If y'all aren't tagging current events or politics or something, I am unfollowing/not following. Like a girl needs to be able to escape the news sometimes my goodness
Xuebing Du
Fai_Ryy

pixel skylines
The Stonewall Inn
d e v o n

Game Changer & Make Some Noise

gracie abrams
cherry valley forever
NASA

shark vs the universe

ellievsbear
One Nice Bug Per Day
noise dept.
Lint Roller? I Barely Know Her
let's talk about Bridgerton tea, my ask is open
RMH

todays bird
★

PR's Tumblrdome

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@lajeunefilleenfeu
If y'all aren't tagging current events or politics or something, I am unfollowing/not following. Like a girl needs to be able to escape the news sometimes my goodness

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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American Horror Story: Murder House S01E11 Birth
(Almost) Every Costume Per Episode + Aurelia's black dress with gold print in 1x12
CLAIRE BENNET and PETER PETRELLI in HEROES “Fallout” (2006-2010)
one of the biggest things I can advocate for (in academia, but also just in life) is to build credibility with yourself. It’s easy to fall into the habit of thinking of yourself as someone who does things last minute or who struggles to start tasks. people will tell you that you just need to build different habits, but I know for me at least the idea of ‘habit’ is sort of abstract and dehumanizing. Credibility is more like ‘I’ve done this before, so I know I can do it, and more importantly I trust myself to do it’. you set an assignment goal for the day and you meet it, and then you feel stronger setting one the next day. You establish a relationship with yourself that’s built on confidence and trust. That in turn starts to erode the barrier of insecurity and perfectionism and makes it easier to start and finish tasks. reframing the narrative as a process of building credibility makes it easier to celebrate each step and recognize how strong your relationship with yourself can become

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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Cruel Intentions (1999) dr. Roger Kumble
MEAN GIRLS 2004, dir. Mark Waters
Sanrio Curtains via
first cherries of the summer
Vivienne Westwood: Heart Leather Gloves (2008)

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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When I was a little boy, girls used to just do random cartwheels for no reason. Then one day, they stopped. Now that I am a man, no women randomly do cartwheels. This is because society is evil and killed the cartwheel impulse in their soul. They don't even spin horizontally anymore. It's fucked up.
Julia Stiles as Kat Stratford 10 Things I Hate About You (1999) | dir. Gil Junger
Charles Howard Davis - Giverny, Harvest Moon (1880s)
I love how Teddy has this really dramatic narrative beat where he watches Lamar have a heart attack (that he caused!) and doesn't call for help until Lamar has already died, and it's literally never brought up after it happens. He doesn't even think about it privately. There's no moment of guilt. There's no moment where he wonders what that means about him as a person. He just expresses sympathy to his ex-wife and his children that her father/their grandfather is dead, and never reflects on the fact that he both had a hand in causing his death and intentionally didn't try to help. King behavior. Teddy, there is something so wrong with you Mr. These Musicians Are Not Normal.

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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Philip Wilson Steer