July 26.
My love is so endearing.
Xuebing Du
The Bowery Presents
Sade Olutola

roma★

@theartofmadeline
we're not kids anymore.

Origami Around

shark vs the universe

blake kathryn
Noah Kahan
Cosimo Galluzzi

★
Mike Driver
Claire Keane
2025 on Tumblr: Trends That Defined the Year
YOU ARE THE REASON
macklin celebrini has autism
d e v o n

Kiana Khansmith
seen from Colombia
seen from United States

seen from United States
seen from Germany

seen from Oman

seen from Colombia

seen from United States
seen from United States
seen from United States

seen from United States
seen from Switzerland
seen from Peru

seen from Türkiye
seen from Türkiye

seen from United States

seen from T1

seen from Belgium
seen from Lithuania
seen from South Africa

seen from Malaysia
@liminalfea
July 26.
My love is so endearing.

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
Free to watch • No registration required • HD streaming
July 25.
I want to give her flowers.
July 24.
I'd do anything for that smile.
July 22.
Don’t be like them, please.
“She talked instead about love and she did so in a surprising way. She said that from the day of her marriage until those days on Ischia she had been, without realizing it, on the point of dying. She described minutely a sensation of imminent death: lack of energy, lethargy, a strong pressure in the middle of her head, as if between the brain and the skull there was an air bubble that was continually expanding, the impression that everything was moving in a hurry to leave, that the speed of every movement of persons and things was excessive and hit her, wounded her, caused her physical pain in her stomach and in her eyes. She said that all this was accompanied by a dulling of the senses, as if they had been wrapped in cotton wool, and her wounds came not from the real world but from a hollow space between her body and the mass of cotton wool in which she felt she was wrapped. She admitted on the other hand that imminent death seemed to her so assured that it took away her respect for everything, above all for herself, as if nothing counted anymore and everything deserved to be ruined. At times she was overwhelmed by a mania to express herself with no mediation: express herself for the last time, before becoming like Melina, before crossing the stradone just as a truck was coming, and be hit, dragged away. Nino had changed that state, he had snatched her away from death. And he had done it when he had asked her to dance, at Professor Galiani’s house, and she had refused, frightened by that offer of salvation. Then, on Ischia, day by day, he had assumed the power of the savior. He had restored to her the capacity to feel. He had above all brought back to life her sense of herself. Yes, brought to life. Lines and lines and lines had at their center the concept of resurrection: an ecstatic rising, the end of every bond and yet the inexpressible pleasure of a new bond, a revival that was also a revolt: he and she, she and he together learned life again, banished its poison, reinvented it as the pure joy of thinking and living.”
— Elena Ferrante, The Story of a New Name (The Neapolitan Novels)

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
Free to watch • No registration required • HD streaming
The girl dinner archives | pt. II
July 21.
Apparently, even when it's just a game, it still hurts when you're the ones taking shots at each other.
“I kept my lips pressed together, then I said to myself well, really, what’s a kiss, and I discovered what it was, I didn’t know—I swear to you that I didn’t know—and now I can’t do without it. I gave him my hand, I entwined my fingers with his, tight, and it seemed to me painful to let go. How many things I’ve missed that now are landing on me all at once. I go around like a girlfriend, when I’m married. I’m frantic, my heart is pounding here in my throat and in my temples. And I like everything. I like that he drags me into secluded places, I like the fear that someone might see us, I like the idea that they might see us. Did you do those things with Antonio? Did you suffer when you had to leave him and you couldn’t wait to see him again? Is it normal, Lenù? Was it like that for you? I don’t know how it began and when. At first I didn’t like him: I liked how he talked, what he said, but physically no. I thought: How many things he knows, this man, I should listen, I should learn. Now, when he speaks, I can’t even concentrate. I look at his mouth and I’m ashamed of looking at it, I turn my eyes in another direction. In a short time I’ve come to love everything about him: his hands, the delicate fingernails, that thinness, the ribs under his skin, his slender neck, the beard that he shaves badly so it’s always rough, his nose, the hair on his chest, his long, slender legs, his knees. I want to caress him. And I think of things that disgust me, they really disgust me, Lenù, but I would like to do them to give him pleasure, to make him be happy.”
— Elena Ferrante, The Story of a New Name (The Neapolitan Novels)
July 10.
I look at the flowers she sent me before and can't help but cry. I tell myself, "It's just a bad day."
July 4.
I'm becoming more spontaneous.
For instance, meeting late at night to eat out. It's past mall hours, so you find a space for yourselves in a crowded fast-food restaurant, bustling with travelers and employees who have just gotten off their shifts. Before that, you were walking beside her, admiring the contrast between the dark sky and the city lights, between rush hour and the tranquility of simply being together, and you just know you'll replay that night every time you miss her.
The day after started with a wish to have a car of your own. But not too soon, because you like sitting beside her on the bus ride home, her head resting on your shoulder. And while it's something so simple, your words fall short in describing such moments, so you put it this way: it's like discovering the positive side of the number line when, all this time, you've only been aware of point zero.
Being with her feels like your senses have returned to how they were when you were a child. Despite your negative-two vision, you've begun perceiving light and colors in their purest, most vivid forms, unburdened by categorization.
The world begins revealing itself in smaller increments. In conversations that stretch across jeepney rides. In stolen sips of her coffee. In the way your eyes keep returning to her lips, then to her piercings.
She told you about Arthur's Seat. By then, her camera had already run out of battery, and yours had run out of storage. So, just like Dexter and Emma, the two of you watched the city slowly reveal itself, staying until neither of you felt the need to break the silence.
Somehow, there was nothing left you wanted to photograph.

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
Free to watch • No registration required • HD streaming
July 3.
It feels like your heart is being dug out, and your stomach is in a whirlwind.
“I’ve mastered the art of keeping you within my peripheral vision without our eyes meeting. Because if they do, you, ever so diligent, will probably rush over to ask if I need anything. And if that happens, I may blurt out, I love you.”
— Michiko Aoyama, Hot Chocolate on Thursday
“And who benefits?” I asked Lila. “I don’t know. He wants to make a gesture that no one would make here in the neighborhood.” “Forgive?”
― Elena Ferrante, My Brilliant Friend
June 29.
Perhaps I am too into her.
June 29.
Feelings of not being worthy of love. My mom’s voice getting louder.

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
Free to watch • No registration required • HD streaming
“We never look at just one thing; we are always looking at the relation between things and ourselves.”
― John Berger, Ways of Seeing
Excerpts from:
In Praise of Idleness and Other Essays
by Bertrand Russell
“A habit of finding pleasure in thought rather than action is a safeguard against unwisdom and excessive love of power, a means of preserving serenity in misfortune and peace of mind among worries. A life confined to what is personal is likely, sooner or later, to become unbearably painful; it is only by windows into a larger and less fretful cosmos that the more tragic parts of life become endurable.”
“The modern man thinks that everything ought to be done for the sake of something else, and never for its own sake.”
“Life, at all times full of pain, is more painful in our time than in the two centuries that preceded it. The attempt to escape from pain drives men to triviality, to self-deception, to the invention of vast collective myths. But these momentary alleviations do but increase the sources of suffering in the long run. Both private and public misfortune can only be mastered by a process in which will and intelligence interact: the part of will is to refuse to shirk the evil or accept an unreal solution, while the part of intelligence is to understand it, to find a cure if it is curable, and, if not, to make it bearable by seeing it in its relations, accepting it as unavoidable, and remembering what lies outside it in other regions, other ages, and the abysses of interstellar space.”