Kat Haynes Art

Finally have an official cover and title!  There were some REALLY good guesses as to what the title could have been, but I can at least explain my reasons why I went with Replica.  TLDR you can still call it Future Booty Shaker if you want. Usual info dump below: 

 There are several reasons why I chose Replica as the final name.  The most obvious being that Omega is Donnie’s blatant attempt at replicating himself in digital form.

The second being that this comic is in itself is an attempt at replicating the vibe and setup of the film’s opening as closely as possible.  Those first 4:05 have literally become the bible for this story and I have already had to make vast changes based off of tiny details that weren’t noticed until later on.  

Ironically the cut full opening just dropped today and I do have some feelings I’d like to address.  It’s obvious how substantially different the two openings are from each other.  As cool as it was to see everyone kicking butt, I will admit I still like the final version a lot better.  Sure it’s shorter, but it felt far more personal and intimate than the action packed cut version, and THAT’S the sort of vibe I want to replicate in this comic.

At its core, this isn’t a story about fighting a bunch of Krang, it’s a story about a family fighting their own personal battles before an apocalyptic backdrop and Replica is a vain attempt at retaining that feeling while building a story around it. Will I be successful?  Who knows.  I will definitely be drawing reference from the cut boards especially the appearance of their colony.  I’m happy my hunch was right that they were stationed beneath the Statue of Liberty, that was already a part of my story haha.

Whew, after a breakup, a flu bug, a nasty stomach virus, a car accident, physical therapy, and my vision going bad in one eye, I finally have this next update finished. 2026 has certainly not been kind to me, but I'm hanging in there and hoping to get back to a normal baseline soon. So far it's been about two weeks without something bad happening so I'm hoping whatever AO3 curse struck me down has finally moved on. Thank you everyone for your patience as I try to get all my projects back on track.

Anyways, this was quite a chapter, huh? I'm sure you have lots of questions, and I'm willing to answer some of them, if only because I love character discussion!

So the keen fan might recognize that this whole sequence is a close mirror to Raphael's meditation from the season 1 finale! I always found this segment fascinating and wondered if it had a deeper meaning that was never shown to us due to the show's cancelation. After watching it again some years back I realized how his meditation could not only be an accurate vision, but one that foretold Raph's final moments, the use of time travel to undo their dark future, and his journey into the afterlife with his father as his guide. In the series Raphael had meditated with the intention of "his path being revealed" ...and it certainly was.

The thing about visions is that they seldom make much sense until hindsight can be applied and that's exactly what happened here. Poor Raph thought it wasn't working, but I truly believe that as a creature driven by his heart and instincts he could tap into the spiritual side of the mystic arts in a way similar to Mikey. Where as Leo and Donnie tend to fall back onto logic, the Sunset Duo has always allowed their emotions to be the driving force of their actions. It's why he could easily see Karai when she was a part of April, and why this small meditation session was actually successful. The dum-dumb just didn't put two and two together.

I was originally planning to have the sequence still end with him falling down into the maw of some Krang-like monster but decided that it did not end well with that sort of tone... even if it would have been very symbolic with him being consumed by the Krang. If you want to imagine that happened though, be my guest haha.

Interesting semi-related note, but if you look closely at the back at the giant maw, like a light at the end of the tunnel we see a very familiar blue glow. Something that reminds me a lot of Leo's portals. Perhaps a way out for Raphael that will free him from his own shackles? Funny how this same thing also happened earlier in the series, in which Leo had to use his portals to help them escape the maw of another giant Yokai... albeit it was his portals that got them into trouble in the first place, but that's pretty much exactly how things went down in the movie's plot as well so I find it very poetic...

I just liked having it be a little more symbolic with his final moments being a callback to the series finale instead.