[...] but there certainly has remained with me the feeling that my identity is entirely illusory, and that by losing it I have lost nothing, except something, except everything.
E. M. Cioran, The Trouble With Being Born, tr. Richard Howard
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if i look back, i am lost
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@jenniferslawrence
[...] but there certainly has remained with me the feeling that my identity is entirely illusory, and that by losing it I have lost nothing, except something, except everything.
E. M. Cioran, The Trouble With Being Born, tr. Richard Howard

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reblog to make ur blog smell like crispy autumn air, graveyards, carved pumpkin guts, moon water, and a damp cave full of bats
A Page of Madness (Teinosuke Kinugasa, 1926)

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Lake Mungo (2008) dir. Joel Anderson
Marina Tsvetaeva, excerpt from Poem of the End, Selected Poems (trans. Elaine Feinstein, with Angela Livingstone) [ID'd]
Jackson County, Michigan, 2022
ASHLEY LAURENCE as KIRSTY COTTON in Hellraiser (1987) dir. Clive Barker
a woman’s face at the end of a horror/thriller movie? where she has that serene expression on her face - whether it shows peace, joy, a bone-deep exhaustion, satisfaction, or simply growing insanity? with her skin absolutely dripping with blood and grime, her clothes torn and ragged, and her being illuminated by police lights and/or a raging fire? that’s some fine-fucking-art

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cr. brendan burton (@burtoo)
the haunting of hill house (2018) / anett holmvik / live journal / sharon olds / natalia ginzburg / viktor macha / tracy k. smith / marvin d. cone / danez smith / barry curtis / the house that would not die (1970) / shirley jackson
Two Orphan Vampires (Jean Rollin, 1997)
A ghost was the sign of an unacknowledged horror. It indicated a gap opened by trauma, an event that because it had not been assimilated must be perpetually relived. There were no words, so there was a haunting.
Kate Summerscale, from 'The Haunting of Alma Fielding'
by 小佐々正伸 (Masanobu Kosasa)

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I do not belong. Anywhere. STRANGER THINGS (2016-) 4x03: The Monster and the Superhero 4x05: The Nina Project
keaton henson, “polyhymnia” / emily brontë, wuthering heights / theodore roethke, straw for the fire