I used to keep up on new music. Over the past year and a half (or so), I'm switch almost entirely over to digging around to find older music that I wish I would have heard when it was new. Like Tommy Keene.
almost home
DEAR READER
Keni
Aqua Utopia|海の底で記憶を紡ぐ

Origami Around
AnasAbdin
TVSTRANGERTHINGS

❣ Chile in a Photography ❣
wallacepolsom

Janaina Medeiros


shark vs the universe
d e v o n

⁂
Game of Thrones Daily

JVL
Sade Olutola
One Nice Bug Per Day
we're not kids anymore.
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@jasonpanella
I used to keep up on new music. Over the past year and a half (or so), I'm switch almost entirely over to digging around to find older music that I wish I would have heard when it was new. Like Tommy Keene.

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It seems like it's a given—at least in music reviewer circles—that a band doing the same thing over and over is bad. I guess I can agree. Hearing a band do the same thing all of the time can be frustrating, and hearing an artist try something new is (at least for me) one of the reasons I love listening to music. (And yes, there are plenty of people who want their favorite bands to essentially release the same album over and over.)
But sometimes....sometimes...I'm that guy. There are a few bands who are doing something that I love and keep doing that. More importantly, this seems to be something the artists love too. Power pop often gets dismissed by critics because of its samey-ness, but most power pop bands seem to thrive when they're — at most — taking micro steps toward evolution. I'm totally OK with this.
Another example: Mojave 3. The band was formed when British shoegaze act Slowdive — probably the purest example of a band who radically evolved in a short period of time — split. The core members teamed up to form a wispy, dream-like country-folk-rock act. All of their songs sound the same and I don't care because they're all exactly what I want.
All of their songs, in one way or another, sound like this song. Good. Give me more.
The AV Club ran this nice article on the dreaded word "pretentious," and how it relates (or doesn't relate) to music.
Kind of like the word "ignorant," "pretentious" gets tossed around by folks to mean something other than what it really means. (In the case of "ignorant," they mean "rude." In the case of "pretentious," they just mean "I don't understand what you're talking about, so shut up.")
Surprise.
From: http://i.imgur.com/htcz1.jpg
On Westerns in general and John Ford’s in particular, the non-malleable nature of the past, and why Quentin Tarantino shouldn’t teach film history
FilmComment posted Kent Jones's response to some scathing comments Quentin Tarantino made about John Ford a few months ago. I love it. While I like the work of both directors (well, love in Ford's case), I think Tarantino completely misses the point.

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It's Friday, so I give you not one but two E-bows in action.
A Kickstarter in the Pants
Kickstarter has become a pretty popular way to fund creative projects. As a gaming nerd, I've watched with fascination as the crowd-funding service has become the go-to place to get tabletop games made. (I wrote an article about this in The Curator last year.) As I said last year, a lot of people were curious to see what happens when the honeymoon is over.
I wonder if we're seeing reality sinking in. The hit-to-miss ratio was so in favor of the hits (like this - look at that total!) that people — including some publishers — began treating Kickstarter like, well, an elaborate pre-order system. And that really skewed expectations; the misses that people forgot about or ignored are now becoming more frequent or just high-profile to tune out. And the patrons — because isn't that what pledgers are — are getting mad.
Which is understandable! But when you plunk your money down to fund something like this game, you have to realize that you might not get your product until years after your pledged...if at all. While I'm not OKing unethical behavior, Kickstarter ISN'T Amazon. You're funding projects, some of which might not work out. It's in the fine print. It's almost like if you gave $50 to someone standing by the dumpster over there. He says he's going to give you a beautiful wooden hand drum, hopefully by the end of 2014. Do you trust him? Maybe he'll follow through. Maybe he'll give you a faux-rosewood drum he bought on eBay for a fiver. Maybe you'll never see him again. Or maybe he meant to get you that drum, but the sun told him to hide up in a tree for the foreseeable future. It stinks, but you gave him the $50.
I have a number of go-to albums for the cold-to-warm spring shift. This is from one of them.
Those schools that were already diluting their denominational identity and that were also economically vulnerable were even more susceptible to market forces than those who were reasonably strong. They had to get students in order to survive. One response to such a severe challenge was simply to cast about for educational programs that students wanted. A fairly common result of this search was to move into professional and pre-professional training, especially business, but also engineering, nursing, social work, law, and communications...Each of these endeavors, however, moves schools away from a liberal arts focus and thereby diminishes cohesion as academic communities. In these conditions, a living tradition of education — especially one religiously based — becomes difficult to maintain, particularly when each of these professional endeavors brings to the school a fairly autonomous and secular understanding of its particular field.
Robert Benne, Quality With Soul (2001), p. 22.

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