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Day 12778 : "A new statue? Really?" "This one is different, it's to celebrate the culturage heritage preservation foundation you built! Firelord Kiyi insisted it was absolutely necessary." "And of course you couldn't convince her otherwise?" "Of course."
Someone linked me this beautiful poster, and I'm just really impressed.
My contribution:
Me, pointing to the mirror: Do NOT become The Joker about this. This isn’t even a Condiment King situation.
fuck it. kafcake

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Day 12778 : "A new statue? Really?" "This one is different, it's to celebrate the culturage heritage preservation foundation you built! Firelord Kiyi insisted it was absolutely necessary." "And of course you couldn't convince her otherwise?" "Of course."
🦾✨️
Even "Democrats aren't cleaning up the horrific mess Republicans made fast enough so I'm just not voting" is pretty weird.
The way our electoral system is set up, sitting home and not voting for Democrats is functionally the same thing as electing more Republicans.
Happy Pride specifically to the delivery of this line
A Study in Pink — Pilot and Episode One
Look at the slo-mo. For me, that’s the kicker.
AS WE ALL KNOW: Pilot!John and Pilot!Sherlock are only about 1.5 hours away from fucking in that last gif on the left. Like, that’s two dudes who just got done with a really great date, and now they’re going to go get a nightcap, but they both know they’re gonna end up in bed after that. They never even got a chance to need that second bedroom in Baker Street. These two sweet little lambs are currently married, and have been for years.
MEANWHILE: The two assholes we’re stuck with live in this hyper-stylized world where they look at each other and the rest of the world blurs away into color and shape and the only real, solid thing for each of them is the other one. Everything slows down, the music swells, and they look at each other as if they’re not convinced the other one’s quite real. It’s epic. It’s The Hero Shot. And it’s quite frankly shockingly romantic in a way the Pilot shot isn’t.
But it’s also letting us know that, unlike that successful first date we saw in the Pilot, the real thing’s gonna play out SLOOOOOWLY.

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carbonating you then putting you in a water bottle with a straw
not the. not the right image
i dont think this is a post that needs reblogging actually. if you ask me
good morning
You’ll need the link!
We got Musk off our land. Let's build a monument to remind him he's a sad little b**** with no friends.
The plot of A Scandal in Bohemia is Irene Adler orchestrating an elaborate escape to get away from her abusive ex (the king hires people to stalk her, confront her, break into her home, steal from her, etc.). AND SHE ESCAPES! SHE'S FREE!
So every time an adaptation includes her as a criminal, love interest, or femme fatale who loses to Holmes it's not just missing the point, it's genuinely so fucking disrespectful.
Exactly, exactly @skyriderwednesday
#SHE WINS!!!!!#THAT'S THE WHOLE POINT OF HER#she makes holmes see that he was the being used to do evil to an innocent woman because he didn't bother questioning the motive of the king#that's why he keeps her photograph imo#to remind him to keep his eyes open and question all sides of a case#it's a 'norbury' if you ask me#to open his desk drawer and see ms adler looking back at him#is to ask the question of himself ''am i in the right here?''#''am i aiding the correct party in this case?''#sherlock holmes
I love when Leverage stops in the middle of an episode to explain a corrupt system or law or whatever so they're sure the audience knows exactly what's bad about it before they execute a cathartic revenge upon someone exploiting it. They're like hang on let me take a minute to explain the private prison industry and why it's so fucked up. Okay now back to the jailbreak and fucking over the rich private prisons guy
my bonnies

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i tried to be funny and it backfired miserably
it’s 2014 it’s time we moved on as a nation and stop reblogging this
every person who reblogs this in 2015 is gonna get their ass kicked by yours truly
via teaboot
I feel like when I say ‘relatable’ what I really mean is ‘resonant.’ I don’t want characters who I feel are like me, I want characters who have emotions so strong I can feel them through the page.
I think this is important because a lot of us forget the power of stories to make us feel things about characters who are not like us, who have experienced things that we never will. The purpose of listening to someone else's story should not necessarily be identification, but understanding.