need to get back to my roots. need to draw something purple
something purple
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@lady-shikibu
need to get back to my roots. need to draw something purple
something purple

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I think the thing that annoys me most about AI on a personal, day to day, level is what it has done to grammar checkers. If you've never done a lot of editing, or used to 5+ years ago but haven't really in the last couple years, I can't even begin to describe how fucking BAD this shit has gotten. And as an author it is EXHAUSTING.
I just want to catch spelling errors and accidental double spaces and repeated phrases and whenever I use the wrong too/to or affect/effect and shit. But no. They've shoved AI up the ass of every grammar checking software out there and now they all fucking suck and make the most random, obnoxious, nonsensical suggestions.
And yeah, I can ignore all the times it's trying to get me to cut out any semblance of my own voice, or shove things into the wrong tense, or make the most random suggestions on comma usage. But if it's getting all that WRONG, what is it just straight up missing that I SHOULD be correcting? What real spelling and grammar errors are still lurking in there?
"Use Libre Office."
I get why people keep saying this (and other versions of it like "Use Adobe alternatives" and "Use Google product alternatives."). But here's the problem: I do not create in isolation. Even my own 100% personal projects are getting sent to other people whether it's editors or printers or beta readers and unless every single person in that train is using the same products, things can get wonky.
Libre Office and Word handle formatting differently on the back end, which can completely break documents if you move them back and forth between the two. So if I write in Libre Office but my beta readers are still using Word, when I send them a manuscript for review there's a good chance things won't look right and my beta reader will not actually be reviewing what I sent them.
Industry standards are industry standards FOR A REASON. Having everyone on the same workflow can be crucial to getting things done effectively and correctly without creating a lot of extra work. And those things are not going to change overnight, as much as we might want them to.
:| :| :|
Yeah, Word, let me just leave this whole chunk of dialogue without the closing quotation marks. That's the thing to do. How dare I have two punctuation marks in a row. It's not like that's how closing quotation marks fucking work.
I am going to light something on fire.
And you know, for young writers, this has got to be so detrimental just from the perspective of opening your document and seeing a million corrections that, frankly, don't need to be there. If you're a young writer you're likely not going to have the background knowledge to know what is and isn't a good suggestion, you're just going to see a document that makes it look like you made every mistake possible so clearly you must be a terrible, stupid writer and should just give up.
guy who is stuck in a timeloop but is too socially anxious to bring it up to anybody or change their routine just in case it turns out they're mistaken. like yeah you're pretty sure that it's been november 3rd for two weeks now but idk maybe that's the depression talking. it's fine.
ngl this is the only way i can see a comic through to completion, just do it how i want rather than trying to make anybody happy
evoking bertholt brechtβs βthe way people cast a play!β quote as a spell against prescriptive, stereotypical, fatalistic typecasting
idk what to tell you except go look at the fishwives

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love it when fma just says the quiet part out loud
[insert βi know writers who use subtext and theyβre all cowardsβ here]
One of my favourite bits in fma is how during the final arc they bring up why attempting human stransmutation is forbidden, as the readers we've seen what happens when an attempt fails with Ed and Al, so of course the logical explanation is that "it's too dangerous to attempt", or even "it goes against the natural way the world works, it's monstruous in nature and impossible".
But then Arakawa in her infinite wisdom as a writer goes, lol no, the goverment has been making flesh monsters with human transmutations in secret for years, they forbid it so that nobody can't even come close to attempting to create a personal army that cannot feel pain
Somebody posted a screenshot of this tweet with the OPs name blocked out so I did a 10 second google search and found the original tweet so I could share it with credit
i love murderbot as like a representation of being nonbinary in a dangerous situation. when its public most of the time it has to choose between presenting itself as a governed secunit (aka "mindless killing machine") or a human, and both options make it upset, but it cant be neither because that would put it in danger. it doesnt tell people the name it gave itself because humans would find it weird and unsettling. it doesnt want to be perceived as human and it doesnt want to be perceived as a robot either!! murderbot my nonbinary hero
aeor burning in the bg
ourgh discworld is still so good

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i should start writing the essays ive been saying i want to write
i miss thinking critically but im just on here scrolling rip
no sorry i dont really use instagram, i can contact you via ouija board, spirit box, fluctuations in temperature, flickering lights, and certain rituals. i am also on tumblr.
Hello ive really enjoyed ypur Goblin Emperor posting do you have any other books you recommend?
Yes! A list!
The Swords and Fire Trilogy (starts with The Tethered Mage) by Melissa Caruso: These are a trilogy of dense political fantasy novels. Caruso is the master of presenting you with a story, telling that story in the first third of the book, and then revealing the much larger more complex story underneath the original premise. Swords and Fire has a very different tone to Goblin Emperor, its much more in line with conventional fantasy, and there's more magic and violence. But it has a lot of the same preoccupations as The Goblin Emperor, one of the main plotlines centres around a vote on a civil rights bill, and the main character's arc is around negotiating how she's going to cope with an inherited political position and what compromises she's got to, or is willing to make. They also feature Ciardha, who is the character you get if you weaponize Csevet.
If you actually just want big, complex fantasy worlds and are less concerned with the plot specifics I would recommend Jonathan Strange & Mr. Norrell by Susanna Clarke which involves the return of magic to an alternate version of Regency England. And also Rebecca Roanhorse's Between Earth and Sky Trilogy (starts with Black Sun). There is Gideon the Ninth by Tamsyn Muir which is sci-fi and quite different but is similarly demanding.
The Spellshop by Sarah Beth Durst is a smaller scale cozy/romantic fantasy about a librarian who returns to the tiny village she grew up in while fleeing a civil war. Its very sweet and has more romance than Goblin Emperor, but it does have some of the similar notes of fixing a problem inside a system when fixing the system is out of reach. It has sequels, I've read the second and it was charming but not as nuanced.
The book I've read which is closest in terms of vibes is actually a YA post-apocalyptic novel called An Inheritance of Ashes by Leah Bobet. The actual story is completely different, its about two sisters trying to maintain their farm which is periodically being invaded by monsters. But the dynamic of how Hallie interacts with people, and the thematic line about how communities and families react to and discuss (or fail to discuss) abuse is very Goblin Emperor like, and the preoccupation with the logistics of daily life under stress will feel familiar from Cemeteries of Amalo. There are a group of friendly neighbourhood mad scientists. Also its just very, very good and it drives me insane that no one I know has read it.
Also YA and a rather different in terms of specifics are Tamora Pierce's Circle of Magic and Protector of the Small quartets. Even though these are a lot different in terms of style they do have a similar focus on dealing with problems in a setting, and they do again, share some appealing overall vibes with both Goblin and Cemeteries. I love Pierce's other Tortall books as well but they're much more conventional fantasy.
If you just want gaslamp fantasy and fun clothes my recommendation would be Gail Carriger's Finishing School and Parasol Protectorate books. These don't engage with the politics of the setting basically at all and they don't reward engagement the way Goblin, they're much more romantic silly books. I like them as cupcake books and they have a lot of airships.
If you want more necromancy I have two recommendations: Sabriel by Garth Nix starts with the titular Sabriel having to scramble to get home because her father has been killed and she must inherit a position she doesn't totally understand and isn't prepared for. She is now the Abhorsen, the state anti-necromancer - unfortunately, the whole country is overrun by zombies. Vespertine by Margaret Rogerson is another book that I can't believe isn't more popular. I've recommended it before as Sabriel + Murderbot and it features a very traumatized ghost-hunting nun. The actual plot has very little in common with Cemeteries but it does spend a lot of time on the question of what different people do with power and the difference between being in the right and actually doing the right thing, which I was enraptured by.
If you actually want the crime-solving portion of Cemeteries of Amalo, I actually would not recommend the mainstream forensics based series (I know of two if you want them Kathy Reich's Temperance Brennan and Elly Griffiths' Ruth Galloway). I do like these series but the structure of mainstream crime thrillers gives the crime solving a slightly voyeuristic tone that Addison manages to avoid with Thara. The books which are actually the most similar that I've read, are memoirs by real life forensic professionals, who are much more concerned with the dignity of the people they identify than their fictional counterparts. I've read 4 in the past year or so I would recommend: All That Remains by Sue Black (Dr. Black is a professor of forensic anthropology and this is a memoir which describes the various roles she's played over a long career which has included forensic work for law enforcement, responding to disasters, identifying victims of genocide but also anthropolgical teaching and research), The Bone Woman by Clea Koff (this is a much more narrowly focused memoir of Koff's work for the International Criminal Tribunals for Rwanda and Yugoslavia), Working Stiff by Judy Melinek (details Dr. Melinek's training as a pathologist in the medical examiner's office which ended up encompassing identifying the victims of 9/11) and Personal Effects by Robert A Jensen (Jensen is a manager of forensic specialists who made a career of managing the recovery and identification of the victims of mass casualty events).
The other non-fiction books I've referred to while reading Goblin are: Servants by Lucy Lethrbridge, which is a history of domestic servants and their relationship to the economy and labor movements, Jacquard's Web by James Essinger which is a history of the developments which lead from the Jacquard Loom to the computer, The Fabric of Civilization by Virginia Postrel and The Golden Thread by Kassia St. Clair which are both more general histories of textile production, Mother Nature by Sarah Blaffer Hrdy and A Good Time To Be Born by Perri Klass which are both examinations of infant mortality, maternal decision making and public health. I would say these are only recommendations if you're independently interested in these topics except for Perri Klass's book, which I recommend to everyone because I think it should be mandatory.
Then books that have nothing to do with Goblin Emperor but which I recommend because I just like them: The Shades of Magic Trilogy by V.E. Schwab and its Sequel The Fragile Threads of Power. These are about magicians chasing each other through four alternate versions of London and I adore them. The Chronicles of Chrestomanci by Diana Wynne Jones are sort of centered around a nine-lifed, dimension hopping enchanter known as Chrestomanci and are essentially magical school stories, except that the students all give the magical school the slip and run off to cause trouble at the earliest possible opportunity. More generally if you haven't read Diana Wynne Jones you are living a life of deprivation. The Dominion of the Fallen Series by Aliette de Bodard is a post-apocalyptic version of post-WWI Paris ruled over by fallen angels and features a character (my beloved Thuan) who wants you to think he is Maia but is actually Csevet as imagined by John Le CarrΓ©. These are quite dark and violent (they do have some Goblin Emperor style politicking towards the end but overall they're tonally more similar to Game of Thones) but I think Aliette de Bodard is criminally underappreciated so if this series isn't for you (they are A Lot) go and find her Xuya Universe space opera series.
There are hardly any female werewolves because they break all the classic rules of femininity. They force you to confront female violence, strength, size, grotesqueness and uncontrollability. Historically female shapeshifters always shift into something dangerous (snake) or sleek (cat) or dainty (bird) but female werewolves ignore the masculine gaze completely. They're distorted beasts that have no ulterior motive except to destroy. Nothing about them is nurturing or modest. They're the opposite of what a woman "should be." Their omission from pop culture is not an accident.
Rereading A Memory Called Empire and I have arrived at the most relatable line in here. I have thought about this at least once a week for the past several years

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Game where the ancient hero is awakened from the deathless sleep of centuries in the hour of their people's greatest need, only to find that civilisation is thriving and there are no obvious threats on the horizon; the game then becomes a fish-out-of-water detective sim as they try to figure out what woke them up, and also solve other, smaller mysteries along the way.
everyone go play this
Shout out @sizzlingsandwichperfection-blog for this game that I ceremoniously do every day now when I need a break from work. I feel very good when I score well and very stupid when I can't get the pangram first (my own made-up rule that I MUST follow).
Smush is stupidly fun. I wish I could take credit for it, but Hank made it. I just edit it/try to make the play fun by picking good words and middle letters.