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My sweet Penelope đ

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New Yearâs Eve makeup, 2024
Acrylics and varnish on plaster and tow fiber
55 cm x 48 cm
This painting is a reproduction of the poplar makeup tutorials shared on instagram around the years 2013-2014
The plaster gives a disturbing volume to the content, already in a distorted shape.
It questions aspects of seduction such as makeup and how we pose in front of a camera. Seeing These tutorials, I built my some of my notions of feminity and habits around it. What can it mean for other girls who engaged with it, did it play a role in the woman that they are today as well as it did for me ?
Killing time, 2024
Oil painting on canva
100cm x 100cm
Inspired by retricaâs heart photo montage, popular in the years 2010âs

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VOLE, 2023
Acrylique sur plâtre, filasse et plastique
Acrylic on plaster, tow and plastic
130 cm x 70 cm
45 cm x 25 cm
This work explores light and colors. trying to break free from the traditional frame painting format.
I gave the plaster a draped print, engaging the painting in a memory-like atmosphere, with floating shadows of figures and a frozen kiss.
PROM, 2023
acrylique sur papier / acrylic on paper
150 cm x 200 cm
This painting is a work on prom, power attributes and symbols, but also seducive materialism in girlhood and adolescence.
These paintings of dresses on paper allows the subjects to be vulnerable and fragile, the paper cracks in some spots and it is also folded in 6, giving a  passing note  feeling.
GAGA, 2023
acrylique et vernis sur papier aquarelle marouflĂŠ sur bois et nĂŠons
/ acrylic and varnish on watercolor paper, lacquered wood and neons
42 cm x 58 cm
THE ICON !!!!
This work explores power and seductive attributes, especially makeup and the effect of  looks  on the viewer.
It is also borrowed from internet images and edits, I tried to respect the social media aesthetic, especially around 2013-15 instagram.
The varnish gives it a commercial finish, blurring the lines between art and advertisement.
Vintage Barbie Doll tutorial, 2023
acrylique et vernis sur plâtre / acrylic and varnish on plaster
32 cm x 22cm
PORTIA MUNSON âI was always really attracted to and loved the color pink, but I think I wanted to know what it was about,â she explains. âWhen I got to art school, and later, I was thinking, well what is it about this color? Why am I attracted to it? It canât just be that it symbolizes passive prettiness.â She went on to expound the colorâs force, and to capitalize on the way it has been used to categorize women. New York-based multimedia artist Portia Munson, at the intersection of sculptural installation, photography, painting and sculpture, raises pressing concerns around nature and feminism. The excruciating exercise of accumulating the objects â castoffs from yard sales and thrift shops, trash from along roadsides and streams, give-away piles, and landfills - take the form of unflinchingly maximalist art installations. The American artist categorises and assembles thousands of these found mass-produced objects, and organises them into densely layered pieces that emphasise the colour of the object and intended function.
âOur modern cultures produce so much stuff, we define ourselves and express our values through the commodities we surround ourselves with. I hope my work helps people recognise that there are embedded meaning(s) in this stuff and that it helps tune us into a deeper way of seeing,â concludes Munson.
This next article is written by a student writer from the Her Campus at Pace chapter. The majority of my conversation with Munson centered around her exhibition, âThe Pink Bedroom,â and she gave me such an interesting inside perspective on the piece. âOur stuff defines who we areâ and creates the world around us. So when confronted with just how fetishized the commercialization of womenâs items and media are, it should be a space that provokes emotion, good or bad. This is exactly the type of reaction from an audience that Munson desires as an artist. With how regularly we see our culture as consumers changing, the products that we interact with change with us and reflect who we are. My final question for Portia Munson might be considered a clichĂŠ one, but important nonetheless: what advice would you give to college-aged women like the ones in Her Campus? Her answer was a perfect one. Firstly, following your passions and interests no matter what they are is the best thing you could possibly do, as âthe most important audience is yourself.â And lastly, the world as we know it is âmade up,â so we never have to accept what is given to us as our fate. We are free to create the world for ourselves that we want to see, just like we do in our art and expression. To support Portia Munson and follow her work, she is most active on Instagram, @portiamunson, and is represented by PPOW Gallery here in New York City.         Â

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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Siren-eye tutorial, 2023
acrylique et vernis sur plâtre / acrylic and varnish on plaster
33 cm x 25 cm
Prom queens in shitty living rooms, 2023
acrylique, paillettes et vernis sur papier/ acrylic, glitters and varnish on paper
29,7 cm x 21 cm
series of acrylic paintings inspired by family pictures of girls ready for prom, in dusty, dark, dirty living rooms... Questions the contrast between their dream and their reality.
Smokey eye tutorial, 2023
acrylique et vernis sur plâtre / acrylic and varnish on plaster
39,5 cm x 33 cm
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