Solid life advice from Sue the T. Rex.
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KIROKAZE
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Love Begins
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#extradirty
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@lazuliquetzal
Solid life advice from Sue the T. Rex.

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when it's "the most significant solar eclipse since 1999" but you live in scotland
periodically nipping back over to the bedroom window to see if there's been any improvement in the cloud situation
if anything i think it's worse now actually
My fuck ass nothinggggggg
this is so fucking funny imagine voluntarily coming up here to look at the sky
Paintings by Jason Limon
most beautiful instagram account

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Me giving my parents my report card in second grade
Who's up phicign theit sion?
phicigntheitsion is my favorite hero from greek mythology
common misconception but ultimately untrue. what edgeworth has going on is an incredibly straightforward combination of daddy issues, autism, strict upbringing, and poorly repressed homosexuality. robust, yes, but not complicated. whatever the fuck makes phoenix act like that is an issue that the subject's top scholars are still debating today. nothing so easily summarized.
The Legend of Zelda: A Link to the Past. Artworks from the Nintendo Player’s Strategy Guide. Brought to my attention and donated, in part, by cartoonisterobuste
Did you ever consider creating an au of AA batteries and post it for the old times???
Also, have you ever considered to make another oc for another fandom?
Nah, AAB is completed! I think of it fondly but I don't feel the need to revisit it. I'd hate to ruin it by letting it suffer from seasonal rot haha.
Re: OCs in other fandoms. I, uh, actually have a lot. Like a fuck ton. It's half my brainpower.
Some of them have whole ass Stories With Plots And Themes. I like plotting so sometimes I'll just iron out an outline and then never write the actual story itself. Just for me. Off the top of my head:
hunger games twitch streamer
Clone of Tim Drake
The clone-of-a-clone of Tim Drake
my hypothetical Robin character who comes after Damian
Character + plot to a direct sequel to PoP: Sands of Time, because I fucking hate Warrior Within
post-Korra avatar + friends
my Love Live OCs (yes I know, I have them, and they're awesome)
the original LOZ ideas I have (although I'm not sure if that fully counts as OCs?)
Various Naruto OCs in addition to the ones that are already on my AO3
Others are pretty defined but don't have stories attached (my BNHA OC who is still REALLY funny. Seiyuu I will never forget you. Also the obligatory assassins creed OCs that we all have)
And then there's the #cringe two-degrees-off-of-a-self-insert ones that rotate in my brain, who will probably never see the light of day (Akira was one of those. I blame the lockdown for him breaching containment)
the problem with knowing things about battle tactics is that an ever-increasing subset of popular media becomes impossible to enjoy properly because you have to sit there like 'wow Captain Protagonist good to know all those dead people on your own side are a direct result of your total lack of anything resembling brains'
seriously i'm not talking about anything elaborate, just basic common sense, but common sense is so much harder to ignore once you've got systematized data to back it up, like
what do they even think a fortification is for???
what do you think a shield is for. what do you think ranged weapons are for????
make the other sonuvabitch have a hard time killing you without getting killed first! most basic goal of combat! why are movies so bad at writing characters who actually attempt this on even a very small 'army' scale?
and like i said in the first post, it's not just that it's Dumb, the thing is that once you put the character in a command role, their ability to think their way through a combat situation with some degree of optimization becomes a reflection on their character on like. a moral level.
if your tactics are dumb and reckless but you usually win and it's just you punching people that's one thing. or even if it's you and five guys who've decided they like how you roll!
but if you are put in charge of soldiers. and you throw their lives away because you don't know what you're doing. that's not okay.
it's not always avoidable! one of the basic problems with armies! but when it happens in fiction it needs to be on purpose, to make sure the military elements of the narrative remain thematically congruent.
when you have a bit where Main Character is in command and then makes avoidable bad decisions and people die who didn't have to. either the protagonist has been put in a horrific position by whatever authority figure thrust them into a role they didn't want and weren't competent to handle, without support.
or the protagonist, voluntarily assuming a management job they suck at, has committed a grievous harm against others by not recognizing their own limitations.
even if they win! i don't want to be watching a movie where the main character squanders every tactical advantage and loses 40% of their forces totally unnecessarily for Narrative Tension, but the enemy retreats or gets eaten by a dragon or loses the MacGuffin or whatever, and then there's triumphant music and a party because They Won!!!
no! they fucked it up is what they did! this is some Light Brigade gaslighting shit! shut up. our boy just massacred people who trusted him.
kind of a tangent but this is also how I feel when the good guys mow their way through dozens of faceless grunts and then suddenly the big bad in charge is the life they face a moral quandary over
the random foot soldiers and henchmen's lives matter too! tbh
#tbh they should matter MORE #they are way less culpable than whoever's in charge #it's just plot convenient to dehumanize the work force
I think it’s worth noting that history is littered with examples of wasteful tactics. A common element is that often times technology advances while tactics do not.
For example, in the American Civil War, the tactics used of soldiers, marching into open fueled, and exchanging musket fire was not all that different than the tactics of the American revolution a little under 100 years prior. However, the rifles that infantry men were armed with were significantly more accurate. As a result, casualties, both in terms of lives lost, and soldiers, injured were horrific.
The concept of trench warfare in World War I was not all that different from wars, fought all over the continent in the century prior, and were designed to try and curb advantages of cavalry. But again, of mortars, more accurate, rifles, and chemical warfare meant that charging trenches resulted in truly grotesque numbers of casualties.
There is certainly evidence that World War I era generals were fairly callous when it came to casualty figures. They were more interested in territory gained. And it mattered very little how many lives that cost since soldiers were replaceable.
I agree that there should be some narrative coherence when protagonist squander advantages due to bad tactics, but when you look at actual history, it’s very clear that even if there are “good guys“ and “bad guys“ in war, there’s also just a lot of waste. That doesn’t make for a very sexy narrative, but it’s the nature of the beast. Militaries in particular are conservative institutions slow to change. you do things a certain way because that is the way they are done. That will always get people killed. But that’s also excepted as the way things are done.
At the end of the day, I’m just not sure there is a good way to organize two groups of people trying to kill each other.
I think the more interesting question is, should there be?
i mean maybe, but that's not what the post is about, it's about fiction that places warfare centrally, but then engages with it only on an aesthetic level.
thereby creating major ruptures in the narrative logic and characterization for anyone who knows (for example) what the point of a wall is.
this is a writing complaint, about failure to adequately situate motive within character and maintain internal consistency.
i'm not going to ask every piece of fiction that wants to have swords in it to engage in a meditation on the nature of conflict. that sounds boring, and also like it's asking too much of people. i'm aiming way lower here.
the problem is a general failure to care enough about the battle as an event within a narrative to make the pieces go together according to an internal logic. people being dumb is fine as long as they're dumb on purpose. people not doing The Most Winning Thing is fine as long as the priorities they're supposed to have are the priorities they're actually displaying.
There's nothing more frustrating as an audience than being told "this person is a Good Person who Cares about their men and is also a Genius Tactician" and being shown a clown that never thinks before getting most of their people needlessly killed.
Also, regarding WWI specifically, their tactics were a hell of a lot better and more effective than pop culture gives them credit for. They were actually very sophisticated and doing the best they could with what technology they had. The problem is that once you have machine guns, there are only really two ways to break through that rate of fire:
Artillery barrage beforehand to try and kill as many people/machine gun nests as possible on the enemy side, followed by an infantry push that you know is going to take ruinous casualties if it works at all.
Tanks. Armored vehicles capable of driving over a battlefield with thick enough armor that the machine gun isn't a problem.
And they didn't have tanks! They were trying to develop them, but the technology level wasn't there yet. They couldn't move over broken terrain, and they kept breaking down even on smooth terrain. If you're going to have a war at that technology level where you have lots of machine guns but no tanks yet ... then WWI is about the best you're going to do.
Now, obviously, the solution to this is "but why have a war when the technology is at this stupid stalemate level?" but the people fighting the war (even the generals) rarely have control over that.

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I upset a few people in my intro to western philosophy class with this one.
I can’t remember if I told you guys this but my grandpa paid a guy to put up a rock retaining wall in the backyard when my grandparents moved into their house in 1966. They live at the bottom of a mountain. The wall finally collapsed this year and my grandfather with dementia was PISSED OFFFFFF and he wanted so badly to call the guy who did it and chew him out for doing a bad job. My grandma is trying to explain that the wall lasted 60 years and the guy who did the work is probably dead and it TURNS OUT HE IS STILL ALIVE. Now we’re worried grandpa is going to get through to him (small town) and we’re going to see two 85 year old men come to blows over a rock wall that has been there since the mid-60s. My grandpa is a scrapper, he’s been to jail over a bar fight, the possibility that he WOULD fight this guy is high.
To top it off? The stone mason is the only person in town with one arm so grandpa would definitely recognize him if he saw him. If that is your grandpa, please protect him from my grandpa.
Someone asked me a while ago if I still had a photo of the worst sink I had ever seen while apartment hunting in Los Angeles. I assumed I deleted it so I didn't answer the ask and now it's gone, but as it turns out, yes, I do still have a photo of it.
i cant stop saying "im gonna smile" lately its really funny to me. cause saying it that way makes it sound like a threat or something. like fuck if you dont watch out im seriously gonna Smile . im seriously gonna fucking Grin myself
Im glad they made up romance for stories and music but can you imagine how scary it would be to deal with all that for real

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Anyone remember Dumb Ways To Die. Like they really made a 3 minute long music video of cute cartoon characters killing themselves in humorously fucked up ways solely as an elaborate PSA about being safe around trains and then made a fucking series of mobile games based around it and we all just let them. Will kids today ever understand how fucking legendary that was. Will they ever know.
ink and watercolor on paper
in which murderbot is a very normal terracotta soldier and ART the dragon spirit of a chinese junk who dwells in the ship's keel. they meet in the ming dynasty perhaps, when ppl are sailing places extra willy-nilly.
*Nüwa is the mother goddess in chinese mythology, known for creating humanity from yellow clay and repairing the sky.
thank you @mutualrapport for hosting the event! original prompt below.
[drawn for the prompt: an AU of ART and MB's first meeting and conversation - e.g. another look at their first meeting from a fantasy, historical, or (non-canon) sci-fi lens! Any perspective is fine. The only constraint is that it cannot be set in the canon universe. Any visibly non-canon AU- fantasy, human, historical, etc. - anything goes!]