Queer History Fortune Teller
Print off this queer history fortune teller at home and use it however you like!

ellievsbear
Monterey Bay Aquarium
occasionally subtle
PUT YOUR BEARD IN MY MOUTH
I'd rather be in outer space πΈ
One Nice Bug Per Day
cherry valley forever
Keni

JBB: An Artblog!
πͺΌ

Janaina Medeiros
hello vonnie
Misplaced Lens Cap
Game of Thrones Daily

Kaledo Art

romaβ
YOU ARE THE REASON

#extradirty
2025 on Tumblr: Trends That Defined the Year

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@jamsay
Queer History Fortune Teller
Print off this queer history fortune teller at home and use it however you like!

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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Every day I handle more money than I will ever make. Every day.
At the start of my employment, my boss showed me videos of people stealing, and we both had a chuckle about it. How silly they were! There was a camera overhead, and itβs not to watch the shoppers. See, we canβt actually stop shoplifters. They get away with it maybe nine out of ten times. But we, who are watched and tallied and witnessed? We are always caught.
At first it was hard to hold one hundred dollars bills. An amount I had never seen before. An amount that didnβt exist in my household. Itβs normal now. Here is something that is not for me.
βWhat the hell, Iβll take another,β says the man, pondering our 200 dollar watches. What the hell. Total comes to 580 and not even a flinch in his face. I have been working for 11 hours today and made only 110 dollars. It will go to my rent. Today I work for free, it feels. When I get my check, I will have 35 dollars left for food and saving.
The six hundreds he hands me go into the cash register. For a moment, I imagine having money. Then I put it away, counting out his change.
I know for a fact we sell our products for double what they are worth. That I could be making commission. That they could hand me those 580 dollars and change my life and not even mark the difference in their checkbooks. Heβs not the only sale they make today, but I am the reason they made it. Heβs not the only one spending 600 dollars, but if I hadnβt spent two hours with him telling me about his life, he wouldnβt have spent any. I go home. I donβt own a watch.
I have watched and rewatched a video on how to make salmon four ways. My shopping list is always the same. Pasta. Rice. Tuna. If I can afford butter it was a good week. I dream of the world I will never walk in, where I can throw the best fish fillet in the cart with a shrug. I hold hundreds in my hand and look up at the camera. I put them under the cash drawer.
I go to work. I scrap together my savings. I eat my bowl of rice slowly. My manager takes a paid week off from work just for his birthday. He owns a yacht.Β
Iβm not worth the cost of a watch.
i wrote this while i was working at orlandoβs walt disney world parks.
i was part of their college program. i moved to the state for it. they legally owned the building i was living in and still charged me rent. i ostensibly was being charged to work for them. it was a 2 bedroom apartment and they placed 6 adult women in it in forced triples.
as many as one in ten disney employees have experienced homelessness while working for the company. despite huge efforts to unionize, strike, or otherwise demand fair treatment; disney has refused to increase employee quality of life.
disney admits publicly that a good portion of their success is because the employees (βcast membersβ) are dedicated, passionate, and selfless. this is never reflected in pay. even βfaceβ characters (ie those that are princesses etc) make barely above a minimum wage.
at the time that i worked there, i made $8.50 an hour. at one point i was asked to create a human shield around a bag because a bomb dog had alerted to it. for eight fucking dollars an hour.
i now work a very cushy office job. i have bought the salmon and cooked it all four ways.
i go to the store. i am nice to the person behind the counter. she looks up at the camera while she counts out my change. there is nothing fundamentally different about her and i.
we are both worth more than the watch, anyway.
i have been informed by literally every french speaker on earth that βune pipeβ is slang for blowjob
I think I can confidently speak for all of us when I say we were all expecting a cat.
absolutely in love with this pic from the Wikipedia page for Pikas

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The other day i bought this yarn cause thatβs obviously the trans flag, and I just saw that this colour is called βlifeβ! Iβm gonna cry
you don't even have a dog
idk anything about this but I love it
im going through my skyrim screenshot folder
Who names their character Susan
Iβm poisoning an enchanted crossbow, which I gave a nickname to so I wouldnβt accidentally sell it. The name of the weapon is βdelicious quinoa, Susanβ.

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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Happy Pride Month to those two women dancing together in the foreground of the boat scene in Godzilla (1954).
Iβm sorry your romantic foibles were overshadowed by a big ass atomic lizard thing.
out of the tags with you
i've been phasing the phrase 'google it' out of my vocabulary and going back to 'look it up'. fuck you youve lost your generic trademark privileges
Devastated that unfortunately out of the alternative corporate verbs "Google it" is kinda the best option
a lot of my disillusionment with the trans "community" comes down to the fact that too many of you take "gender is different from sex" and go "ah ok, so instead of saying women are fragile and men are strong, I should say afabs are fragile and amabs are strong. to be Inclusive"
then you just treat gender like a surface level aesthetic draped over what someone "actually" is. really is indistinguishable from terf rhetoric
you all need to unpack your bioessentialism, but we also need a better theory of gender than "it's just dressup." I will pick my words carefully here, but the word "gender" itself refers to so many different phenomena that have been lumped together, and we need to un-lump them
in a feminist context, "gender" has historically referred to externally imposed categorization and the internalization and performance of said categories. in a paper I wrote on this subject, I called this sense of the word "extrinsic gender"
"intrinsic gender," on the other hand, is what I used to refer to the sense of the word "gender" that a lot of trans people are talking about when they discuss social gender dysphoria and euphoria. it's the internal sense of category that's resistant to external impositions
but then we also use the word "gender" to refer to subconscious sex, which is the term Julia Serano coins in Whipping Girl to name the phenomenon we're talking about when we talk about bodily dysphoria. it is the "gender" being "affirmed" by gender affirming healthcare like HRT and bottom surgery
so, "gender" is: a social classing system, a performance, and at least two internal phenomena as well. and I really don't know if it's doing us a service to conflate all of these things!
a lot of people lately seem to be going heavy on the "performance" use of the word, ignoring (intentionally or otherwise) social classing, intrinsic gender, and subconscious sex. this seems to have led to a lot of "progressive" people treating trans women like men "amabs" who wear womanhood as a costume, and nobody understands why that's wrong because they also think gender is just a performance
see also "why can't you just be a femboy/feminine man/etc"
This came to me in a dream
I wonder if growth for elves is somewhat proportional to their lifespan? π
For those who don't know: Ikumi Nakamura is the woman who was senior artist on Bayonetta, and designed the titular character along with Hideki Kamiya. Their greatest moment of bonding was over their insistence that Bayonetta keep her glasses on at all times. Nakamura cannot go to horny jail. She is the warden.
Happy pride month to her and her exclusively
she made a comic about the experience on twitter
happy pride
An Update from back in October I'm surprised wasn't added to this post. lol

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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Dove-Shaped Perfume Vessels from Ancient Rome, c.50 CE: these glass vessels were filled with scented oils or cosmetic powders and then sealed, meaning that their contents could only be accessed by breaking the dove's neck or tail
These bottles were created and used as unguentaria (otherwise known as balsamaria) which are ancient vessels that were typically filled with scented oils, cosmetic powders, balms, or ointments. Unguentaria could be crafted from ceramic, glass, or stone, and they came in various shapes and sizes, but dove-shaped vessels made of glass were especially popular during the second half of the 1st century CE, when they were produced and distributed throughout the Roman Empire.
Above: a dove-shaped unguentarium with residue from the original contents still visible inside
Each bottle was crafted from blown-glass that was carefully modeled into the shape of a bird; the inner cavity was then filled with perfume or cosmetic powder, and the tip of the tail was reheated and compressed, effectively sealing the vessel.
Above: dove-shaped vessels that were opened and emptied long ago, c.50-100 CE
As this article explains:
The vessels were produced with glass blowing pipes by so-called "free blowing," and are for this reason extremely thin-walled, with body thicknesses significantly below 0.1 cm.
After the containers had been filled, the tail feathers were sealed airtight by reheating to protect the contents from moisture. Parts of the containers, such as the head or tail feathers, had to be broken off in order to access the contents of the vessels, which means that they were disposable packaging.
Above: vessels with the tips of their tails broken off
Most of these bottles were made from clear or pale blue Roman glass, but some were crafted with a dark blue, green, purple, or yellow appearance instead:
As cheap, mass-produced goods, the packaging consisted mainly of the conventional thin-walled and transparent Roman glass with an unintentional light blue colouring. Specimens made of intentionally coloured transparent glass (e.g. dark blue, dark green, violet or yellow) are less common. This may also have to do with the fact that the pink or white contents could be visually better distinguished and marketed if the vessels were made of the conventional Roman glass, which offered more transparency to the beholder than the intentionally coloured glass.
Above: a sealed unguentarium that likely contains scented oils and cosmetic residue, from Rovesenda, Italy, c.50 CE
Research suggests that many of these bottles were filled with powder, including pink substances that have been described as "blush" or "rouge," while others were filled with liquid.
Above: more dove-shaped unguentaria from the Roman Empire
Vessels with this design (which is also known as Isings form 11) have been unearthed at Roman-era sites located throughout Europe:
Evidence shows that these glass containers were widely marketed in the Roman Empire. The main areas of distribution are the central and northern Italian regions of Campania et Latium, Venetia et Histria, and Transpadana, along with the northwestern provinces of Gallia Belgica, Gallia Lugdunensis, Germania inferior and Germania superior [in what is now Italy, France, Belgium, Luxembourg, Germany, Austria, Switzerland and the Netherlands].
There is also evidence from the Balkan and Danube region in the provinces of Dalmatia and Pannonia, and also from the eastern Mediterranean in the provinces of Achaea, Creta et Cyrenae and Macedonia. The distribution in the western Mediterranean seems to be limited to Hispania Tarraconensis.
Above: the severed heads of two bird-shaped unguentaria
Sources & More Info:
Glassware and Glassworking in Thessaloniki: 1st Century BC-6th Century AD: Bird-Shaped Inguentaria (Isings Form 11)
The Austrian Archaeological Institute: New Finds of Bird-Shaped Glass Vessels with Residues of their Former Content
The British Museum: Roman Perfume Bottle in the Shape of a Bird
SocietΓ Friulana di Archeologia: Glass Doves and Globes from Thessaloniki: North Italian Imports or Local Products?
Analytical Chemistry for Archaeology and Cultural Heritage: Compositional Analysis of Greco-Roman Unguentaria Residues
Metropolitan Museum of Art: Glass Bottle in the Shape of a Bird
An incomplete list of reasons why crafting helps my mental health (and might help yours, too):
It stops me from doom scrolling: can't go on social media if my hands are full of yarn.
It gives me a sense of agency: a lot of things are messed up in a way that's beyond my control, but I can make something that didn't used to exist. It's evidence that I'm alive and I can impact the world, even if the impact is small.
It builds my tolerance for mistakes: I grew up a perfectionist , which is really bad for my wellness and my ability to complete tasks. But crafts are a great source of low-stakes mistakes to help me learn how to handle imperfection. And while there are certainly mistakes I'll always fix, I also have many opportunities to decide a mistake is acceptable and leave it in favor of getting to the finish line.
It interrupts rumination: even if I'm still chewing on some troubling news, it's not front of mind if I need to focus on getting this seam straight or whatever
It helps me meet good people: although there are obvious exceptions, I've found most craft-centered spaces (IRL and online) to be full or supportive, kind, helpful people in all walks of life
It encourages a growth mindset: I'm always learning new things in crafting, and that builds my identity as someone who can grow and improve.
And finally, making your own clothes is empowering: I know this is specific to fiber crafts, but it's important. When you make your own clothes, you flip the notion that you're supposed to "fit into" a certain size and instead remember that clothes are supposed to fit you. You get to learn how to dress the body you have with love and care, instead of allowing manufacturers decide how clothes should look.