â Camaraderie â KJI & KYR
a week ago, the dance club had assigned a project to each of them - to come up with a performance as a pair. of course, as luck would have it, she was paired with someone she didnât know too well. they had encountered one another a few times in the past, but nothing substantial enough for her to know much about him or about his personal life or even how his dance style was. she wished she could switch partners, but being her normal bubbly self, she hoped that it wouldnât be too difficult to be able to come up with something with the semi-stranger.
however, it seemed that that was more easily said than done. something about the choreography was off. maybe it was their chemistry with one another. or was it something else? she wasnât too sure. it was difficult for her to pinpoint, but the male outrightly brought up the issue. âuh âŚâ she bit down on her bottom lip, scratching her head. âyeah ⌠but i donât know what âŚ?â she looked over, confusion knit between her brows.Â
she imagined the dance that they had come up with in her mind, and if everything went according to plan, it should work perfectly, but yet, it definitely was not working out that way. âwe donât really have time to start over though, do we?â she pointed out. the performance date was fast approaching, and if they had to learn a new routine, it was going to take quite a bit of time.
Jongin hummed softly, brow furrowed in mental concentration. He knew that it wasnât because they were unskilled or untalented, they were both quite good at dancing, so he knew it couldnât be something as simple as that. And he knew that the choreography itself seemed perfectly fine, it was interesting and technical. So he didnât think that was much part of the issue either. But eliminating possibilities didnât exactly help him to uncover what the truth may have been.
âNo, itâs much too late for that. Perhaps itâs some misstepâŚperhaps we arenât as connected as we should be?â he suggested, brow still furrowed and hand still placed upon his hip. He knew that at times that was a concern with his dances. By himself he was perfectly fine, he knew what to do and had no trouble fixing what difficulties the choreography presented. But with others, it tended to be a bit more chaotic.
A part of him knew that it was, at least in part, that he was so distanced from people and therefore refused to allow enough chemistry to develop long enough for even a dance. âMaybe we shouldâŚI donât know. Either find some way to become more comfortable with one another or re-work the entire choreography. Which one would you rather do?â he asked, as he himself thought that both were far too much work than he really wanted to put in. But he also refused to look incapable onstage.












