LA MAISON GAGA

Gaga kept it basic and chose to re-wear her Balenciaga Fall/Winter 2023 (look no. 36) Sports Icon cotton track jacket with rounded shoulder pads, two-way zip closure and side pockets.

For the opening look, Gaga and her longtime stylist Hunter decided to delve once again into the Rodarte archives. From the Fall/Winter 2023 collection, they opted for the black silk velvet devoré cape with floral sequin all over embroidery.

For the majority of the show, Gaga leans fully into ritual. She appears veiled beneath a sculptural beaded headpiece and crown by Tommy Solovyov - her face obscured, her presence amplified.

The piece reads like armor and relic all at once: a lattice of beads cascading into a netted veil, crowned with intricate, almost sacred detailing. It transforms anonymity into power, turning concealment into spectacle.

For an alternative opening look, as seen during the rehearsals, Lady Gaga seems to be wearing one of the fun tinsel capes as seen on the aforementioned Rodarte‘s runway!

To throw in some Saint Laurent, as she loves, we got these new "SL 736" black acetate oval sunglasses with side logo detail.

I was immediately captivated by this Victorian goth-inspired beauty.

This black wool dress with leg-o'-mutton sleeves, standing collar, hook-and-eye details, voluminous hips and sheer paneled skirt, hails from Aniye Records‘ Fall/Winter 2025 collection titled "Breaking Rules".

A mix of established houses and emerging designers is a must when it comes to Gaga‘s styling palette.

Here, she‘s donning the uber-fierce Fragile studded cropped leather jacket with dramatic shoulders and elongated eyelet straps from Judassime‘s Spring/Summer 2026 collection titled "Lost Highway".

You‘ll remember her honoring this collection at her very last 'Mayhem Ball' tour show in NYC with another studded jacket by this young talent!

Gaga then re-emerges on stage as a withering gothic bride, dressed in the most gorgeous silhouette from Matières Fécales‘ Fall/Winter 2025 "The Other" collection - black tulle enveloppée evening gown twisting around the torso before falling into a dramatic mermaid silhouette.

A custom Dilara Findikoglu black organza veil with antique deadstock guipure lace trim mounted on a layered headband completed the look.

Emerging designer label SLVA is the mastermind behind some pieces of this show, including this mindblowing sculpted industrial rubber dress featuring an asymmetrical hood, zip front and matching gauntlets, all inspired by his Fall/Winter 2026 collection.

A little bird whispered to me that Gaga‘s boots for the show were a pair of Stuart Weitzman Power boots which were reworked by Lacey Dalimonte with a distressed and treated leather overlay!

We had SLVA open up the 'Mayhem' era with his creations using repurposed car parts. And now, we‘re letting him close it.

Gaga donned one of his body armours, this time in black made of old vintage car parts Selva himself picks out by hand.

To complete the look, Gaga dons these fierce stretch leather thigh-high platform boots Christian Louboutin created for Matières Fécales‘ Fall/Winter 2025 "The Other" collection.

Mother Monster changes into a total custom look done by emerging designer Andrew Curwen which includes a treated black mesh corset and layered silk organza tea-length skirt in various shades of grey!

"It consumed 337 yards of silk fabric", Curwen says. "It’s literally hundreds of thousands of circles layered and strung together".

The look was completed with a pair of custom black leather gauntlets with buckled wrist strap detail Andrew made in collaboration with Sofia Morin.

Things changed up for the performance version of the previous outfit.

Instead of the big ballgown-esque skirt, she opted for a custom Andrew Curwen corset skirt made of wool gauze and horsehair.

48 hours to the show. Gaga is composing with her band members while donning her Magda Butrym Resort 2025 cropped leather bomber jacket, paired with Saint Laurent Resort 2016 denim jeans with ripped knee details and distressed hem.

Her “Mayhem" embroidered and distressed black baseball cap ($39) is part of her own merchandise collection.

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Lady Gaga “Mayhem” Hat ($30.00)

The necklace is her favorite Eternal Rounds brilliant tennis necklace by CARAT* London.

She completed her look with the Balenciaga Spring/Summer 2023 Camden ankle boots with angular platform.

The second look shows another previously worn leather jacket.

This one's signed by Balenciaga and has a cropped, boxy silhouette with diagonal pockets and logo embossing detail on the chest.

Underneath, she wears a vintage 1990s Social Distortion printed T-shirt showing a skeleton enjoying a martini and cigarette.

Lastly, she re-wears her custom C.Bonz 'The Dead Dance’ hoodie!

Lady Gaga arrived dressed like the final scene of an opera no one survives.

Wearing an extraordinary archival Givenchy by Alexander McQueen Fall/Winter 1997 Haute Couture ensemble, Gaga once again proves that fashion history is not something she references lightly. And this particular resurrection feels especially delicious.

The look, inspired by the grandeur and brutality of Spanish bullfighting, carries all the signatures of early McQueen at his most theatrical: a violently cinched scarlet satin bodice, black lace spilling over it like smoke, dramatic matador shoulders armored in intricate embellishment, and sleeves so exaggerated they almost move like curtains before a tragedy unfolds. The draped black skirt adds weight and tension, grounding the silhouette while the red lace train trails behind her like a wound left open.

What makes these recent archival pulls so thrilling is that Gaga doesn’t wear them as museum pieces but also completely honors them. Suddenly, a 1997 couture look isn’t frozen in a runway image anymore. It’s back under flashing lights, surrounded by roses, moving through space exactly as McQueen intended: emotionally, dangerously, unapologetically alive.

This was Mayhem.

Lady Gaga‘s backstage scene in the movie with Miranda shows our girl wearing the Proemio black silk taffeta corset with corded gores, silver-tone hardware and sturdy cotton coutil ($1,904.76) from queer Italian emerging designer Lorenzo Seghezzi!

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Lorenzo Seghezzi "Proemio" Corset ($1,904.76)

There’s something almost cinematic about the way history loops back on itself, little monsters. How a look once tied to quiet disappointment in the fandom can return, louder, sharper, entirely rewritten.

Lady Gaga then steps into the frame not just as herself, but as a memory reclaimed. Performing 'Shape of a Woman' in the film’s fashion show scene, she resurrects the custom Atelier Versace gown she first wore to the 2012 Grammys - a night that, at the time, felt like an absence rather than a victory. Back then, it shimmered under the weight of expectation. Now, it burns with intention on the screen.

The dress itself has lost none of its power. Black snakeskin, sculpted into something almost armor-like, wraps around her body with those unmistakable Versace codes—exaggerated shoulders, carved hips, a silhouette that doesn’t follow the body but 'shapes' it (haaaa, see what I did there?). Gold metallic accents slice through the darkness like veins of molten light, while sheer panels, dusted with thousands of jet-black Swarovski crystals, catch every movement like fragments of a past life flickering back into view. The craftsmanship in embroidery done by Transfermania International S.R.L - painstaking, obsessive, almost devotional - still speaks, but this time, it says something different.

And then, the scepter. That gleaming golden Medusa medallion, held not as an accessory but as a symbol of authorship, of control, of mythmaking.

What makes this moment land isn’t just the fashion. It’s the narrative stitched into it. Gaga has always understood clothing as storytelling, but here, she rewrites her own archive in real time. A gown once associated with being overlooked is now immortalized on screen, reframed through performance, power, and presence.

It’s not nostalgia. It’s reclamation.

Gaga‘s look for the fashion show was finished with a wig-shaped, pearl and crystal-encrusted headpiece custom-made for her by Carlo Maria Filippelli who's an acclaimed set designer...

Seen lounging backstage, she’s wearing a custom C. Bonz "I’m Dead" embroidered sweatshirt and matching embroidered sweatpants ($140) featuring the cutest skeletons, roses and cobwebs.

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Uhm…so I have died multiple deaths and have gone to heaven. Bye.

Gaga wears The Blue Creation pleated ombré ballgown with tailored glitter jacket and veiled metallic hand-shaped headpiece from Robert Wun‘s Spring/Summer 2026 "Valour" Haute Couture collection.

The hot pair of cat-eye sunnies with exaggerated shape, Gaga wears in a blink-and-you’ll-miss-it scene, are signed by Mugler!

Mother Monster proves once again that she‘s THAT girl when it comes to supporting newcomers in the fashion industry.

Here, she‘s enjoying her afternoon tea while wearing the Delft vase-inspired hand-painted ceramic top from emerging label THEVXLLEY by Daniel del Valle debut collection titled "The Narcissist".

Another look that instantly caught my attention was this Marie Antoinette-inspired ballgown with padded hips and asymmetrical shoulder detail, completely made of dove-colored taffeta, silk faille and organza with distressing effect by Miss Claire Sullivan!

What a feast for the eyes, all thanks to The Archive x Yana.

Gaga added some bling to her baroque-inspired ensemble with these vintage Oscar de la Renta faux pearl and Swarovski crystal chandelier earrings.

Previously worn in black, the Maasai green jade pearl choker necklace hails from Dior‘s Fall/Winter 1999 collection, also from The Archive x Yana.

All of Gaga‘s gloves were provided by Paula Rowan, who once dressed Gaga‘s hands for the 'House of Gucci' movie as well.

Here, she‘s rocking the Montserrat white leather opera-length gloves with silk lining ($578).

Barely visible, but Lady Gaga sported these Andrea Wazen Double Jeu 165mm platform Mary Jane pumps! She previously rocked them in black a couple months ago.

Your devil may wear all the Prada in the world, but mine chose to treat me with latex.

Lady Gaga poses alongside the movie‘s iconic shoe dressed in a custom Vex Clothing red latex catsuit with exaggerated, dramatic shoulders.

She crowned her look with this red patent and crocodile leather officer cap with large buckle, custom-made by NYC-based Skank Chic!

The epic jewelry is, once again, provided by The Archive x Yana. Both her black resin and palladium earrings with crystals in upside-down triangle shape...

...and matching cuffs are archival Saint Laurent and belong to the Fall/Winter 2018 collection.

Another insane pull is this vintage Nina Ricci faceted black jet crystal necklace strung on a black satin ribbon with delicate bow detail.

A shoe we all fell in love with. And how delicious is this new custom variant?

Lady Gaga completes her devilish look with these Thom Solo Spring/Summer 2024 Opera pumps in red crocodile leather.

The fashion gods have heard my prayers.

Gaga and Doechii are both wearing custom corseted gimp suits fully embellished in rhinestones, pearls and spikes, made by Indian couturier Gaurav Gupta, exclusively for the music video!

"These looks were designed as a second skin. With Lady Gaga and Doechii, the idea was to create something immersive and uncompromising, where haute couture becomes both armor and identity at the same time. Each of them has a very strong vision, and the way they embody the clothes makes the entire experience feel much bigger than just fashion", Gaurav said.

Bad Binch TONGTONG is an avant-garde fashion label founded by Wuhan-born, NYC-based designer Terrence Zhou who‘s known for surreal, sculptural and viral designs, such as this plush, body-hugging velvet dress with floating feather halo around it!

Gaga‘s black look was topped off with a Skank Chic black goose feather and veil headpiece for some more drama!

The second pair of gloves by Paula Rowan to grace the screen are these Stephanie half hand gloves in black leather ($279).

Last but definitely not least, Gaga and Doechii are strutting down the RUNWAY, wearing a custom Luar red tailored twin double suit with double-breasted front and intertwined poplin shirt underlayer.

Gaga‘s also rocking the Paula Rowan Thing black leather half hand thumbless leather gloves ($138) which seem to be a nod to the 'Telephone' music video where Gaga wore a similar pair of gloves.

Gaga quietly arrived in a custom black velvet interpretation of a Thom Browne Fall/Winter 2018 embellished mermaid gown, a piece already sculptural in its original form, now deepened into something richer, almost nocturnal. The precise corsetry, the sinuous lines, the quiet drama of the flared hem. Ugh, everything about it feels deliberate, reverent, and intensely controlled.

Wearing an archival Saint Laurent by Hedi Slimane Fall/Winter 2016 creation, the black silk faille gown embraces a sculpted mermaid silhouette, anchored by a sharply cut strapless bustier neckline. It’s a study in restraint: clean, deliberate, and impossibly refined.

Proof that sometimes, the boldest statement is knowing exactly when to hold back. And one of the very last pieces Hedi ever showed for YSL.

To elevate her dress, Gaga opted for the wing-like earrings in platinum and yellow-gold with diamonds from Tiffany & Co.‘s Blue Book 2024 "Céleste" collection.

Grounding the look, she slips into her Matières Fécales x Christian Louboutin Spring/Summer 2026 "Hannah" collection patent Mary Jane platforms.

Later that night, Gaga slipped out of Lincoln Center in something far quieter but no less captivating.

Her second look, a backless black crepe gown from Valentino’s Pre-Fall 2026 collection, moved with a different kind of drama: a fluid chiffon overlayer softened the silhouette, while the high slit and elongated ties trailing down the back added just the right touch of tension.

Notably absent from the official lookbook, the piece feels almost like a hidden chapter—one only uncovered thanks to @louis_pinault, Valentino’s celebrity liaison.

Gaga put her most important belongings inside the Tube Plus black satin clutch with gold-tone hardware ($725) by RODO, a new brand in her ever-growing closet!

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RODO "Tube Plus" Clutch ($725.00)

Previously worn in black and in white leather, Lady Gaga debuts a black mesh and satin version of the Thom Solo Spring/Summer 2024 Opera platform pumps!

Gaga brought tour to a powerful close, stepping into the final moment in the Shielded studded black motorcycle jacket ($3,500) by Antwerp-based emerging label Judassime.

With its sharply exaggerated shoulders and armor-like construction, the piece didn’t just dress her—it framed her as something almost untouchable. Pulled from the Spring/Summer 2026 collection "Lost Highway", the design carries a narrative far deeper than aesthetics: scars hardened into structure, vulnerability reforged as strength.

Every stud, every contour speaks of survival, of rage that refuses to stay buried, of beauty rebuilt from something broken. And as Gaga stood there, closing not just a show but an entire era to 'Marry The Night', the symbolism felt almost too perfect: the woman who turned pain into performance, now wearing it as armor—unapologetic, unbreakable, and entirely her own.

The long black semi-sheer skirt ($505) is from Norma Kamali's Spring/Summer 2026 collection.

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Norma Kamali Semi-sheer Maxi Skirt ($505.00)

One final applause for the Fluevog vintage-inspired Chaminade lace-up boots with swordfish toe cap and perforating detail ($659).

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Fluevog “Chaminade” Boots ($659.00)

The Italian-American beauty completed the first show by debuting her and Doechii's collaborative track 'Runway' which is part of the 'The Devil Wears Prada 2' soundtrack dropping this month!

Gaga was clad in a full look by Norma Kamali which included the black jersey crop top with shoulder pads and long sleeves ($150), and the Spring/Summer 2026 semi-sheer maxi skirt ($505).

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Norma Kamali Crop Top ($150.00)

Norma Kamali Semi-sheer Maxi Skirt ($505.00)

The shades are the Port Tanger Ruh sunglasses which belong to their permanent “Icons” collection and feature an oversized wrap around mask frame ($325).

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Port Tanger “Ruh” Sunglasses ($325.00)

She’s also wearing the Fluevog vintage-inspired Chaminade lace-up boots with swordfish toe cap and perforating detail ($659).

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Fluevog “Chaminade” Boots ($659.00)

For the second night in Saint Paul, Gaga delivered 'How Bad Do U Want Me' wrapped in quiet rebellion, wearing a black faux leather car coat from Viviano‘s Fall/Winter 2025 menswear collection.

At first glance, it reads as classic—clean lines, a structured silhouette, an almost restrained presence. But look closer, and the story unfolds: embossed ribbon details twist across the surface, turning a familiar staple into something far more subversive. It’s softness carved into structure, romance pressed into leather.

Even more intriguing? The piece isn’t locked away in runway fantasy—it’s available to shop right now for $987, blurring the line between stage spectacle and real-world desire.

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Viviano Ribbon Faux Leather Coat ($987.00)

With the coat gone, Gaga peeled back the drama to reveal something far more intimate: a hooded draped black jersey bodysuit ($350) by Norma Kamali.

Suddenly, it wasn’t just a look—it was a memory. The hood framing her platinum lengths, the sculpted bodysuit, the ever-present sunglasses—it all echoed the raw, fearless energy of 'The Fame' era, when Gaga first built her visual language on anonymity, attitude, and allure.

A full-circle moment, reimagined for a stage that’s grown just as iconic as she has.

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Norma Kamali Draped Hooded Bodysuit ($350.00)

New sunnies by Balenciaga! These are their Mono square shield sunglasses which bear the house's logo on the sides ($575).

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Balenciaga "Mono" Square Sunglasses ($575.00)

For night one of three, Gaga closed with 'The Cure', stepping out in Aiste Hong’s Spring/Summer 2025 asymmetrical back flap blazer ($1,400), a piece that plays with structure without ever losing its restraint.

Cut from Italian virgin wool, the silhouette reads sharp from the front, then reveals its twist—a dramatic back flap that shifts with every movement, almost like an afterthought that steals the show. The double buttoned cuffs and subtle side tie add just enough tension, balancing precision with a sense of ease.

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Aiste Hong Deconstructed Blazer ($1,400.00)

For night II, Gaga closed the show with 'Glitter and Grease', leaning into quiet drama in an oversized sheer silk organza shirt ($207) by FRAME.

A study in contrasts, the piece balances precision and ease—its tailored collar and structured cuffs grounding the ethereal lightness of the silk. The translucent finish softens the silhouette, while the frontal patch pockets add a subtle, almost utilitarian edge.

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FRAME Silk Organza Shirt ($207.00)

She’s also wearing the Fluevog vintage-inspired Chaminade lace-up boots with swordfish toe cap and perforating detail ($659).

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Draped in a whisper-light, pistachio wallpaper floral silk georgette gown with gathering and ruffles from Alexander McQueen’s Fall/Winter 2026 "Valley of the Dolls" collection, she leans into movement—the fabric lifting, folding, almost breathing with her. It’s romantic, but never fragile; there’s intention in every line, every step.

Boston’s first night ended on a high note with ‘Sour Candy,’ as Gaga stepped out in a sleek black leather moment by AGOLDE that balanced edge and ease.

The Essie cropped bomber jacket ($644), complete with a classic collar, two-way zip and subtle volume through the sleeves, added a cool, off-duty finish to the look—proving once again that even her simplest pieces carry unmistakable attitude.

Gaga combined the jacket with The Frankie Shop’s Lenore semi-sheer black midi skirt ($139).

The fluid silhouette, paired with a subtle back slit, added movement and a sleek, understated contrast—elevating the all-black ensemble with a quiet, modern edge.

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AGOLDE "Essie" Jacket ($644.00)

The Frankie Shop "Lenore" Skirt ($139.00)

Mother Monster closed Boston night II with 'Hold My Hand', marking a first as she stepped out in GUESS.

She opted for their men’s studded leather biker vest ($698), bringing a raw, rock-infused edge to the finale—its structured silhouette and metal detailing adding just the right amount of grit to an otherwise stripped-back stage moment.

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GUESS Studded Leather Vest ($698.00)

She’s also wearing the Fluevog vintage-inspired Chaminade lace-up boots with swordfish toe cap and perforating detail ($659).

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Gaga rang in her 40th in effortless elegance, slipping into a Norma Kamali Spring/Summer 2026 sleek black bias-cut satin gown ($475) with a barely-there drape and delicate cross-back straps that feel equal parts timeless and undone.

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Norma Kamali Bias Gown ($475.00)

Paired with her classic Lorraine Schwartz diamond studs, the look is stripped back but still unmistakably Gaga.

Closing her first night with 'Plastic Doll', Lady Gaga kept it sleek, sharp, and surprisingly accessible.

For the encore, she stepped out in the Nyla sleeveless blazer dress by Rebecca Minkoff — marking her very first time wearing the brand. With its clean tailoring and elongated vest silhouette, the piece reads effortlessly polished, especially paired with fishnets and boots on stage.

And then there’s the twist: at just $115, it’s one of the most affordable looks Gaga has worn throughout the tour. A reminder that sometimes, impact isn’t about price, it’s about presence.

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Rebecca Minkoff "Nyla" Blazer Dress ($115.00)

Gaga took her bow to 'Sine from Above' on her second night while wearing a total sheer look which comprises two pieces.

The top is The Frankie Shop‘s Jolene semi-sheer oversized shirt made of lightweight fluid fabric ($175). It boasts a dagger collar, statement-making shoulder pads and long sleeves with buttoned cuffs.

On the bottom, she donner her Norma Kamali Spring/Summer 2026 sheer maxi skirt with plissé texture ($505).

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The Frankie Shop "Jolene" Semi-sheer Shirt ($175.00)

Norma Kamali Semi-sheer Maxi Skirt ($505.00)

She’s also wearing the Fluevog vintage-inspired Chaminade lace-up boots with swordfish toe cap and perforating detail ($659).

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Closing MSG night I with 'Babylon', Gaga leaned into stripped-back drama — a look built on texture and attitude rather than excess.

She wore the Fujin leather utility harness ($825) from VENIA’s Spring/Summer 2025 collection, defined by its crackled finish and elongated straps that moved with every step. Thrown over a minimal base of top, shorts and fishnets, the piece felt almost utilitarian — but still unmistakably Gaga.

For Night II at, LG closed with '911' — a fittingly hypnotic encore, delivered in a look that felt light, graphic, and quietly experimental.

She wore a sheer organza, windowpane-patterned elongated tunic from Viviano’s Fall/Winter 2025 menswear collection. The grid-like ruffle detailing gave the piece structure without weight, hovering over her bodysuit underneath like a shadow in motion.

She completed both looks with the Saint Laurent SL-662 sleek black acetate rectangular sunglasses...

...and the Fluevog vintage-inspired Chaminade lace-up boots with swordfish toe cap and perforating detail ($659).

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