occasionally subtle

#extradirty
Mike Driver
PUT YOUR BEARD IN MY MOUTH
Claire Keane
Keni

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he wasn't even looking at me and he found me
Aqua Utopiaď˝ćľˇăŽĺşă§č¨ćśăç´Ąă

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I'd rather be in outer space đ¸
DEAR READER

izzy's playlists!
will byers stan first human second

Andulka
One Nice Bug Per Day
2025 on Tumblr: Trends That Defined the Year
let's talk about Bridgerton tea, my ask is open

tannertan36
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@jonathanlehman

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âA World of Wonder" by Câmon Tigre and Danijel Ĺ˝eĹželj - NOWNESS
MOLOTOW⢠Product Sessions #09 - MOLOTOW⢠TRANSFORMER System
MOLOTOW⢠Product Sessions #11 - URBAN FINE-ART⢠Special Series CHALK

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Bitter Old Fecker "Kaplan"
Bitter Old Fecker Rustic Ales-Darlin' Process Video

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Buckle Up Poster Series
Gig Poster Screen Printing Kit from DIYPRINTSHOP.com
A couple people asked what brushes I use so here they are! From top to bottom: Escoda Prado size 2/0 synthetic round Raphael 8404 size 3 sable fine-pointed round Escoda size 12 & 14 synthetic angled I havenât tried many brushes, so this is just what I happen to use and works fine for me. I prefer synthetics cause, yâknow, animals. I use the angled brushes for about 95% of everything, since you can get a very very fine line with just the tip. The Raphael one is amazing though, you can get ridiculously lush super-thick-to-super-thin-in-one-stroke lines from that thing and itâs totally worth the intimidating price tag.
watercolor/ink/pencil

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Hi I really love your watercolour illustrations! I am curious though, about how you manage to hide your pencil markings ultimately in the final product. Do you erase them before you paint or do you paint over the faint markings?
i draw the pencil lines as faintly as i can (it helps to be tracing a very tight sketch onto your painting surface), and before painting the very lightest areas iâll take an eraser to the lines in those spots until theyâre almost invisible. in areas where youâre painting darker colors the lines are less of an issue, so i leave them and at the very end iâll just go over the entire thing with an eraser to take care of any stray pencil lines.
Hi! When you first graduated, did you manage to find illustration work right away or did it take a while? I just graduated from college and I feel that I need time to rework my portfolio before applying for things....
If your instincts are telling you to take the time and add some new work to your portfolio that youâre more proud of, then I think you should listen to them! Everyoneâs path is different and there isnât a right or wrong answer. Now that youâve graduated you have the chance to step back and take a fresh look at your work, youâre probably going to have a clearer idea of what your strongest work was, what you need to work harder at, and what you should leave behind. I definitely went through that when I graduated too. As long as youâre able to subsist in the meantime, take whatever amount of time you need to take to make work that you can show to potential clients or employers with confidence and pride â but remember that youâre never going to feel like your portfolio is âperfectâ, none of us ever do, and donât let that discourage you or make you lose the motivation you had during school. Itâs also totally okay to show your portfolio around and be actively improving it at the same time. (Just donât apologize for your old work while you do!)
I donât know whether your goal is to freelance or find a job, but if you want to freelance, always keep in mind that you are not solely dependent on the elusive callback from a potential client. Your income can come from so many different places, and you can work towards tons of profitable personal projects in the downtime between client work. No projects coming in? Design a stationery set and start an Etsy! Make a pattern collection and shop it around to textile companies! Participate in group shows! Screenprint some tote bags! Take personal commissions! Create a font! Collaborate with a fellow illustrator! Post everything online everywhere until people start noticing you! Do whatever the hell youâre interested in and find a way to make it pay for itself. I know itâs easier said than done, but the most successful illustrators are resourceful and self-motivated, and donât sit around waiting for jobs to come to them.Â
You asked about my personal experience so Iâll admit that Iâve been very very lucky. Iâve been freelancing here and there since before I started college, and was working pretty much full time by my senior year, and Iâve never had to really solicit work. I honestly believe that I get more jobs and attention than my work merits, but it doesnât all fall in my lap either. Iâve been working for almost 10 years, since I was a kid drawing shitty anime fanart, at being very visible online, and I also have a diverse portfolio which leads to lots of different kinds of job opportunities (childrenâs illustration, technical illustration, typography, patterns, etc) â if my work only functioned as one of these things, I wouldnât be doing very well. I also donât think of slow periods as slow periods; I think of them as opportunities to do that personal piece Iâve had in my head, or be in a gallery show, or teach myself to make an animated GIF.Â
Iâm not trying to say that you should be able to do everything under the sun, or even try to. What Iâm saying is that you have so many options beyond sending out mailers and waiting for responses, that you are in control of how you spend your time and where your money comes from, and that drawing literally anything at all will move you the littlest bit closer to your goals. And thatâs cool, you know? It takes a long time and a lot of work and isnât easy for anyone and some days when you havenât slept in 48 hours youâll want to say fuck it, but eventually youâll always remember that if you have even a faint chance of making money from sitting at a desk in your own home with a cup of coffee and Bomb the Music Industry on at full volume while you DRAW STUFF, you are already lucky, and itâs worth every bit of work you put into it.
Sorry for being a total sap, goodnight!