Sterling Hyltin and Gonzalo Garcia in “Hallelujah Junction,” choreogaphy: Peter Martins (x)
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Sterling Hyltin and Gonzalo Garcia in “Hallelujah Junction,” choreogaphy: Peter Martins (x)

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Etiole of the day, Laetitia Pujol
ph. Christian Lartillot
The National Ballet of Canada’s Giselle
Xiao Nan Yu
© David Cooper
Eleonore Guerineau and Monique Loudières in rehearsal for Giselle
ph. Svetlana Loboff
Hannah O'Neil Premiére Danseuse à l'Opéra de Paris. © Edward Lane
www.hoffalt.com

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her leg is so beautiful :oo
Wendy Whelan
Photo: Kyle Froman
The cleanliness of her pose….
via
Rehearsals at Opera Garnier for William Forsythe’s newest ballet, photos by Bejanmin Millepied (off his instagram)
Unity Phelan and Amar Ramasar rehearsing Christopher Wheeldon’s “American Rhapsody”. New York City Ballet. Photos by Carmen Chan.
Deborah Bull on Marianela Nuñez
Nuñez is the epitome of everything I’d like to have been. She never allows self-doubt or nerves to undercut her performance. It’s hard to transfer all the courage and bravery of the rehearsal studio to the stage and maintain it in front of several thousand eyeballs. I would often feel frustrated when I didn’t achieve what I was capable of. Nuñez, however, shows total courage and fearless conviction every time the curtain rises. Her dancing is characterised by a luscious femininity and a radiant warmth. It has a softness, richness and velvetiness underpinned by a steely strength. She excels across the repertoire – her White Swan is the equal of her Black Swan – and it’s a tribute to the intelligence of her approach that she has not been typecast in the “tougher” roles, to which her formidable technique is well suited.

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Maya Plistetskaya in Paris, 1977.
National Ballet of Canada corps dancer Emma Hawes / Photo © Sian Richards
Francesca Hayward
Romeo and Juliet
Agnes Letestu
Alina Cojocaru

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Laura Hecquet, Hugo Marchand
Duo Concertant
photo: S. Mathé
Sylvie Guillem, 1991 by Richard Avedon (1923-2004) Sotheby’s
MY QUEEN