It was hot, and almost immediately the humidity started to gnaw at my skin as we left the plane and walked across the tarmac. Siem Reap felt like something you would stumble across after hiking some overgrown path through an old wilderness, only to find this hidden vale behind thorny vines and a stone door. The airport was quaint yet modern, and immigration only took half an hour. Five or six men sat side by side like some bureaucratic panel, stamping and stapling our passports in symphonic unison. At the end was a silent man who held up each passport for us to see and collect, and all the passengers huddled together in the same vulnerable state watching our most cherished possession being treated like a bingo number. I grabbed mine and hurried out.
My tuk-tuk driver was waiting for me, and though I was late he didn’t seem too vexed.
Keo and I made small talk as we made our way to his bike, and though he seemed genuine enough, the subject quickly changed to business as he offered to drive me around the temples the next day. He seemed nice enough, so I accepted.
The people here are kind and strange. They live in the shell of their ancestors’ greatest masterpieces, like hermit crabs nestled in jade wares. Driving through the city and countryside to Angkor Wat, the trash heaps and sewage streams are the relics of modernity. The narrow, sand-laden streets feed into main avenues like some ancient drainage basin, and each is lined with food carts and tuk-tuks both bustling and abandoned. Children on bicycles scream to one another as motorbikes and Lexuses weave between them. Chickens pick through garbage along the road while stray dogs stare vacantly at the world passing by. I clumsily greeted and thanked street vendors with hands together and a slight bow, though they seemed to appreciate my attempt at Sampeah.
Angkor Wat’s redented towers peered over the exterior walls as I crossed its moat, and I felt the world slowly dissolve around me as I approached the perimeter wall. The hordes of tourists faded into shadows as I traced the low relief carvings that cover almost every wall in the temple. Even the malaise of living in Korea for another year peeled away as I took in all the images around me. Depictions of mythical battles are juxtaposed with bullet holes from firefights between Khmer Rouge and Vietnamese soldiers, while images of demon armies are mirrored by ignorant visitors trampling hallowed ground. Resting on a block of sandstone, I watched as Cambodians fluent in Korean, Chinese, French, English, German, and Japanese lead tours through the passageways of the temple. I made my way to Bayon.
Bayon lies within the borders of Angkor Thom, the last capital of the Khmer empire. The entrance gate is only big enough to fit one tuk-tuk at a time, and as we waited for vehicles leaving the complex to pass by, I wondered if it was cosmic retribution from the ancients to inconvenience future tourists. It was much quieter here, and as I walked through the entrance an air of serenity embraced me. The sculpted faces that adorn this temple seem to rise from below the rock in the same way that water briefly envelopes your hand as you pull it up through the surface. The halls here are more in tune with the shadows than the sun, and the little light that seeped in only added to its riddles. As I climbed to the top, a Chinese tourist threw her trash on the ground, though her Cambodian tour guide collected it for her,
“There is a bin just outside.”
Humans don’t deserve each other.
In the courtyard I watched some monks help an elderly woman down the stairs, though they are usually forbidden from touching the opposite sex. After they disappeared, I left for Ta Keo and Ta Prohm.
Ta Keo is more or less a pyramid compared to the other temples, and its greatest offering was the view from its peak. I climbed the stairs as passing tourists made small talk,
“How’s the view from the top?”
“Same as everywhere. Just Jungle”
I found a quiet ledge and rested in the shade of the roof. Although the jungle seemed to offer little insight into the history and significance of the structure I sat on, I imagined some confused 26-year-old Khmer man sitting in the same place a thousand years before, pondering the same things. The sun sank a bit more, and Ta Prohm beckoned me.
Ta Prohm is surrounded by a lush forest that doesn’t end at the perimeter wall. The trees are slowly consuming the temple, and the thick roots easily ravage the stone structures that may have one time kept nature at bay. I sat on one of the roots jutting from the wall and watched as hundreds of invaders conquered Ta Prohm with selfie sticks and tenacious mediocrity. If a picture steals part of your soul, what do millions of them steal from a place? How many apparitions of Pol Pot’s slaughter linger translucently in the background?
As I made my final rounds at Ta Prohm, I surmised what husks of our civilization will still stand a thousand years from now, and I wondered if the intrigue of monuments built by a mysterious people who lived without electricity, or modern technology, could be matched by those built by a society obsessed with documenting even the most mundane aspects of life.
What will be my enduring obelisk? Can I create a work of art as transcendent as a Khmer bas-relief of apsaras, or as tragically finite as mortarless sandstone walls pierced by the ligaments of a jungle? Knowing I would soon leave Cambodia, I pressed my face into the wall until the grit of the sand reached the skin beneath my thin crimson beard, as if I could somehow impress upon myself even a molecule of the raw excellence before me with the dust of its skin. I smelled the rot of the forest floor as the heat from my face seeped into the depths of the stone, and for a moment my heart quivered with a yearning for everything, its ripple reaching to the tines of my soul like the tremors of an incessant yawn.