Franz von Stuck
wallacepolsom
$LAYYYTER
almost home
Sade Olutola
ojovivo

tannertan36
Show & Tell

izzy's playlists!

çĽćĽ / Permanent Vacation
we're not kids anymore.

oozey mess
KIROKAZE
art blog(derogatory)

#extradirty
tumblr dot com

Origami Around
let's talk about Bridgerton tea, my ask is open

ellievsbear

â
seen from United States

seen from United States
seen from United States

seen from United States
seen from United States

seen from United States

seen from United States
seen from United States

seen from Germany

seen from United States
seen from United States

seen from United States
seen from United States
seen from CĂ´te dâIvoire
seen from TĂźrkiye
seen from United Kingdom

seen from United States
seen from United States
seen from United States
seen from United States
@kaltsektion
Franz von Stuck

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
Free to watch ⢠No registration required ⢠HD streaming
Dmitry Kochanovich
the photographer/the photograph
National Geographic, Vol. 182, July 1992
photo by Joel Sartore for article "America's Third Coast"
Captioned: Holy Rosary Cemetery shares common ground with the petrochemical plants massed upriver from New Orleans to Baton Rouge. High rates of malignancies among residents have tagged the region Cancer Alley. - article author Douglas Bennet Lee
Scans

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
Free to watch ⢠No registration required ⢠HD streaming
Memorial to the fallen fighters, veterans and victims of fascist terror which befell this region during the People's Liberation Struggle (1941-1945), Rovinj, Ivan SaboliÄ, 1956
âside streetâ (2008)
ÂŤThe body must be dissolved in the subtlest middle air: the body also dissolves in its own heat and moisture; where the soul, the middle nature, retains dominion over the color of darkness in all parts of the glass: the darkness of nature, which the ancient philosophers called the raven's head, or the black Sun.Âť
âMarsilio Ficino
Art: Splendor solis, c. 1582
Telegram / Facebook / Sacred Ibis fb group
Antonio LĂłpez GarcĂa, Metro, 1970-1972

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
Free to watch ⢠No registration required ⢠HD streaming
When my son was about to turn two, strangers would offer condolences. Thereâs a collective cultural dread of toddlers, who get described more like animals than people. Kids in their "terrible twos," I was warned, are illogical, unregulated, and feral. "Good luck," people would say. "He'll grow out of it."
I'm lucky: My son is a very easygoing kid. But I remember the first tantrum he threw for me. He was standing by our front door and asked to go outside. So I opened the door and grabbed his shoes. But as soon as he stepped onto the porch, he pointed back into the house.
"Inside," he said.
"Okay," I said. I picked him up and brought him inside.
But as soon as I shut the front door, he pointed outside.
"Outside!" he said.
You know where this is going. We went back and forth, inside and outside, again and again. He got more frustrated. And I got more frustrated. Eventually he wound up straddling the threshold of our house, sobbing. When I tried to comfort him, he screamed at me. "You go wherever you want!" I said. He just got madder. I felt trapped, convinced heâd concocted the whole episode as a pretext to unleash his rage at me. It was ridiculous. I consoled myself with the thought that he was just being a toddler.
But later I kept thinking about him wailing at our front door, one foot inside, one foot outside. His misery wasn't unreasonable, or trivial, or silly. My son was experiencing the agony of wanting two things that were impossible to have at the same time. What a fundamentally human sorrow! My son wasn't being a toddler; he was being a person. Adults may not walk around howling, but that same pain rages within us. In that moment, as a father, I was powerless to solve my son's problem. I told him he could go wherever he wanted, but of course I was wrong. To be where he wanted was impossible.
Make Believe: On Telling Stories to Children by Mac Barnett
uihhhm waiter. theres a challenging theme in my soup
JindĹich PileÄek - Full Moon (1998)
01/19/2026 2:40am
Naomi Butterfield

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
Free to watch ⢠No registration required ⢠HD streaming
British Museum colludes with pro-Israel lobby to erase Palestine from historical exhibits ââ An investigation by Middle East Eye has exposed the British Museum for covertly removing the terms âPalestine,â âPalestinian,â and âIsraeli occupationâ from its historical displays following intensive lobbying by pro-Israel activists. Internal emails obtained via a freedom of information request reveal that the London institution rapidly altered descriptions of artifacts dating back to 7,500 BCE to appease political pressure groups, including the Board of Deputies of British Jews and high-profile figures. While museum director Nick Cullinan publicly claimed the changes were part of a standard curation refresh and backed by audience testing, the newly released disclosures confirm that no visitor research regarding the term "Palestine" was ever conducted. The internal correspondence details a frantic effort by museum staff to pacify complaints lodged between October and December 2024, with one directive explicitly ordering curators to remain hyper-conscious of the anniversary of 7 October. In one instance, a panel describing ancient rulers of âPalestinian descentâ was scrubbed and changed to âCanaanite originâ within five hours of receiving a complaint from the Board of Deputies. Middle East Eye cross-referenced the redacted emails to identify key lobbyists, including right-wing commentators and historians who weaponized access to the museum's leadership to argue that historical references to an ancient Israelite occupation would stoke modern antisemitism. The targeted erasure has sparked a severe diplomatic and cultural backlash, with Palestinian Ambassador to the UK Husam Zumlot accusing the public institution of betraying its historical integrity to serve political ends. Cultural figures and human rights defenders have condemned the museum for complicity in what the United Nations classifies as an ongoing genocide in Gaza, noting that the bureaucratic deletion of Palestinian history in London directly mirrors the physical destruction of heritage sites on the ground. Despite photographic evidence showing that references to "modern Palestine" were replaced with "Gaza and the West Bank" at gallery entrances, the British Museum has refused to answer specific inquiries, issuing a blanket denial to Middle East Eye that any erasure took place.
by PixieRosa (2013)