THE VAMPIRE LESTAT || 1.04 The Devil's Road
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THE VAMPIRE LESTAT || 1.04 The Devil's Road

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1.01 // 1.05
The Pitt 2x06
David Yurman: Noumenon, Origin of Form
INTERVIEW WITH THE VAMPIRE (2022-) | S03E04

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Run n Gun Film Festival 2026
Dr. Robby: Chief of the ED, Day Shift Attending, Glorified Side Table
THE PITT 1x06
HEATED RIVALRY WEEK 2026 DAY FOUR: Favorite Location -> Shane's Cottage "It's my favorite place on Earth."
THE VAMPIRE LESTAT 03.04 | "The Devil's Road" posters
Heated Rivalry Week 2026 Day 4 | Favourite Location: -> Ilya's House

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having someone care about you for the first time in 10 months
CONNOR STORRIE For the March issue of Vogue Adria, ph. Cass Bird (2026)
“Projects can take a sour turn. We never know. And that’s okay. It can be scary. But that’s not proof of quality. Even with Heated Rivalry, I was fully aware it could have been cringe. It could have gone wrong. That doesn’t mean someone did bad work. Reception is partly out of your hands. Some great films fail commercially and become classics 25 years later. I try to remind myself of that constantly. All you can do is your best, go for it. Time keeps moving. So just go big and don’t get too lost in it.” — Connor Storrie for Vogue Adria
'SEND HELP' (2026) Dir. Sam Raimi
No.
Pt 4 of The Bathroom Scene Series
Shabana Azeez as Victoria Javadi THE PITT (S02E09)

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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"I have a job with the Berkeley Barb, an underground magazine that celebrated the spirit, art and politics of the 1960s. "Job" is probably too concrete a term – it is more that I am tolerated by the offices, the commune of radical thinkers who somehow get their shit together now and again to put out a paper. I'm not on staff. I'm a freelancer. And that's the way it should be. I don't want to be tied down, told what to do. I had that shit in Modesto for two decades. I am here now, free to see what others fail to see, to show the world what they need to see." "I interview all kinds, shapes, sizes. Some of the tapes have been lost. Misplaced. One night I leave my satchel in the bar, one too many grasshoppers, one too many bumps of cocaine I scored from a guy by the urinals. I return the next day and the satchel is there, the recorder, but some tapes are missing. Or maybe I just had forgotten to bring tapes that night because I wasn't looking to work that night." "I tell myself I'm working every night. When I call home to Mom or more likely Mom calls to me, I explain what I'm doing – classes by day, working by night. I'm not sure she believes me. Dad definitely does not; he's too Republican to say anything but grunt his disappointment." "But I am working every night. I may get distracted by the drugs, the drinks, the music, the scene. But I am always watching. Always looking. On the hunt for a story. On the hunt for a new person to interview." — HATE & ASHBURY by Daniel Molloy