Parliament House, Valletta. Malta, October 2015.

titsay

Kiana Khansmith
ojovivo
let's talk about Bridgerton tea, my ask is open
One Nice Bug Per Day
Game of Thrones Daily
Lint Roller? I Barely Know Her
d e v o n
Misplaced Lens Cap

Love Begins

祝日 / Permanent Vacation
noise dept.
TVSTRANGERTHINGS
Cosmic Funnies


Discoholic 🪩
$LAYYYTER
Show & Tell

izzy's playlists!

seen from Brazil

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@ladygrinninghole
Parliament House, Valletta. Malta, October 2015.

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WHWRE IS THAT FUCKING GUY
david byrne
oh sisko i love u like how u love basebal...

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Nimit Nigam ∎ A figure reduced to color and edge
Images created solely using mathematical equations by mathematical artist Hamid Naderi Yaganeh
oder........
THIS IS THE HARDEST DAY I LIVED IN GAZA
The dead and injured are everywhere, families screaming, and the sound of bombing still has not stopped.
Living inside a hospital while hearing explosions all day is my reality since I got injured.
To every kind heart, please donate even a small amount to help evacuate me for treatment. Please don’t leave me alone.
Chuffed - PayPal - Verified
please please share and donate to help my friend aboud!!
Season 1 Kira..... I'm so sorry girl... You deserve the world...
I recently found out she was only 26 during season 1 and I'm only 26 right now and... yeah...
(Song: "Mandy, Do You Know Any Other Songs" by 2 Mellow)

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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じゃまとは
What's the bothering?
Salvo - Strada con lampioni, 2001

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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“the possibility of rejection is essential to forming deep relationships with people” - chanté joseph for british vogue
Men in the Cities, Robert Longo
For Men in the Cities, Robert Longo set up his camera on the rooftop of his apartment and threw a variety of objects at his friends, capturing their aggressive reactions in these remarkable photographs, created between 1977 and 1983. The jerks and spasms of Longo's subjects, sharply dressed in business attire, have an elegance and grace that is entirely unexpected; protective reactions and exaggerated gestures have been turned into effortless and authentic choreography, a ballet of falls and stumbles, leaps and trips. The movements are fresh and vital, full of energy and life, even while they portray a sense of agony. They document an essence of human motion, boiled down to pure expression. This work later became the inspiration for his iconic Men in the Cities series of large-scale, monochrome charcoal and graphite drawings.