victors of athletic events. Apolloâs son Asclepius was the god of medicine, and the Greeks would also leave offerings of bay leaves to him for good health as well. Some Greeks would also put wreaths of bay above their doors to avert lightning. The Romans thought that laurel would protect them from evil spirits, and would send important messages wrapped in bay leaves. Later European herbalists believed it would speed up birthing, and that it was resistant to witchcraft. Across general European tradition, bay leaves were believed to help young men become poets and good scholars while at university. In the Middle Ages, bay was used to induce abortion, treat snakebites, insect stings, and ear pains. Standing beneath a bay laurel was believed to keep wizards away from you, and burning the leaves was believed to bring back straying husbands, too. In later years, a withered bay laurel was believed to be a bad omen, after a copse of the trees withered during a plague that claimed many lives in Italy. In England, a mix of bay and rose water was used by girls to see the face of their future husbands in dreams.
Magical Properties: Traditionally, it has been used for protection and purification purposes. It has also been known to help boost psychic abilities and healing spells. Additionally, it has also been used in workings associated with strength. It can be used in charms to ward off lightning and break curses, and can prevent entities from causing mischief in a household or bad luck. Used in love spells, it can be made into a charm to keep a couple together. Used for manifestation, it can be a part of wish spells to make the wishes come true.
Medicinal Properties: Bay is known to sometimes lower blood sugar and cholesterol. It can be useful for mitigating the effects of diabetes, high cholesterol, asthma, and the common cold - however it has not been tested extensively in clinical trials for these things. Bay can potentially slow down the central nervous system as a sedative, possibly helping with sleep issues - however mind the warnings related to this listed below.Â
Recommended Amount: Currently there is no recommended dosage for bay laurel, so using common sense and not using too much is best.
Warnings: Bay can sometimes have interactions with medications for diabetes as it lowers blood sugar, pain as it affects metabolism, and sedatives as it can slow down the central nervous system. Talk to a healthcare professional before using increased doses of this if you take those. There is not enough information on the way increased amounts of bay affect pregnancy or breastfeeding, so consult with a doctor before increasing dosages. If planning on having a surgery, stop taking increased amounts of bay leaf at least two weeks beforehand as it can interfere with anesthesia. If taking it for sleep, be aware that taking too much can lead to breathing problems or extended drowsiness.
*This is a page from my grimoire. I am not a health professional, nor do I claim to be. This is just a compilation of information Iâve gathered from various sources I trust, and any medical decisions should be made by individuals with the help of a trained professional.
My Personal Thoughts: The book is a good introduction to energy work and psychic abilities, and even a good resource for more advanced practitioners to strengthen and expand their skillsets. It contains nearly one hundred practical exercises to help readers improve, and goes a bit into the background theories of each as well as the traditions they draw from. I don't personally align with all of the theory discussed for my own practice, but even still the information was both interesting and valuable to learn. The book includes several visuals throughout that help demonstrate what the author is discussing.
Technical: The exercises in the book build from simplest to most difficult, with the last ten or so showing how the skills in the book can be used practically in spellwork. There are multiple traditions discussed in the book, as the author has been trained in multiple types, but I did not feel like he was advocating for the reader to follow any particular kind of witchcraft, which I appreciated. There is a bibliography in the back of the book for further reading, and the author frequently mentions the teachings of other prominent witches he has learned from as sources for the information he presents.
My Personal Thoughts: The book is a good introduction to the five types of divination mentioned in the subtitle. It goes briefly into the history of each, and talks about how to begin practicing them as well. The one note I have is that I do wish the section on palmistry was a little more organized, because there is a lot of information presented in a way that would make it difficult to memorize for anyone attempting to learn it by heart. However, I do appreciate that the book had many visuals to help demonstrate exactly what was being described.
Technical: The information is presented in a way that is easy to understand, with no particular leaning towards any one tradition, though the author's own experience as a long-time professional is referenced often in addition to the more historic sources. The book is organized into five sections that each start with the history of the technique before moving into the details of it, though some sections are longer than others. There is a bibliography in the back for further research, for anyone wanting to dive deeper into any of the methods discussed.
I get the thing of wanting to be as harmless and uncontroversial as possible in your craft. I understand white witches trying their best not to encroach on closed practices or cultural appropriation. I understand wanting to cancel problematic occultists and generally push the witchy community away from its history with white supremacy and racism. I get it, I really do.
and I say this with love and try to come across as gently as possible.
Some of you, though your intentions may be pure, donât seem to recognize the difference between genuine caution and concern and blatant white saviourtism. I promise you that people of color donât need white witches to speak for them. I promise you that it is not your responsibility to be the saviour that enforces what is and isnât problematic, especially when you yourself are so clueless about the issue at hand.
People who donât know even the first thing about Judaism shouldnât be trying to herd all of their white friends away from Lilith or dictate why you shouldnât use magick with a k. Itâs frustrating because the original message gets completely lost every single time.
Jew witches will say âhey guys maybe donât work with Lilith if you donât understand her origins because sheâs not just a girl boss mother of demons but also has a lot of history in our culture as an extremely violent and chaotic energy that actively victimizes women and childrenâ
But all that tumblr heard was âLilith is associated with Judaism and that means sheâs a religious figure and canât be worked with by non-jewsâ without having even the slightest clue what her role in Judaism was and why people advise caution. Saying that Lilith is a religious figure to Judaism tells me that youâve never even met a Jewish person in real life.
People will say âhey Crowley was actually a piece of shit and shouldnât be idolized as a wise practitioner when he was literally just an extremely racist heroine addict who tricked a lot of women into having sex with him for ritualsâ
But all that tumblr hears is âCrowley bad. Anything associated with Crowley also bad. If you do anything that was associated with Crowley you are also bad.â
Indigenous witches will say âHey white sage is an extremely sacred herb that is being heinously over harvested by corporations selling the witchcraft equivalent of fast fashion and itâs causing severe harm to indigenous businesses and communities, please stop supporting themâ
but all that tumblr heard was âWhite sage shouldnât be harvested. If you get white sage from anywhere, even indigenous people themselves, you are racist.â
and in retaliation to that super hard stance you have witches who have decided they donât care about respecting closed practices in general and purposely buy from non indigenous sources out of spite
âI donât know enough about this topic to have an intelligent stance on itâ is ALSO a perfectly acceptable position. You donât have to be opinionated about things you donât understand. Youâre more than welcome to just avoid the things you know would make you uncomfortable to participate in without pushing blatant misinformation.
Most occult spaces have some sort of historical tie to icky stuff like racism, misogyny, ablism, etc. Youâre not a bad person for recognizing that and wanting to stay away from them. Iâm happy you care.
But you are not an authority on things youâre uneducated about. When you pretend to be you only muddy the words of the people youâre supposed to be helping.
Saying shit like âusing magick with a k is just as antisemitic as using a swastikaâ completely waters down what real antisemitism is, and makes the matter less serious than it actually is.
Saying âworking with Lilith is just as antisemitic as working with the Tetragrammatonâ is just a complete slap in the face to practicing jews, and you donât know why because you donât understand Judaism or the people who created it. You canât understand it because youâre so busy talking over them that you never took the opportunity to listen.
Before you make the decision to run these mass cancelation events, take a second to consider if youâre doing this because itâs actually important and something you truly understand, or if youâre just doing so to feel morally pure and accepted by your fellow politically correct white peers.
Athames are a specific style of ritual knife that are primarily used in Wicca, but have also spread to wider witchcraft. However, if a witch does not have access to a dedicated athame, a regular knife can also be used for a similar purpose. The use of a blade in the craft is primarily for directing energy and magical workings: by casting a circle, calling elements, binding or severing magical attachments, and more. It is traditionally associated with the element of fire, and the magical energies of creation, destruction, and transformation.
Materials
A dagger with a black handle and an iron blade (traditional)
A knife (general or modern)
Ink or a tool for carving (optional)
Process
The only universal process of using a blade in a ritual is consecrating it in whatever tradition you follow, to elevate it above the mundane for the duration of the ritual. Beyond that, you can also choose to ink/carve runes or symbols onto the handle of the blade if you want to use it for a specific purpose and enhance those qualities of it. Again, the runes and symbols can belong to whichever tradition you follow, as there are traditional ones to certain paths and self-created ones in others.
Why it Works/History
Blades have been used ritually since ancient times - often for important cultural ceremonies or religious events. There is also a strong overlap between some parts of early religion and what many would consider now to be modern witchcraft, making it difficult to tell when one separated from the context of the other. However, the athame in particular dates back to the Key of Solomon grimoire from the 14th-15th centuries (the official date is contested). There is some translation disagreement about what kind of blade it specifies, however it has become a common tool of the modern witch and Wiccan nonetheless.
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A protection spell that dates back to Roman times is the Sator Square. Its oldest occurrence dates back to the ruins of Pompeii, and it has since been added to multiple old grimoires. It is a square that when arranged correctly spells out five words: Sator, Arepo, Tenet, Opera, Rotas. Four of them are clear Latin, while the last word Arepo has debated origins.
The Sator Square is good for use as a protective seal drawn on paper - to protect texts or to be carried as an amulet by whoever is wanting to use it for protection. In its proper form as a square, it looks like this:
The letters can also be rearranged into a palindrome to form the Paternoster cross, using all the letters to form the new protective amulet. This one is of more Christian origin, invoking the power of either their god or angels for protection instead. In its proper form, it looks like either of these:
My Personal Thoughts: This book is a great book for people who already have a foundation in magic to deepen their knowledge of protection magics and learn the process behind protective rituals. The book is written based on multiple traditions that the author has been trained and initiated in, but holds prominent traces of his own eclectic practice. I do think it is important to already have the skill and knowledge to understand nuance throughout the book, as well as to determine which parts of the book are open for the reader to practice - as there are spells and rituals from multiple traditions, some of which are closed to the uninitiated. They are included to show how to protect against different kinds of magic, and the book provides a lot of new information and perspectives that I had not encountered prior to reading it. I don't personally align with everything in the book for my own practice, however the information is still valuable and teaches the components of the magic involved regardless.
Technical: The information in the book is presented from the lens of personal experience by the author, providing examples throughout of situations where the knowledge has been used and came in handy for him. The book is well organized, progressing from pre-emptive protection, to identification, to more active workings, to repair work. I also highly appreciated that the author makes a point to include mental health and professionals in the field as a topic throughout the book, as spiritual delusion and paranoia can be a problem in some cases. It contains many diagrams as visual examples, and contains a bibliography for anyone wanting to dig further into different aspects of the book. I would recommend getting the newest version of the book that is annotated though - the original was published in the early 2000s, and the annotated version contains notes about what the author has learned since on the topic.