I am so mentally well Dooku: Jedi Lost is making me loose my marbles
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@king-hsssy
I am so mentally well Dooku: Jedi Lost is making me loose my marbles

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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Jessica Rabbit for @creatingblackcharacters ’s Melanin Beam Challenge! I always thought Megan Thee Stallion would make the perfect Jessica Rabbit. Everyone say Happy Birthday to Mrs. CBC!
So that movie announcement huh…
Switching from cgi/live action to animation is a wonderful call. There is no mention on who/what studio will be making it besides Warner so they might pull the hire/fire method to make this film which will suck so when names are announced make sure to follow and support those animators and artists.
It’s still waaaaay too early to really say anything besides commenting on the directors track record which is… debatably ok… it’s a whole lotta b horror movies and supposedly people like his thriller films.
This films been in the works since 2021 and 5 years later we still haven’t seen concept art or anything. I hope it is actually going to get made because Warner has now seen the sales of the comics and those accursed Ultimates figures but this could also be a humongous tax write off.
No context, just ya boi being a lil silly after the sad art I posted the other day
ThunderCats: Cheetara (Dynamite Entertainment, September 2026) variant cover by Will Robson

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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Paused finishing up the comic summery because I couldn’t access the comic for a bit and grad school was jumping me but we are back.
It will won’t be polished or anything but it will be made. Perhaps a bit slowly. That’s all that matters.
he would
Airachnid and Decepticons 🤖🕷✈️
Dynamite Comics video in the works, not kidding I am just waiting till I graduate to edit and post.
Script edited (trying to keep it under 20 mins and that was hard af) , just trying to find a place to record
With the freeze predicted for Texas, I will be finally able to hunker down and record my thoughts. So sorry my deadline of December 2025 slipped away from me, but I will post on my YouTube channel by February!
g g guess who rewrote the script and is re-filming rn….
✨Sasha cowgirl doll ✨

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giving fantasy creatures extended lifespans so a char can be 20 forever <<<< extended lifespan so a char can be middle aged or old forever
Tanz der Vampire - Stuttgart 2011
just got done with my new video script, i decided to go with summarizing and reviewing the comics chronologically because i am a historian freak so Cheetara 1-6 and Worldbreaker is first

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TOON MAGAZINE Fall 1997 / MEN IN BLACK THE SERIES
Weird Fantasy (1950) #18 written by Al Feldstein and drawn by Joe Orlando, with editor Bill Gaines
So he said it can't be a Black. So I said, "For God's sakes, Judge Murphy, that's the whole point of the Goddamn story!" So he said, "No, it can't be a Black". Bill just called him up and raised the roof, and finally they said, "Well, you gotta take the perspiration off". I had the stars glistening in the perspiration on his Black skin. Bill said, "Fuck you", and he hung up.
Al Feldstein, Tales of Terror: The EC Companion
Just to add context for those not aware of the impact of this story.
The reason it was so important for narrative purposes, was that the plot concerns the visit of the Astronaut, in his completely opaque spacesuit, to a planet populated entirely by self-aware robots (originally from Earth) who have built their own society and are petitioning to be allowed to interact with Earth again as equals.
They have a democratic government and free choice of careers etc. as the orange robot serving as guide tells the Astronaut.
The Astronaut notices that there are two different types of robot on this world; the orange ones, who are in charge, gifted access to all information and facilities. and the blue robots, who are seen as more limited in function, have less access to information and resources, and are not allowed positions of power or as wide a choice of employment opportunities. Even transportation is segregated.
The Astronaut investigates further and discovers that the blue and orange robots are actually structurally identical, there is absolutely no difference between their potential or capabilities, and it is only because the orange robots are instructed by their Educator system to consider themselves superior, that the difference exists.
The Astronaut tells the robots they are not ready for re-alignment with Earth, until they come to terms with their own unfairness, and how Earth had had to deal with this issue themselves. When that time comes, the robots will be able to ally with Earth.
Then he leaves in his spaceship, and it's only in that one final panel that we see the Astronaut is black.
Not subtle, nor should it be, but for 1950 this was a breathtakingly powerful statement, perhaps the first of it's kind in the genre.
The black character was not a caricature, or comedy relief, he was a main character in his own right, a human who "simply" was black.
Ok, but this story is sadly revolutionary even now. That is not just a human who happens to be black, as far as every other character in this story is concerned this is the most important, maybe even the only human they ever see, who happens to be black.
As depressing as that is, but a black person just casually representing the entirety of humanity is a breathtakingly powerfull statement even today, a quarter of a century later.
reblogging for Black History Month!