Kelsey McGruer @kmcgr - Tumblr Blog

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PABLO PICASSO

1881-1973

MARIE-THÉRÈSE EN FEMME TORERO, 1934

Etching on Montval laid paper 297 x 237 mm | 11¾ x 9⅛ in

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Martin Lukáč and Marek Meduna, Tino Velly (Galactic Love), 2020

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PHOEBE COLLINGS-JAMES

Cunt_2014_Oil on canvas 495 x 527 cm

unstretched web 768 x 807

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Agnes Pelton, 1952

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maeiajiatheme:

Marta Orlowska, title and date not given

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nipples poking through a shirt are an accessory we should all learn to appreciate

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Raven Lyn by Quintin Perez and Ron Erick Odchigue for Elle Arabia Dec. 2019

test-01 from Kelsey McGruer on Vimeo.

Lighting Studio Performance from Kelsey McGruer on Vimeo.

Human Sculpture from Kelsey McGruer on Vimeo.

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Fabric as Flesh (2016) from Kelsey McGruer on Vimeo.

"Fabric as Flesh" is the video component of my multimedia installation titled "Full of Praise for the Statuary of the Greeks" (2016)

In this work the relationship between the female body and drapery as an art historical and gendered trope is examined through various media, including performance, photography, and sculpture. The female body’s relationship to drapery and its representation in visual culture has established a unique tension between concealing and revealing. What I find most interesting is when and why the decision is made to expose the female figure in visual culture. The resulting images often speak volumes about societies’ perspectives of the nude female.

Note: The title “Full of Praise for the Statuary of the Greeks” is referenced from the text “Drapery: Classicism and Barbarism in Visual Culture” by Gen Doy.

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Zendaya’s for Wonderland Magazine by Petra Collins, June 2016.

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@yasminemei.

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took years to love my skin color so the excessive selfies is just me making up for lost time ig @/queenxayla

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@heavytitty

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