[...] but there certainly has remained with me the feeling that my identity is entirely illusory, and that by losing it I have lost nothing, except something, except everything.
E. M. Cioran, The Trouble With Being Born, tr. Richard Howard
I'd rather be in outer space 🛸
Phantogram Three
"I'm Dorothy Gale from Kansas"
untitled
noise dept.
$LAYYYTER
official daine visual archive
cherry valley forever
EXPECTATIONS
NASA
Fai_Ryy
KIROKAZE
occasionally subtle
Not today Justin
Cosimo Galluzzi

Origami Around

ellievsbear
Lint Roller? I Barely Know Her

tannertan36
Game of Thrones Daily

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@jenniferslawrence
[...] but there certainly has remained with me the feeling that my identity is entirely illusory, and that by losing it I have lost nothing, except something, except everything.
E. M. Cioran, The Trouble With Being Born, tr. Richard Howard

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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reblog to make ur blog smell like crispy autumn air, graveyards, carved pumpkin guts, moon water, and a damp cave full of bats
A Page of Madness (Teinosuke Kinugasa, 1926)

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Lake Mungo (2008) dir. Joel Anderson
Marina Tsvetaeva, excerpt from Poem of the End, Selected Poems (trans. Elaine Feinstein, with Angela Livingstone) [ID'd]
Jackson County, Michigan, 2022
ASHLEY LAURENCE as KIRSTY COTTON in Hellraiser (1987) dir. Clive Barker
a woman’s face at the end of a horror/thriller movie? where she has that serene expression on her face - whether it shows peace, joy, a bone-deep exhaustion, satisfaction, or simply growing insanity? with her skin absolutely dripping with blood and grime, her clothes torn and ragged, and her being illuminated by police lights and/or a raging fire? that’s some fine-fucking-art

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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cr. brendan burton (@burtoo)
the haunting of hill house (2018) / anett holmvik / live journal / sharon olds / natalia ginzburg / viktor macha / tracy k. smith / marvin d. cone / danez smith / barry curtis / the house that would not die (1970) / shirley jackson
Two Orphan Vampires (Jean Rollin, 1997)
A ghost was the sign of an unacknowledged horror. It indicated a gap opened by trauma, an event that because it had not been assimilated must be perpetually relived. There were no words, so there was a haunting.
Kate Summerscale, from 'The Haunting of Alma Fielding'
by 小佐々正伸 (Masanobu Kosasa)

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I do not belong. Anywhere. STRANGER THINGS (2016-) 4x03: The Monster and the Superhero 4x05: The Nina Project
keaton henson, “polyhymnia” / emily brontë, wuthering heights / theodore roethke, straw for the fire