Also! As you're studying creative and professional writing: do you have any writing advice? Anything you picked up along the way that's incredibly helpful with your original fiction and fanfic?
alright, iâm gonna try and culminate the last three years of my degree into the most helpful advice i received that i can remember and it might be completely useless to you all but who cares:
adverbs are the enemy. if you can say she smiled prettily you can sure as hell take another four words to describe what was pretty about her smile instead. (if you gotta keep 1 or 2 adverbs in, fine, but purge the rest.)
kill your darlings is usually relevant but only because that one sentence you love so much is usually only loved because it doesnât actually fit in with everything else. if your darling fits and works, donât go killing it - raise everything surrounding it to that standard.
when posting articles/content online (especially on websites like medium), post towards the back end of the week, in the second half of the day. wednesday and thursday are the best ones for it. the algorithms of medium and other websites will make sure the article ends up trickling into friday, when bored employees go online during their breaks, and if enough of them read it, itâll be especially popular over the weekend. (case in point, i did exactly this for this essay on depression.)
be warned though, popularity can be down to your tagging system, your title, any featured image and subtitle. just because you post at the exact right time doesnât mean youâll get the reads. hereâs a masterlist of free stock images you can use, just because iâm nice.
read where we came from as much as new books. i donât like classics but even i have to admit that reading ray bradbury can provide important and helpful tips and tricks, as much as reading the hunger games can.
try as many genres as you can, but if you know what genre you want to write in, focus your energy on that. a teacher of mine once said that he regrets dividing his energy between literary fiction and horror. he reads and writes both, but because he spent his time split, he never mastered either of them. if he had focused on one over the other, his talents with it would be much more than they are. (though, note, if you want to focus on multiple genres, do it anyway. i canât decide between sci fi and fantasy, so iâm willing to master neither so i can enjoy them both.)
write everyday if possible. my teachers all recommend morning pages - you write a page in the morning before you get up and leave. do it during breakfast or when youâre still in bed. it can be about anything - word association, prose, poetry, whatever. it also does not have to be good. hereâs a good book we were recommended on the subject if you want help with this.
for fan fic specifically: write in third person. unless youâve got something super Artsy and Forward Thinking going on, your readers will only find themselves uncomfortable with first person, as weâre already trained to consider these characters as outside ourselves. putting first person in makes us the same person as the character, and whether readers are aware of it or not, thatâs not the experience they came to fan fic for.
try to observe the trends of fan fiction when you can. i did this when i wrote for the 100 (i noticed that more people wrote during the hiatus between seasons, but more people were reading during the season airing and immediately after it finished) - youâll find youâll get more reads than you expect.
on tagging, just because itâs relevant to me: tag however you want on ao3, but tumblr only pays attention to the first 5, so make them the most important ones that are most likely to be read. from 6 onwards, tumblr wonât put your post in that listing when searched, so donât bother.
donât make the same mistakes i did with the prose around dialogue. itâs not:
âHey there,â Jackson said. Emily smiled.
as soon as your prose stops relating to the dialogue and jackson, you gotta start a new paragraph. even if youâre going into exposition or description - it doesnât belong on the same line as the dialogue and itâll start confusing the reader. especially when you stop saying things like âjackson saidâ and the reader starts attributing the dialogue to incorrect characters. try:
âHey there,â Jackson said.
Emily smiled. âHey!â
be as economical in your writing as possible. seriously. i love purple prose but we donât need it everywhere. sometimes the reader just needs the facts and not three paragraphs of adjacent information. (sometimes, however, the reader wants that information, so itâs about being economical with how often youâre economical.)
for correct formatting for scripts, use the BBC writerâs room. they also have contests and open submissions. very occasionally, the people who submit can get hired to the BBC.
let yourself be shit at writing. itâs nothing to be ashamed of.
hereâs the best books i can offer you for writing. some may be helpful, some not so much for you - but these are the books my teachers recommended and i connected with.
The Writerâs Journey, Christopher Vogler is a staple, okay? it was the first book we were told to buy, because it breaks apart a story into so many pieces and shows you how theyâre to be employed. itâs not an enjoyable read, but itâs a really good place to be starting from.
The Elements of Style, Strunk and White. Another staple. Very short and apparently, very important.
if you want help with novel writing, Thomas Emsonâs How To Write a Novel in Six Months is my go-to. he came in and delivered a lecture, the book takes only 40 minutes to read, and it comes with a lot of great advice you can pick and choose from. i reference him every time yâall ask for writing advice and itâs because the things i took from his book are the most helpful to my process.
Stephen Kingâs On Writing is pretty good. I was bored as heck through the first half, where he writes his life story, but the second half is all writing advice and super helpful.
as mentioned in the morning pages point: The Artistâs Way, Julia Cameron.
The Definitive Guide to Screenwriting, Syd Field.
The Ode Less Travelled, Stephen Fry. if youâre interested in writing poetry, this is a very good one to use.
On Writing Well, William Zinsser. if you want to write non-fiction, this is the one for you. get the most recent edition you can, the edits are worth it. (for example, zinsser originally wrote âheâ when talking of the writer, and eventually changed to âtheyâ and âhe or sheâ, because he learned feminism lmao.)
my playwriting teacher recommends The Art of Writing Drama, Michelene Wandor which i havenât actually read yet but i plan to.
Heussner, Tobias, et al. The Game Narrative Toolbox is good (though a lil expensive) for when it comes to writing for games.
so is Rusch, Doris C. Making Deep Games: Designing Games with Meaning and Purpose, but again, recommended for games.
sources: iâm a third year creative and professional writing undergrad, consistently top of my class, taught by professional writers in fiction, experimental literature, poetry, non-fiction, playwriting, young adult and childrenâs literature and game design.Â
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