Show Me Yesterday, For I Can't Find Today

*thinks about OCs* *Thinks about OCs* *thinks about OCs* *thinks About OCs* *thinks about OCs* *Thinks About OCs* *thinks about OCs* *THINKS ABOUT OCS* *thinks about OCs* *thinks about OCS* *thinks about OCs* *THINKS about OCs* *thinks about OCs* *thinks ABOUT OCs* *thinks about OCs* *thinks about OCs* *Thinks about OCs* *thinks about OCs* *thinks About OCs* *thinks about OCs* *Thinks About OCs* *thinks about OCs* *THINKS ABOUT OCS* *thinks about OCs* *thinks about OCS* *thinks about OCs* *THINKS about OCs* *thinks about OCs* *thinks ABOUT OCs* *thinks about OCs*

Something about the bastardization of the story time and time again proves that nobody in power really cares about the people who would resonate with King’s Carrie White. A girl so ugly and repulsive she’s been removed from her own story. The societal need for women and girls to be constantly perceived as attractive is what fuels a fair amount of her torment in the book, but that person isn’t even allowed to exist on the screen. We cannot empathize with her; it isn’t allowed. It’s fascinating to me.

whats yalls ultimate fave character. like years have passed, interests have come and gone, yet theyre still here. mines ellie williams

thank you for coming to my this

#mythis

I'd like to take up word with IX