“Nobody has ever read my work-in-progress the way that the factory workers read and commented on the weekly installments of THE STORY OF MY TEETH.”
“I had one question in mind when I decided to, quite literally, drop names of real writers into the narrative tissue of THE STORY OF MY TEETH. I wanted to explore how names modify the context into which they are placed, as well as how context re-frames names. In many ways, this was a process akin to using ready-mades in art.”










