nicolas poussin apparition de la vierge à saint jacques le majeur (detail) 1629 - 1630
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nicolas poussin apparition de la vierge à saint jacques le majeur (detail) 1629 - 1630

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marguerite duras
but what ends when the symbols shatter?
"Yes, yes," he thought. "The work that our life accomplishes, the whole of this work, the meaning of it is not, nor can be, intelligible to me. What were my aunts for? Why did Nikolenka Irtenieff die? Why am I living? What was Katusha for? And my madness? Why that war? Why my subsequent lawless life? To understand it, to understand the whole of the Master's will is not in my power. But to do His will, that is written down in my conscience, is in my power; that I know for certain. And when I am fulfilling it I have sureness and peace."
Tolstoy, Resurrection
leo tolstoj & fjodor dostojevski sam dillemans authors. paintings 2010-2012

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[S]ilence is never merely our own: it is we who belong to it, indissociable as it is from the call that summons and sends us, sends us by summoning us and summons us by sending us.
Jean-Louis Chrétien, The Ark of Speech (via spiritandteeth)
Hans Spies (1905-1973), unknown date
HERFST
langzaam, van ver gevolgd door den hond van den hof, zijn wij de oude wegen zwijgend ingeslagen. een bleeke herfst verbloedt achter de zwarte hagen; vrouwen gaan einderlangs, rouwend, in donkre stof.
als in een kloostertuin of kerkenbinnenhof is de lucht stil en grijs met droefenis beslagen; en ieder gouden blad, wanneer zijn uur geslagen, gaat, als een souvenir, te gronde, keert tot stof.
de stilte sluipt tusschen ons... harten vol leugen, elk, moe van reizen en reeds rijp voor vreemd geheugen, zich vlucht en landing aan een blijdre kust belooft.
maar ‘t woud heeft, deze avond, zooveel donkre weemoed, dat ook ons hart, meegaande, milder wordt en meedoet aan ‘t fluisteren van weleer, onder den lucht die dooft,
als van een kind dat men betreurt en dood gelooft. – j. slauerhoff, 1918
Walden, Jonas Mekas, 1969
If the song of the world is a Paschal song, it necessarily includes the lament of everything that is, in whatever way, imprisoned.
Jean-Louis Chrétien, The Ark of Speech (via spiritandteeth)

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Meine Zeit steht in deinen Händen
Psalm 31:15
quatres nuits d’un rêveur robert bresson
Why are you moving forward? Why can’t you see that your ink isn’t making any marks, that although you may be moving ahead freely, you’re moving through a void, that the reason you never encounter any obstacles is that you never left your starting place? And yet you write—you write on and on, disclosing to me what I dictate to you, revealing to me what I know; as others read, they enrich you with what they take from you and give you what you teach them. Now you have done what you did not do; what you did not write has been written: you are condemned to be indelible
Maurice Blanchot, Literature and the Right to Death (La Littérature et le Droit à la Mort) En vue de quoi avances-tu? Pourquoi ne vois-tu pas que ton encre ne laisse pas des traces, que tu vas librement de l’avant, mais dans le vide, que si tu ne recontres pas d’obstacle, c’est que tu n’as jamais quitté ton point de départ? Et pourtant tu écris: tu écris sans relâche, me découvrant ce que je te dicte et me réveilant ce que je sais; les autres, en lisant, t’enrichissent de ce qu’ils te prennent et te donnent ce que tu leur apprends. Maintenant, ce que tu n’as pas fait, tu l’as fait; ce que tu n’as pas écrit est écrit: tu es condamnée à l’ineffaçable.
… for we know not what we should pray for …
Romans 8:26
Wer weiß, wie nahe mir mein Ende? Hin geht die Zeit, her kommt der Tod

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Death is the supreme law of our life.
Karl Barth, The Epistle to the Romans (via spiritandteeth)
It says : ‘O Mother, you will never wear the furs you scrimped and scavenged every penny for, and on my days off now I do not go with flowers to the hospital; I take the roses out to Cemetery Lane…’
Martinus Nijhoff, Awater
Er staat: ‘O moeder, nooit zult gij de bontjas dragen waarvoor elk dubbeltje werd omgedraaid, en niet meer ga ik op mijn vrije dagen met een paar bloemen naar het hospitaal, maar breng de rozen naar de Kerkhoflaan…’