you are stardust

Yes, one hour. Just like last year and the year before that, and  the year before that.

Carrie Fisher promoting Star Wars in London, 1977.

Before Sunrise dir. Richard Linklater (1995)

Pristine vulnerability is just so boring to me. The performances that I love are ones like Gena Rowland’s in ‘A Woman Under the Influence,’ where women are allowed to be messy and imperfect. It’s that kind of woman that has always inspired me to seek roles that are a little out of the box.

“I want to see if you stay together or if you dissolve into molecules.” “How am I doing?” “Still here.” “Good, I like being here.”

A Tribute To Carrie Fisher

This is the lucky clover cat. reblog this in 30 seconds & he will bring u good luck and fortune.

I reblogged him the day i started treatment and 1. GOT TO MY APPOINTMENT ON TIME 2. FOUND A FREE PARKING TICKET SOMEONE LEFT IN THE METER FOR ME AND 3. GOT FREE STARBUCKS AFTER MY APPOINTMENT!!!!!

bye. goodbye. au revoir. later.

“She devoted her life’s energy to creating the character of Joan Crawford. Always beneath that is Lucille LeSueur, and that became what was so fascinating to play, whether it was just under the surface, just in a gesture or a glance behind the eyes or whatever, that character was always there….She was a great beauty, but she really worked hard. I don’t know anybody that worked harder than Joan Crawford. To be Joan Crawford and to sustain this career and to create this kind of iconic mythology? There’s a lot to admire about her, especially when you think about what she had to overcome, where she came from….I’ve never seen her as being monstrous at all. We did all that research–I read the four biographies, her own books, and hundreds of interviews–and no one ever said anything but kind things about her. I don’t want to comment on mothers and daughters [and the relationship described in Mommie Dearest], because within any family there’s always a part of a relationship that no one outside can ever understand. But from everything I’ve read, it seems impossible that the woman was as monstrous as she was made out to be.“ –Jessica Lange

Katie Cassidy at Entertainment Weekly’s celebration of SAG Award Nominees, January 28th 2017.

No other road No other way No day but today

“…and in the center of it all: Isabelle Huppert. It has been a wonderful experience to work with Isabelle, she is so talented. I thank you, Isabelle, for everything you have given to this movie, for your talent, for your audacity, for your authenticity of performance. I think it was wonderful to work with you, you are wonderful, and I love you.” — Paul Verhoeven accepting the Golden Globe for Best Motion Picture, Foreign Language for ELLE

Debbie Reynolds as Kathy Selden in Singin’ In The Rain (1952)

You are my lucky star

– This Property Is Condemned (1966) dir. Sydney Pollack