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@jonilover
contemporainwoman
Jeremy Mann

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Two Friends, Egon Schiele
Xi Pan
A Chinese female Modigliani with a touch of Cezanne
Kimono Flower, 2013
Sharon Sprung (b. 1953, American)
Siesta in the rocking chair - Henri-Charles Manguin 1905
French 1874-1949
Oil on canvas, 89 cm x 117 cm.
Private Collection.

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Shimura Tatsumi 志村立美 (1907-1980)
Kosodemaku 小袖幕 (Short sleeve kimono) - 1960s
Without face - Igor Venski
Gyula Batthyány(Hungarian, 1887-1959)
Hatted Women 1930’s
Oil on cardboard
Henri Matisse
Yuqi Wang

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Hasui Kawase, Snow in Kiba
Hasui Kawase (Japan, 1883-1957)
Yao Wenhan and Zhang Tingyan The Myriad [Tributary States] Coming to Court / Wanguo laichao tu / 万国来朝图 China (c. 1760) The Palace Museum, Beijing [Source]
Richard J. Smith writes:
…the Qianlong emperor had already commissioned a set of paintings that conveyed the same sense of collective “barbarian submission” that came to be celebrated in the Da Qing tongshu zhigong wanguo jingwei diqiu shi. Indeed, at almost exactly the same time that the Huang Qing zhigong tu appeared in print (1761), two of the emperor’s court painters—Yao Wenhan (dates unknown) and Zhang Tingyan (1735-1794)—produced a beautifully executed work titled “The Myriad [Tributary States] Coming to Court” (Wanguo laichao), which depicted representatives from dozens of countries in East Asia and the West, all gathered together with their “local products” in the Forbidden City under the watchful eye of Qing officials.
Wow. Stunning. I would love to see this in person, to look at the fine details. It’s interesting, from what little I see here, that (a) I don’t see any Ryukyuans, even though Ryukyu (Liuqiu) was the 2nd top tributary to China after only Korea, and (b) one of the banners clearly says “Japan” 日本国, even though Japan /never/ sent tributary missions to the Qing, and even though Beijing refused to engage in formal relations with Japan from sometime in the 1500s, all the way until the late 1800s.
Useful annotations!
Garden Scene in the Etschtal - Robert Russ
George Inness - The Goat Herder c.1853. Oil on canvas.
I fidanzati - Mario Oddone Cavaglieri
1919

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Lumbering - Childe Hassam
Yuri Krotov (1964-), Russia