Cosimo Galluzzi
TVSTRANGERTHINGS
will byers stan first human second
macklin celebrini has autism
2025 on Tumblr: Trends That Defined the Year
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Aqua Utopia｜海の底で記憶を紡ぐ
Cosmic Funnies
Janaina Medeiros
KIROKAZE
"I'm Dorothy Gale from Kansas"
ellievsbear
Discoholic 🪩
art blog(derogatory)
Love Begins
Xuebing Du
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@kaltsektion
«The body must be dissolved in the subtlest middle air: the body also dissolves in its own heat and moisture; where the soul, the middle nature, retains dominion over the color of darkness in all parts of the glass: the darkness of nature, which the ancient philosophers called the raven's head, or the black Sun.»
—Marsilio Ficino
Art: Splendor solis, c. 1582
Telegram / Facebook / Sacred Ibis fb group
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Antonio López García, Metro, 1970-1972
When my son was about to turn two, strangers would offer condolences. There’s a collective cultural dread of toddlers, who get described more like animals than people. Kids in their "terrible twos," I was warned, are illogical, unregulated, and feral. "Good luck," people would say. "He'll grow out of it."
I'm lucky: My son is a very easygoing kid. But I remember the first tantrum he threw for me. He was standing by our front door and asked to go outside. So I opened the door and grabbed his shoes. But as soon as he stepped onto the porch, he pointed back into the house.
"Inside," he said.
"Okay," I said. I picked him up and brought him inside.
But as soon as I shut the front door, he pointed outside.
"Outside!" he said.
You know where this is going. We went back and forth, inside and outside, again and again. He got more frustrated. And I got more frustrated. Eventually he wound up straddling the threshold of our house, sobbing. When I tried to comfort him, he screamed at me. "You go wherever you want!" I said. He just got madder. I felt trapped, convinced he’d concocted the whole episode as a pretext to unleash his rage at me. It was ridiculous. I consoled myself with the thought that he was just being a toddler.
But later I kept thinking about him wailing at our front door, one foot inside, one foot outside. His misery wasn't unreasonable, or trivial, or silly. My son was experiencing the agony of wanting two things that were impossible to have at the same time. What a fundamentally human sorrow! My son wasn't being a toddler; he was being a person. Adults may not walk around howling, but that same pain rages within us. In that moment, as a father, I was powerless to solve my son's problem. I told him he could go wherever he wanted, but of course I was wrong. To be where he wanted was impossible.
Make Believe: On Telling Stories to Children by Mac Barnett
uihhhm waiter. theres a challenging theme in my soup
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Jindřich Pileček - Full Moon (1998)
01/19/2026 2:40am
Naomi Butterfield
British Museum colludes with pro-Israel lobby to erase Palestine from historical exhibits —— An investigation by Middle East Eye has exposed the British Museum for covertly removing the terms “Palestine,” “Palestinian,” and “Israeli occupation” from its historical displays following intensive lobbying by pro-Israel activists. Internal emails obtained via a freedom of information request reveal that the London institution rapidly altered descriptions of artifacts dating back to 7,500 BCE to appease political pressure groups, including the Board of Deputies of British Jews and high-profile figures. While museum director Nick Cullinan publicly claimed the changes were part of a standard curation refresh and backed by audience testing, the newly released disclosures confirm that no visitor research regarding the term "Palestine" was ever conducted. The internal correspondence details a frantic effort by museum staff to pacify complaints lodged between October and December 2024, with one directive explicitly ordering curators to remain hyper-conscious of the anniversary of 7 October. In one instance, a panel describing ancient rulers of “Palestinian descent” was scrubbed and changed to “Canaanite origin” within five hours of receiving a complaint from the Board of Deputies. Middle East Eye cross-referenced the redacted emails to identify key lobbyists, including right-wing commentators and historians who weaponized access to the museum's leadership to argue that historical references to an ancient Israelite occupation would stoke modern antisemitism. The targeted erasure has sparked a severe diplomatic and cultural backlash, with Palestinian Ambassador to the UK Husam Zumlot accusing the public institution of betraying its historical integrity to serve political ends. Cultural figures and human rights defenders have condemned the museum for complicity in what the United Nations classifies as an ongoing genocide in Gaza, noting that the bureaucratic deletion of Palestinian history in London directly mirrors the physical destruction of heritage sites on the ground. Despite photographic evidence showing that references to "modern Palestine" were replaced with "Gaza and the West Bank" at gallery entrances, the British Museum has refused to answer specific inquiries, issuing a blanket denial to Middle East Eye that any erasure took place.
by PixieRosa (2013)
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Alexandra Duprez
Manuel Chavajay (Guatemalan, 1982), Sin título. De la serie “K’o q’iij ne t’i’lto’ ja juyu’ t’aq’aaj”, [Untitled. From the series K’o q’iij ne t’i’lto’ ja juyu’ t’aq’aaj], 2023. Used marine and automotive motor oil, watercolor, and embroidery on cotton paper, 99.5 x 106.8 cm.
In an Irish House, 1988
Zinester @alexwrekk's annual poster for International Zine Month is now live!
2026 features 31 ideas for making zines and zine-related activities; one for each day of July, as well as a handful of zine-y dates to remember across the year.
You can download high-res versions of the poster here (in case you want to print and distribute it) and visit Alex's site to find out more about the poster and International Zine Month.
Putney Vale Cemetery
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céline gracieuse laguarde (france 1972-1961) la robe de gaze, 1903
Cris Pachalian - Eros
