Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
✓ Live Streaming✓ Interactive Chat✓ Private Shows✓ HD Quality✓ Free Actions
Free to watch • No registration required • HD streaming
Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
✓ Live Streaming✓ Interactive Chat✓ Private Shows✓ HD Quality✓ Free Actions
Free to watch • No registration required • HD streaming
Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
✓ Live Streaming✓ Interactive Chat✓ Private Shows✓ HD Quality✓ Free Actions
Free to watch • No registration required • HD streaming
Please help us save our national park from destruction.
Bulldozers have arrived and started clearing critical habitat in Big Bend National Park, Texas for Trump's border wall.
Image source
DHS has waived at least 30 laws meant to protect this region and the Rio Grande with no oversight, accountability, or input from locals who will be impacted the most. This is a horrific attack on public lands, one of many inflicted by the Trump administration, and will devastate the environment, wildlife, indigenous and cultural sites, and the local tourism economy. People and wildlife in this desert ecosystem will be cut off from their water source. Local outfitters who run river trips for tourists will lose their businesses. Archeological sites will be destroyed. Indigenous communities will be cut off from their ancestral land. The darkest night skies in the lower 48 will be lit up with industrial border lighting. All of this for a sector that makes up 25% of the border but only 1.3% of crossings.
DHS has awarded $7.5 billion in contracts for border wall construction in Texas alone. The sector in Big Bend National Park will cost $1.7 billion which is least two thirds of last year’s budget for the entire NPS. All in the name of a manufactured crisis that doesn't exist. Think of all the good we could do in this country with that money.
Your congressional representatives have the power to withhold the funding for the border wall. Please, please take two minutes to contact your representatives and tell them to withhold the funding. Many lives are counting on you.
Big Bend is under threat A proposed border wall threatens the profound beauty & wild landscapeof texas' rio grande corridor take action What
Terlingua Tensions are high in South Brewster County as federal contractor Southwest Valley Construction, a subsidiary of Nebraska-based Kie
Reports indicate DHS is advancing border wall construction across the Texas Big Bend region, including segments affecting Big Bend National
Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
✓ Live Streaming✓ Interactive Chat✓ Private Shows✓ HD Quality✓ Free Actions
Free to watch • No registration required • HD streaming
Between-songs transcript - London, England (11 July 2026)(Night Three)
I love her rambling literally what are you talking about gorgeous…. Under the cut 🙏
A-STAGE
[before disappear]
[Gerard]: London! London, have we met before? We never forget a face. No matter what’s happened to it. Tonight’s programme is brought to you by the Ministry of Complementary Reconditioning. Courtesy of the man we are all here to celebrate, Tractor Magazine’s Most Interesting and Handsome Man for twenty-seven straight years in a row, ladies and gentlemen, put your hands together and make some noise like your lives depend on it, for His Grand Immortal Dictator! This man is excellent at everything. It’s his first time in the United Kingdom. And he’s having a ball. Over here, we have the Draag National Auxiliary Band, please make some noise for them! Yes, make some noise! And for us, we are The Fifty-Second Regiment of The Black Parade! A toast to regiments zero through fifty one.
[before i dont love you][elexecution]
[Gerard]: For those watching at home, welcome back! Our four contestants have made it to the final round, and the final question. Contestants! For all the prizes, which of the following bands is older than the city of Draagred? Is it The Eagles? Is it B: Manhide Cheeseloader? Or is it C: The Black Parade? That good? You’re outta time. I’m sorry. But you still won’t go away empty-handed; my dear audience, as a consolation prize, what should these losers receive? Will it be ‘yea’: a set of matching bicycles? Or will it be ‘nay’: the sweet release of death? Alright, people, let’s show them what they’ve won! Roll! Ready! Aim! Fire!
[during mama][counting in Sylvia and Marianne]
[Gerard]: Ahhh! You’re here at last. You’re here at last! And it’s time, it’s time for a summoning! It’s time for magic words of counting-ins, my dears and drearies! Are you ready to try? I’m gonna count a couple of times, I’m gonna say, like, one-two, then you say one-two-three-four, oh my god, we’re gonna practice it right now. Okay?
[mama outro]
[Gerard]: [singing] Happy birthday to you… happy birthday to you… happy birthday, birthday, birthday…
[before disenchanted]
[Projection Guy]: Our time has come. The button pressed, and a single act has meaning. A single word repeats across the stars, and then our hearts: greatness. And then comes a time when all must ask—what cost to hide? What loss so great, to scrawl our names in sand, or chisel them in concrete? Goodnight, my friends. Goodnight to all.
B-STAGE
[before party poison]
[Gerard]: We got too excited, right at the top of that fucking thing. Combination of the Green Box and this motherfucker banging into it. All of you guys here, actually, big part of it. Missed the whole fucking thing. Hey, we’re gonna—this is our last night here. The fact that we got to do this three times is a true fucking gift, thank you guys. We wanna thank some people. First of all, a nice surprise; we got fucking Anthony Green here performing. He’s in a band, just like Tucker, called L.S. Dunes, they’re fucking amazing. Amazing band, amazing people, and dear god, this next band that agreed to play with us, one of the most legendary bands of all time, Sunny Day fucking Real Estate, please make some noise. I think there was this thing, like, people always say, I don’t know how true it is, but, like, I don’t know, Velvet Underground, record came out, and, like, only a few people bought it, and, like, um, [singing] they all started a band, there was a bunch of motherfuckers, they were watching 120 Minutes, they saw the Sunny Day Real Estate video, and they started a band. Lot of people. Please make some fucking noise for this animal, Jarrod Alexander. And this beautiful fucking brain right here, Jamie Muhoberac. You’re so wonderful. Now thank for the Draag National Auxiliary Band, you’ve been making noise for them, please make some noise for Clarice Jensen who plays the cello right here; Kayleigh Goldsworthy, and of course, Tucker Rule, as I have mentioned previously. We’ll give a special shoutout, thanks to Carmen Romano. Thank you so much. Now! Are we ready to continue? We’re gonna play a song we’ve never played before. Right? Have we played this before? Oh, we did. Long time ago. Was call—was it called something else then? It doesn’t feel like we’ve ever played it, that’s how long ago it was. This motherfucking song’s called ‘Party Poison’.
[before not okay]
[Gerard]: Yo, I came in fucking late on that, because I wanted that shit to keep going. Yo, we—s—so exciting, when you guys were clapping during the fucking breakdown, I was, like, shit, I don’t come in this early, right? I do. Get faster? We gonna do it again but faster? Who was there in Poland for the Na Na twice, two times in a row, back-to-back, one time faster? You guys were there? Warsaw? Excellent. Cheers. Fuck yeah, Warsaw. We’ll just keep this shit fucking going, summer jams, all the way the fuck around. All the way the fuck around!
[before desert song]
[Gerard]: Hell yeah, my friends. Hell yeah, my friends. Hey, we’re gonna bring out some very—two very special friends of ours, they’ve been been with us for a while—for a—I’ve got all kinds of—got water in my mouth, I’m sorry. Anyway. Oh they’re—fuck, that was awesome. That was awesome, actually. Just fucking appeared. You really bailed me out. Please make some noise, again, for Clarice Jensen and Kayleigh Goldsworthy. They put together something really awesome for this song, that we haven’t played in, like, four years, I don’t know—w—maybe we’ll talk about time later. I see people that were there forty years ago, they look exactly the same. You know what I mean? I don’t have issues? Fucking weird, man, it does not feel like four years. Whatever. We’re all here tonight. Alright. Should we make it spooky? Get spooky. Get it real spooky. Shh. It’s called ‘Desert Song’. Lights. That’s how you really make it spooky. Oo!
[before na na na]
[Gerard]: Thank you Kayleigh and Clarice. Make some noise for them. You know, since we started, it’s just been a fucking awesome—oh my god, a chair. Wooow! Man! Gonna do this. Anyway, since we started this, we have been very lucky, since we started the Long Live thing, the Black Parade twenty-sixth—twentieth anniversary thing, they’ve been so lovely, we have the most amazing people, from the musicians in the band, to the crew, just fucking everybody, an amazing team, helped build this all this stuff, shoot all those videos, making all this [indistinct] every day, I see how hard they fucking work. It’s a lot, and, I think, we all enjoy it. I hope—I hope they do, I—they look like they do, and you guys seem like you enjoy it. [green box noises] Killjoys! Make some noise!
[before vampires]
[Gerard]: [indistinct] Was in the desert, where we filmed it. What you got for me? So, tonight, this thing’s gonna be special, some very bloody music. We’ll see. But, first, um, a really amazing artist passed away, I think it was three weeks ago, or maybe four, his name is John Blanche, and, um, he was an amazing painter, amateur painter, artist, all across the board, and he was responsible for so much of Games Workshop, and Warhammer, [indistinct] towards the end, of you know—the last couple years, people really started fucking recognising this guy. It was amazing, and, um, so I want this really, really horrific, nasty spooky song to go out to John Blanche. This song is called ‘Vampires Will Never Hurt You’. Bloodbath. Bloodbath. Bloodbath.
[before vampire money]
[Gerard]: Yeah, I want some more, uh, Powerade… I don’t have a deal with them, but it’s delicious. Frank’s got some. Any Powerade here? Creeping over here? You got, like, a professional Gatorade bottle. Woo! A+ banter, you know. There’s a wha…? What does it say? No, I only played Baldur’s Gate 1. Thanks, buddy. Not that I probably wouldn’t have liked to play 3. I did play the Icewind Dale expansion, but I just ran outta time, you know? That shit takes time. You know why we answered that, ‘cause who the fuck would think to write that? Did you play Baldur’s Gate 3? Is it good? I would assume so. You know, I would assume so. The first one was a lot of fun. You know, it was the closest thing we got—to um, you know, playing, like, D&D, you know? Let’s—let’s play a song for it, right? Oh, yeah. Yeah, you didn’t all play it, right? Just these couple people, right? Actually, I think I sold all my copies[?]. These motherfuckers play Baldur’s Gate 3? Them too? What are you talking about?! Alright, let’s do this. Double vampires!
[before sing]
[Gerard]: Thank you guys so much. We really, um—we really wanna thank Wembley Stadium. Just—everybody here’s been really incredible. Fuck, it’s just been really special. Very, very, incredible. Man. Really cool. They’ve been, um, they were really excited about us coming here, so, we thank them very much. And I wanna thank you guys. If you came tonight, if you came to all of them, thank you for spending your morning, afternoon, evening with us. Thank you. So much. We’re gonna play something we haven’t played on this tour, right? Yeah? Frank’s knocking it out of the park with this fucking set list, gotta say. You know what I mean? Alright, shh. Shh.
[before helena]
[Gerard]: Hey, Rich fucking Costey’s here, we wanna—we wanna give that guy a shout out, motherfucker. I didn’t mean to curse. If you’re watching, I’m sorry. It just is. We love you, Rich. Um, if you, um, if you know Rich’s work, he mixed the original singles, all the ones off—um—off ‘Three Cheers for Sweet Revenge’. And recently, he remixed all of them, he’s doing some mixes for us this week, he mixed ‘Foundations Of Decay’, we love him very much. He’s one of the only people in the world left who works with consoles that I trust. He—this song’s for you, Rich, why the fuck not? It’s off fucking Three Cheers, thanks for the record.
[before kids]
[Gerard]: You know, uh, I—it’s a big fucking ask, it’s a—huge, really, but, like, I do hope we get to do this again someday, you know. It’s been wild, this is more than enough, and thank you for that, but it’d be cool. And it’s okay to say stuff like that, because you actually don’t know what’s gonna happen tomorrow, like, it’s not a fatalist thing, like—ohh, no one knows! We clearly like fucking playing together, we missed eachother. It’s pretty fucking [indistinct]. So, um. We have one more for you. It’s about us! It’s about us up here. It’s about you, too, don’t worry. It’s called ‘The Kids From Yesterday’. Alright, get your lights ready…! Get the lights coming on!
